Natchez

Natchez
Author: Joan W. Gandy
Publisher: Arcadia Publishing
Total Pages: 132
Release: 1999
Genre: History
ISBN: 9780738503257

In its earliest days, Natchez, Mississippi, attracted entrepreneurial people who saw potential for future enterprises. In fact, by the 1850s, Natchez boasted more millionaires per capita than any other small town in the country. This wealth, and the energy that came along with it, created a vibrant and bustling early environment in Natchez. The city streets served as the stage on which the action took place, and where the drama of real life in a young and hopeful America unfolded. Natchez: City Streets Revisited captures through vintage photography the images of this unique period in the city's history. Included are the early businesses that prospered in Natchez, as well as the grand homes of the pioneering families who brought prosperity to Natchez. This visual journey is possible due to the skill, craftsmanship, and foresight of the city's early photographers--Henry D. Gurney, Henry C. Norman, and his son, Earl Norman. Henry Norman trained under Gurney and went on to become Natchez's most sought-after portrait artist. In addition to portraiture, he photographed everyday life in Natchez, strolling the brick sidewalks of the city to document elaborate new storefronts and merchandise displayed on curbs. Earl Norman carried on his father's tradition and continued to photograph the city and its people in his own highly acclaimed collection.

Remembering Dixie

Remembering Dixie
Author: Susan T. Falck
Publisher: Univ. Press of Mississippi
Total Pages: 375
Release: 2019-08-23
Genre: History
ISBN: 1496824431

Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.

What There Is to Say We Have Said

What There Is to Say We Have Said
Author: Suzanne Marrs
Publisher: HMH
Total Pages: 529
Release: 2011-05-12
Genre: Literary Collections
ISBN: 0547549245

Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary world of the time; they talk of James Thurber, William Shawn, Katherine Anne Porter, J. D. Salinger, Isak Dinesen, William Faulkner, John Updike, Virginia Woolf, Walker Percy, Ford Madox Ford, John Cheever, and many more. It is a treasure trove of reading recommendations. Here, Suzanne Marrs—Welty’s biographer and friend—offers an unprecedented window into two intertwined lives. Through careful collection of more than three hundred letters as well as her own insightful introductions, she gives us “a vivid snapshot of 20th-century intellectual life and an informative glimpse of the author-editor relationship, as well a tender portrait of devoted friendship” (Kirkus Reviews).

Public Art, Memorials and Atlantic Slavery

Public Art, Memorials and Atlantic Slavery
Author: Celeste-Marie Bernier
Publisher: Routledge
Total Pages: 233
Release: 2013-09-13
Genre: Art
ISBN: 131799020X

In this collection distinguished American and European scholars, curators and artists discuss major issues concerning the representation and commemoration of slavery, as brought into sharp focus by the 2007 bicentennial of the abolition of the slave trade. Writers consider nineteenth and twentieth century American and European images of African Americans, art installations, photography, literature, sculpture, exhibitions, performances, painting, film and material culture. This is essential reading for historians, cultural critics, art-historians, educationalists and museologists, in America as in Europe, and an important contribution to the understanding of the African diaspora, race, American and British history, heritage tourism, and transatlantic relations. Contributions include previously unpublished interview material with artists and practitioners, and a comprehensive review of the commemorative exhibitions of 2007. Illustrations include images from Louisiana, Maryland, and Virginia, many previously unpublished, in black and white, which challenge previous understandings of the aesthetics of slave representation. This book was published as a special issue of Slavery and Abolition.

Natchez Area Family History Book

Natchez Area Family History Book
Author:
Publisher: Turner Publishing Company
Total Pages: 790
Release: 2004-01-01
Genre: Reference
ISBN: 1618584936

Description of Natchez flag, general history of Adams County, Mississippi, general overveiw of Natchez history, overview of businesses, organizations, churches as well as local residents bios. Many photos.

Traveling the Trace

Traveling the Trace
Author: Cathy Summerlin
Publisher: HarperChristian + ORM
Total Pages: 267
Release: 1995-04-29
Genre: Travel
ISBN: 1418559679

Only three national parks have more visitors each year than the Natchez Trace Parkway, a national park of great natural beauty and historical significance that follows a 450-mile course from Nashville, Tennessee, to Natchez, Mississippi. First used as a vital transportation link by Native Americans and later by "kaintucks" and frontiersmen, today the Trace is experienced by more than 13 million visitors a year. Traveling the Trace explores the parkway and sights within 30 miles of either side of the Natchez Trace. In addition to the well-known stops, the authors visit side roads most tourists ignore or don't know exist. It is a guide to: 25 Civil War sites 73 antebellum homes 65 museums and art galleries 78 antique shops and malls 72 bed and breakfasts 56 campgrounds 175 restaurants 49 spots for water sports and a whole lot more "One of the ten most outstanding scenic byways in America." ?Scenic Byways Bulletin "Distances on the Natchez Trace are measured as much in places, people, and history as in miles." ?Southern Living

S.S.S.L.

S.S.S.L.
Author: Society for the Study of Southern Literature
Publisher:
Total Pages: 442
Release: 1978
Genre: American literature
ISBN:

Natchez: Symbol of the Old South

Natchez: Symbol of the Old South
Author: Nola Nance Oliver
Publisher: Library of Alexandria
Total Pages: 194
Release: 2020-09-28
Genre: Fiction
ISBN: 1465613714

Natchez derives its name from the sun-worshiping Indian tribe, the Natchez, who were the original owners of the area on which the city is located. It is situated in Adams county, in the southwestern part of the state of Mississippi, on bluffs 200 feet high overlooking the Mississippi River, and is midway between Memphis and New Orleans. It is accessible by railway, steamboat, motor highway and airway. It is particularly proud of the Natchez Trace Parkway, a modern concrete road over an old Indian trace or trail from Nashville to Natchez. This highway is a link in one of the most important commercial and historic highways in the United States reaching from Washington, D. C., to Mexico. Today Natchez is a recognized center of interest because in the city and its vicinity there are a greater number of original ante-bellum mansions than in any other community in America—some 75 or more. Natchez is the second oldest town in the United States, being next in age to St. Augustine, Florida. It has lived under five different flags, each of which contributed romantic flavor to the section. From 1714 to 1763 it was under the flag of France; from 1764 to 1780 under the flag of England; and from 1780 to 1798 under the flag of Spain. In 1798 the first United States flag in the Lower Mississippi Valley was raised in Natchez. Years after the raising of the “stars and stripes”, another flag which some call “the conquered banner”, the beloved flag of the Confederate States of America, floated over Natchez, 1861-’65. Natchez “Under the Hill” applies to that part of the town along the water front and under the bluffs. It flourished during the heyday of steamboating on the Mississippi. The inroads of the river have washed away the streets, and only a few buildings remain. One very interesting home, “Magnolia Vale”, has been preserved and is presented in this book. The majority of these old homes contain original pieces of furniture, china, coin silver service, draperies, carpets, wall decorations of exquisite workmanship, huge mirrors in massive goldleaf frames, paintings bearing authentic signatures of great masters, and hand-carved marble mantels. Laces, silks, and rich costumes are displayed today by third, fourth and fifth generations. It seems hardly possible that the world could move on and leave one small community undisturbed in its ancient grandeur. The hand of destiny seems indeed to uphold and enshrine this hallowed region. The estates have descended from generation to generation, many of them today being owned and occupied by descendants of the original owners.