Theorizing Narrativity

Theorizing Narrativity
Author: John Pier
Publisher: Walter de Gruyter
Total Pages: 465
Release: 2011-09-20
Genre: Literary Criticism
ISBN: 3110969807

Theorizing Narrativity is a collective work by an international array of leading specialists in narrative theory. It provides new perspectives on the nature of narrative, genre theory, narrative semiotics and communication theory. Most contributions center on the specificity of literary fiction, but each chapter investigates a different dimension of narrativity with many issues dealt with in innovative ways (including oral storytelling, the law, video games, causality, intertextuality and the theory of reading). There are chapters by Gerald Prince on narrativehood and narrativity, Meir Sternberg on the narrativity of the law-code, Werner Wolf on chance and Peter Hühn on eventfulness in fiction, Jukka Tyrkkö on kaleidoscope narratives, Marie-Laure Ryan on transfictionality and computer games, Ansgar Nünning and Roy Sommer as well as Monika Fludernik on the narrativity of drama, Beatriz Penas on (non)standard narrativities, David Rudrum on narrativity and performativity, Michael Toolan on textual guidance, John Pier on causality and retrospection, and José Ángel García Landa on retelling and represented narrations.

Narrativity, Coherence and Literariness

Narrativity, Coherence and Literariness
Author: Eva Sabine Wagner
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 594
Release: 2020-06-08
Genre: Literary Criticism
ISBN: 3110673193

The search for the defining qualities of narrative has produced an expansive range of definitions which, largely unconnected with each other, obscure the notion of “narrativity” rather than clarifying it. The first part of this study remedies this shortcoming by developing a graded macro model of narrativity which serves three aims. Firstly, it provides a structured overview of the field of narrative elements and processes. Secondly, it facilitates the classification of narratological approaches by locating them on different stages of narrativity. Finally, it focuses attention on narrative dynamics as interpretative processes by which readers seek to produce narrative coherence. The second part of this study identifies three different narrative dynamics which characterise Laclos’s "Dangerous Connections," Kafka’s "Castle" and Toussaint’s novels. Wagner bases her analyses of these dynamics not only on the texts themselves but also on the ways in which literary scholars imbue the texts with narrative coherence. This book provides a long overdue systematisation of the jumbled field of theories of narrativity and opens new perspectives on the difficult relationship between narrative theory and interpretation.

Narrativity

Narrativity
Author: Philip John Moore Sturgess
Publisher:
Total Pages: 344
Release: 1992
Genre: History
ISBN:

Defining narrativity as the enabling force of narrative, this is the first full-length exploration of the concept in fiction in English. It develops the notion of a "logic of narrativity", and by this means tries to contribute a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches that have in recent years acquired near-orthodox status in the matter of textual interpretation. Most prominent among these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major twentieth-century novels by Conrad, Joyce, Flann O'Brien, and Arthur Koestler, and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premises of the theory and its applications.

Stories, Meaning, and Experience

Stories, Meaning, and Experience
Author: Yanna B. Popova
Publisher: Routledge
Total Pages: 236
Release: 2015-06-26
Genre: Language Arts & Disciplines
ISBN: 1134738528

This is a book about the human propensity to think about and experience the world through stories. ‘Why do we have stories?’, ‘How do stories create meaning for us?’, and ‘How is storytelling distinct from other forms of meaning-making?’ are some of the questions that this book seeks to answer. Although these and other related problems have preoccupied linguists, philosophers, sociologists, narratologists, and cognitive scientists for centuries, in Stories, Meaning, and Experience, Yanna Popova takes an original interdisciplinary approach, situating the study of stories within an enactive understanding of human cognition. Enactive approaches to consciousness and cognition foreground the role of interaction in explanations of social understanding, which includes the human practices of telling and reading stories. Such an understanding of narrative makes a decisive break with both text-centred approaches that have dominated structuralist and early cognitivist views of narrative meaning, as well as pragmatic ones that view narrative understanding as a form of linguistic implicature. The intersubjective experience that each narrative both affords and necessitates, the author argues, serves to highlight the active, yet cooperative and communal, nature of human sociality, expressed in the numerous forms of human interaction, of which storytelling is one.

Narrativity in Cognition

Narrativity in Cognition
Author: Brook Miller
Publisher: Springer Nature
Total Pages: 244
Release: 2023-11-25
Genre: Psychology
ISBN: 3031403495

This book offers a novel theory of the roles narrative plays in cognition by arguing that we can develop rich interdisciplinary research by thinking of narrative as a form of processing. Narrative processing describes a mode of anticipating, organizing, and simulating experience that is provisional, ongoing, and deeply integrated into how we make sense of what happens and how we figure ourselves into it. Accounts of narrative differ widely between cognitive psychology, contemporary philosophy, and literary studies. As a result, it is difficult to reconcile research about narrative from these disciplines. Yet the questions at stake in this research are often profound. For example, how are experiences organized into meaningful sequences? How do the rich and complex features of a ‘life narrative’ emerge from the ways experience is processed in perception, working memory, and other components of present cognition? The model of narrative processing proposed in this book complements several influential, emerging theories of cognition, including predictive processing, emotion as a component to cognition, and ecological theories of cognition. The book argues that the role of narrative in higher-order cognition is reciprocally related to the emergent narrative features of lower-order cognition. In doing so, it provides a coherent concept of narrative with the potential to inform research in various disciplines.

Perspectives on Narrativity and Narrative Perspectivization

Perspectives on Narrativity and Narrative Perspectivization
Author: Natalia Igl
Publisher: John Benjamins Publishing Company
Total Pages: 185
Release: 2016-03-10
Genre: Language Arts & Disciplines
ISBN: 9027267448

The book offers a novel approach to the question of how to model narrativity against the background of perspectivization. By bringing together contributions from neuro- and cognitive linguistics, literary studies, and picture theory, the volume uncovers basic mechanisms of perspectivization that are common to the different levels of linguistic structure, literary novels, and narrative pictures. As such, it is also a book on narrative perspectivization since its contributions examine in detail the perspectival principles in medieval, romantic and postmodern literature, in the micro-linguistic structure of language, narrative pictures, literary novels, dramatic texts, and everyday stories. In doing so, it contributes both to the theoretical debate on the core definition of narrativity and offers new empirical investigations on perspectival principles in specific historical, medial, and genre constellations. This volume will be of interest to scholars and students of cognitive linguistics, narrative research and (transmedial) narratology, cognitive poetics, and stylistics.

Narrativity

Narrativity
Author: René Audet
Publisher: Dis voir
Total Pages: 132
Release: 2007
Genre: Art
ISBN:

"In these essays, the authors consider the importance given today to the research for new narrative modes in artistic practices (whether in visual arts, cinema or literature).

Handbook of Narratology

Handbook of Narratology
Author: Peter Hühn
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 780
Release: 2014-10-10
Genre: Literary Criticism
ISBN: 3110382075

This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition. Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.

Selected Essays on Intermediality by Werner Wolf (1992–2014)

Selected Essays on Intermediality by Werner Wolf (1992–2014)
Author: Werner Wolf
Publisher: BRILL
Total Pages: 691
Release: 2017-11-13
Genre: Literary Criticism
ISBN: 9004346643

This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing 'intermediality' as an internationally recognized research field, besides providing a by now widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. The essays are presented chronologically under the headings of “Theory and Typology”, “Literature–Music Relations”, “Transmedial Narratology”, and “Miscellaneous Transmedial Phenomena” and cover a wide spectrum of topics of both historical and contemporary relevance, ranging from J.S. Bach, Mozart, Schubert and Gulda through Sterne, Hardy, Woolf and Beckett to Jan Steen, Hogarth, Magritte and comics. The volume should be essential reading for scholars of literature, music and art history with an interdisciplinary orientation as well as general readers interested in the fascinating interaction of the arts.