Narrative and Dramatic Sources of Shakespeare
Author | : Geoffrey Bullough (1901-1982, ed) |
Publisher | : |
Total Pages | : 0 |
Release | : 1957 |
Genre | : |
ISBN | : |
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Author | : Geoffrey Bullough (1901-1982, ed) |
Publisher | : |
Total Pages | : 0 |
Release | : 1957 |
Genre | : |
ISBN | : |
Author | : Geoffrey Bullough |
Publisher | : Columbia University Press |
Total Pages | : 556 |
Release | : 1961 |
Genre | : |
ISBN | : 9780231088916 |
Author | : Edward Rocklin |
Publisher | : Bloomsbury Publishing |
Total Pages | : 176 |
Release | : 2010-07-30 |
Genre | : Performing Arts |
ISBN | : 1137021136 |
An introductory guide to Romeo and Juliet in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and annotated further reading.
Author | : Jo-Ann A. Brant |
Publisher | : Society of Biblical Lit |
Total Pages | : 392 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 1589831667 |
The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.
Author | : S. Roberts |
Publisher | : Springer |
Total Pages | : 266 |
Release | : 2002-11-19 |
Genre | : Literary Criticism |
ISBN | : 0230286844 |
This is the first comprehensive study of early modern texts, readings, and readers of Shakespeare's poems in print and manuscript, Reading Shakespeare's Poems in Early Modern England makes a compelling contribution both to Shakespeare studies and the history of the book. Examining gendered readerships and the use of erotic works, reading practises and manuscript culture, textual forms and transmission, literary taste and the canonisation of Shakespeare, this book argues that historicist criticism can no longer ignore histories of reading.
Author | : Geoffrey Block |
Publisher | : Oxford University Press |
Total Pages | : 615 |
Release | : 2009-10-30 |
Genre | : Music |
ISBN | : 0195384008 |
This second edition offers theater lovers an illuminating behind-the-scenes tour of some of America's best musicals. Geoffrey Block provides a documentary history of each of the eighteen musicals he discusses. He reveals how the American musical evolved from the 1920s to today, both on stage and on screen, and how librettist, lyricist, composer, and director work together to shape pieces.--[book cover].
Author | : Katherine Scheil |
Publisher | : Taylor & Francis |
Total Pages | : 259 |
Release | : 2024-06-03 |
Genre | : History |
ISBN | : 1040037410 |
With a panoramic sweep across continents and topics, Early Modern Improvisations is an interdisciplinary collection that analyzes the relationship between early modern literature and history through lenses such as gender, ethnicity, sexuality, religion, and politics. The book engages readers interested in texts that range from Shakespeare and Tudor queens to Anglican missionary work in North America; from contemporary feminist television series to Ancient Greek linguistic and philosophical concepts; from the delicate dance of diplomatic exchange to the instabilities of illness, food insecurity, and piracy. Its range of contributions encourages readers to discover their own intersections across literary and historical texts, a sense of discovery that this collection’s contributors learned from its dedicatee, John Watkins, a major literary and cultural historian whose work moves effortlessly across geographical, temporal, and political borders. His work and his personality embody the spirit of creative improvisation that brings new ideas together, allowing texts and figures of history to haunt later eras and encourage new questions. This volume is aimed at scholars and students alike who wish to explore early modern culture and its reverberations in ways that engage with a world outside the grand narratives and centralized institutions of power, a world that is more provisional, less scripted, and more improvisational. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial (CC-BY-NC)] 4.0 license.
Author | : Melissa Walter |
Publisher | : University of Toronto Press |
Total Pages | : 294 |
Release | : 2019-08-22 |
Genre | : Literary Criticism |
ISBN | : 1487518439 |
Using a comparative, feminist approach informed by English and Italian literary and theatre studies, this book investigates connections between Shakespearean comedy and the Italian novella tradition. Shakespeare’s comedies adapted the styles of wit, character types, motifs, plots, and other narrative elements of the novella tradition for the Elizabethan and Jacobean stage, and they investigated social norms and roles through a conversation carried out in narrative and drama. Arguing that Shakespeare’s comedies register the playwright’s reading of the novella tradition within the collaborative playmaking context of the early modern theatre, this book demonstrates how the comic vision of these plays increasingly valued women’s authority and consent in the comic conclusion. The representation of female characters in novella collections is complex and paradoxical, as the stories portray women not only in the roles of witty plotters and storytellers but also through a multifaceted poetics of enclosed spaces – including trunks, chests, caskets, graves, cups, and beds. The relatively open-ended rhetorical situation of early modern English theatre and the dialogic form and narrative material available in the novella tradition combine to help create the complex female characters in Shakespeare’s plays and a new form of English comedy.
Author | : Richard Hillman |
Publisher | : Routledge |
Total Pages | : 236 |
Release | : 2016-04-15 |
Genre | : Literary Criticism |
ISBN | : 1317135881 |
Presenting a broad spectrum of reflections on the subject of female transgression in early modern Britain, this volume proposes a richly productive dialogue between literary and historical approaches to the topic. The essays presented here cover a range of ’transgressive’ women: daughters, witches, prostitutes, thieves; mothers/wives/murderers; violence in NW England; violence in Scotland; single mothers; women as (sexual) partners in crime. Contributions illustrate the dynamic relation between fiction and fact that informs literary and socio-historical analysis alike, exploring female transgression as a process, not of crossing fixed boundaries, but of negotiating the epistemological space between representation and documentation.
Author | : Richard Hillman |
Publisher | : Manchester University Press |
Total Pages | : 317 |
Release | : 2020-01-20 |
Genre | : Drama |
ISBN | : 1526144093 |
In exploring links between the early modern English theatre and France, Richard Hillman focuses on Shakespeare’s deployment of genres whose dominant Italian models and affinities might seem to leave little scope for French ones. The author draws on specific and unsuspected points of contact, whilst also pointing out a broad tendency by the dramatist, to draw on French material, both dramatic and non-dramatic, to inflect comic forms in potentially tragic directions. The resulting internal tensions are evident from the earliest comedies to the latest tragicomedies (or ‘romances’). While its many original readings will interest specialists and students of Shakespeare, this book will have broader appeal: it contributes significantly, from an unfamiliar angle, to the contemporary discourse concerned with early modern English culture within the European context. At the same time, it is accessible to a wide range of readers, with translations provided for all non-English citations.