Narrative Mutations
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Author | : Rudyard Alcocer |
Publisher | : Routledge |
Total Pages | : 229 |
Release | : 2005-08-16 |
Genre | : Literary Criticism |
ISBN | : 1135875642 |
Given the welcomed shift throughout the academy away from essentialist and biologically fixed understandings of "race" and the body, it is a curiosity worth exploring that so many sophisticated-and even radical-narratives retain physical and behavioral heredity as a guiding trope. The persistence of this concept in Caribbean literature informs not only discourses on race, ethnicity, and sexuality, but also conceptions of personal and regional identity in a postcolonial societies once dominated by slavery and the plantation. In this book, Rudyard Alcocer offers a theory of Caribbean narrative, accounting for the complex interactions between scientific and literary discourses while expanding the horizons of narrative studies in general. Covering works from Jean Rhys's Wide Sargasso Sea through contemporary fiction from the Hispanic Caribbean, Narrative Mutations analyzes the processes and concepts associated with heredity in exploring what it means to be "Caribbean."
Author | : Robert J. Shiller |
Publisher | : Princeton University Press |
Total Pages | : 408 |
Release | : 2020-09 |
Genre | : Business & Economics |
ISBN | : 0691210268 |
"In a world in which internet troll farms attempt to influence foreign elections, can we afford to ignore the power of viral stories to affect economies? In this groundbreaking book, Nobel Prize-winning economist and New York Times bestselling author Robert Shiller offers a new way to think about the economy and economic change. Using a rich array of historical examples and data, Shiller argues that studying popular stories that affect individual and collective economic behavior--what he calls "narrative economics"--has the potential to vastly improve our ability to predict, prepare for, and lessen the damage of financial crises, recessions, depressions, and other major economic events. Spread through the public in the form of popular stories, ideas can go viral and move markets--whether it's the belief that tech stocks can only go up, that housing prices never fall, or that some firms are too big to fail. Whether true or false, stories like these--transmitted by word of mouth, by the news media, and increasingly by social media--drive the economy by driving our decisions about how and where to invest, how much to spend and save, and more. But despite the obvious importance of such stories, most economists have paid little attention to them. Narrative Economics sets out to change that by laying the foundation for a way of understanding how stories help propel economic events that have had led to war, mass unemployment, and increased inequality."--
Author | : Venla Oikkonen |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2013-07-18 |
Genre | : Social Science |
ISBN | : 1136200177 |
Since the early 1990s, evolutionary psychology has produced widely popular visions of modern men and women as driven by their prehistoric genes. In Gender, Sexuality and Reproduction in Evolutionary Narratives, Venla Oikkonen explores the rhetorical appeal of evolutionary psychology by viewing it as part of the Darwinian narrative tradition. Refusing to start from the position of dismissing evolutionary psychology as reactionary or scientifically invalid, the book examines evolutionary psychologists’ investments in such contested concepts as teleology and variation. The book traces the emergence of evolutionary psychological narratives of gender, sexuality and reproduction, encompassing: Charles Darwin’s understanding of transformation and sexual difference Edward O. Wilson’s evolutionary mythology and the evolution-creationism controversy Richard Dawkins’ molecular agency and new imaging technologies the connections between adultery, infertility and homosexuality in adaptationist thought. Through popular, literary and scientific texts, the book identifies both the imaginative potential and the structural weaknesses in evolutionary narratives, opening them up for feminist and queer revision. This book will be of interest to students and scholars of the humanities and social sciences, particularly in gender studies, cultural studies, literature, sexualities, and science and technology studies.
Author | : Timothy Gauthier |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2013-10-15 |
Genre | : History |
ISBN | : 1135492158 |
This book examines and explains the obsession with history in the contemporary British novel. It frames these historical novels as expressions of narrative desire, highlighting the reciprocal relationship between a desire to disclose and to rid ourselves of anxieties elicited by the past. Scrutinizing representative novels from Byatt, McEwan and Rushdie, contemporary fiction is revealed as capable of advocating a viable ethical stance and as a form of authentic commentary. Our anxieties often exist in response to what might be perceived as the oppression or eradication of values, whether this is through the modern repudiation of Victorian principles (Byatt), the Western rethinking of Enlightenment narratives in light of the Holocaust (McEwan), or pluralism threatened by religious fundamentalism (Rushdie). Each of these novelists differentially employs postmodern artifice, sometimes as a way to reject the notion of historical construction, sometimes to advocate for it, but always to bring us closer to what the author believes are significant values and truths, rather than relativism. The representative qualities of these novels serve to highlight themes, concerns, and anxieties present in many of the works of each author and by extension those of their contemporaries.
Author | : Robert Bracht Branham |
Publisher | : Barkhuis |
Total Pages | : 377 |
Release | : 2005 |
Genre | : History |
ISBN | : 9077922008 |
Mikhail Mikhailovich Bakhtin (1895-1975) has become a name to conjure with. We know this because he is now one of those thinkers everyone already knows-without necessarily having to read much of him! Doesn't everyone now know how polyphony functions, what carnival means, why language is dialogic but the novel more so, how chronotopes make possible any concrete artistic cognition and that utterances give rise to genres that last thousands of years, always the same but not the same? Like Marx and Freud in the twentieth century, or Plotinus and Plato in the fourth, a familiarity with Bakhtin's thinking is so commonly assumed, at least in the Humanities, as to be taken for granted. He is no longer an author but a field of study in his own right. As Craig Brandist (of the Bakhtin Centre at Sheffield University) reports: the works of the [Bakhtin] Circle are still appearing in Russian and English, and are already large in number...There are now several thousand works about the Bakhtin Circle.The freedom given to contributors to address any text or topic under the general rubric of The Bakhtin Circle and Ancient Narrative has produced a remarkable variety of essays ranging widely over different periods, genres, and cultures. While most of the contributors chose to explore Bakhtin's theory of genre or to take issue with his account of one genre, Greek romance, the remaining contributions defy such convenient categories. What all the essays share with one another (and those collected in Bakhtin and the Classics) is the attempt to engage Bakhtin as a reader and thinker.
Author | : Amy Boesky |
Publisher | : JHU Press |
Total Pages | : 356 |
Release | : 2013-10-10 |
Genre | : Biography & Autobiography |
ISBN | : 1421410974 |
“A compelling collection of essays that address the experiences of many who have genetically based illnesses.” —Library Journal The contributors to The Story Within share powerful experiences of living with genetic disorders. Their stories illustrate the complexities involved in making decisions about genetic diseases: whether to be tested, who to tell, whether to have children, and whether and how to treat children medically, if treatment is available. More broadly, they consider how genetic information shapes the ways we see ourselves, the world, and our actions within it. People affected by genetic disease respond to such choices in varied ways. These writers reflect that breadth of response, yet they share the desire to challenge a restricted sense of what “health” is or whose life has value. They write hoping to expand conversations about genetics and identity—to deepen debate and generate questions. They or their families are affected by Huntington’s disease, Alzheimer’s disease, cancer, genetic deafness or blindness, schizophrenia, cystic fibrosis, Tay-Sachs, hypertrophic cardiomyopathy, fragile X, or Fanconi anemia. All of their stories remind us that genetic health is complicated, dynamic, and above all, deeply personal. Contributors include: Misha Angrist, Amy Boesky, Kelly Cupo, Michael Downing, Clare Dunsford, Mara Faulkner, Christine Kehl O’Hagan, Charlie Pierce, Kate Preskenis, Emily Rapp, Jennifer Rosner, Joanna Rudnick, Anabel Stenzel, Isabel Stenzel Byrnes, Laurie Strongin, Patrick Tracey, Alice Wexler
Author | : Stephen Hancock |
Publisher | : Routledge |
Total Pages | : 214 |
Release | : 2013-10-31 |
Genre | : Literary Criticism |
ISBN | : 1135492921 |
This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read as differences, the book demonstrates that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.
Author | : Julia Rawa |
Publisher | : Routledge |
Total Pages | : 168 |
Release | : 2013-11-05 |
Genre | : Literary Criticism |
ISBN | : 1135494398 |
The Imperial Quest and Modern Memory explores relationships between narrative and imperium in the context of Western Modernism by examining the Quest as a vexed trope in Heart of Darkness, Passage to India, The Sheltering Sky, and The Quiet American. The book takes stock of twentieth century theory regarding the Quest--as archetype, trope, and construct, considers the dominant expression and the imperial organization of this trope in Western culture and iconography from the Dark Ages to the Age of Empire, explores the ways in which this trope both lingers and changes in the context of Western Modernism, and finally gauges its permutations in Modern discourse. The Imperial Quest and Modern Memory's central claim is that the Modern novel simultaneously reinscribes and subverts Western and imperial manifestations of the Quest. Heart of Darkness, Passage to India, The Sheltering Sky, and The Quiet American are remarkably Modern and subversive narratives. They participate in the revolutionary projects of early and high Modernism and are often in marked opposition to imperial praxis. Yet they are also profoundly influenced by the deep ideological and metaphoric structures of Western culture. Thus, the Quest trope--specifically in its Western and imperial manifestations--lingers in Modern Memory and certainly in the Modern novel. This expansive study emphasizes intriguing intersections between past and present, culture and archetype, norm and narrative, memory and contemporaneity.
Author | : Kelly A. Clancy |
Publisher | : Springer |
Total Pages | : 179 |
Release | : 2016-11-02 |
Genre | : Political Science |
ISBN | : 3319339842 |
This book examines the puzzle of why genetically modified organisms continue to be controversial despite scientific evidence declaring them safe for humans and the environment. What explains the sustained levels of resistance? Clancy analyzes the trans-Atlantic controversy by comparing opposition to GMOs in the United Kingdom, Germany, Poland, Spain, and the United States, examining the way in which science is politicized on both sides of the debate. Ultimately, the author argues that the lack of labeling GMO products in the United States allows opponents to create far-fetched images of GMOs that work their ways in to the minds of the public. The way forward out of this seemingly intractable debate is to allow GMOs, once tested, to enter the market without penalty—and then to label them.
Author | : Patrick Chura |
Publisher | : Routledge |
Total Pages | : 240 |
Release | : 2013-11-05 |
Genre | : Literary Criticism |
ISBN | : 1135501394 |
The book analyzes American literature about middle or upper class characters who voluntarily descend the class ranks to experience vital contact by living or associating, temporarily, with the poor. The motivations of these characters--and historical figures such as John Reed and Walter Wyckoff--range from straightforward bohemian slumming among the exotics to more complex and psychologically wrought investigations of cross-class empathy. The study begins by charting downclasing processes in works of canonical nineteenth-century authors, including Melville, Hawthorne, James, Howells and Jewett. It then undertakes an original analysis of John Reed's involvement with the 1913 Paterson silk workers' strike as a context for understanding Ernest Poole's (now forgotten, but then best-selling) fictionalization of the strike in his novel, The Harbor . In other richly historicized chapters, it analyzes distillations of class radicalism in several works by Upton Sinclair, in the early drama of Eugene O'Neill, and in feminist novels of the 1910s by Elia Peattie and Clara Laughlin. The concluding chapter looks at sophisticated treatments of vital contact in fiction of the 1930s by Dos Passos, Steinbeck and Richard Wright. The book provides Americanists with important new ways of thinking about various forms of class identification as they developed in the nineteenth and early twentieth centuries.