Narrated Reality
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| Author | : Bruce Rozenblit |
| Publisher | : Transcendent Sound, Inc. |
| Total Pages | : 124 |
| Release | : 1999 |
| Genre | : Amplifiers (Electronics) |
| ISBN | : 0966961102 |
Are you confused about which accessories to buy? Have you ever wondered how they work? Do claims made in advertisements seem too bizarre to be real? This book will give you the knowledge needed to answer these questions yourself. By using simple analogies with clear explanations, the author equips the reader with the science that governs the operations of these devices without using any math. By replacing "myths" with "facts" the reader acquires essential information that yields the greatest value from your purchasing dollar and not be taken advantage of. Topics include: conductors, connectors, skin effect, impedance, interconnects, speaker cables, balanced lines, transmission lines, power cords, isolation transformers, damping systems, feedback, vacuum tubes, acoustics and much more. Become your own expert!--Back cover.
| Author | : Marie Verdoner |
| Publisher | : Early Christianity in the Context of Antiquity |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Church history |
| ISBN | : 9783631605882 |
The Historia ecclesiastica of Eusebius took part in the cultural negotiations that attended the turn to a post-Constantinian Christianity. The immediate success of Historia ecclesiastica indicates its success in legitimizing the change process, and in conferring upon the Christian readers a past in keeping with their own situation. This book pinpoints the more or less fragmented concepts of history and world implied in Historia ecclesiastica and investigates what narrative(s) on the history of Christianity are contained in the work, and how Christianity and church are constructed as ideal entities. Differing from more conventional readings, where Historia ecclesiastica would be read as a more or less reliable document concerning the history of early Christianity, the book primarily reads the work as a text, pointing towards the cultural system which the text is itself a part of, but to which our access is only partial.
| Author | : Sylvie Patron |
| Publisher | : U of Nebraska Press |
| Total Pages | : 295 |
| Release | : 2023-09 |
| Genre | : Literary Criticism |
| ISBN | : 1496236963 |
The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be "narratorless"? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
| Author | : Michael Heitkemper-Yates |
| Publisher | : BRILL |
| Total Pages | : 191 |
| Release | : 2019-01-04 |
| Genre | : Literary Criticism |
| ISBN | : 1848883803 |
This volume was first published by Inter-Disciplinary Press in 2016. Story can have a power and presence that stretches beyond the vast, unspeakable boundaries of time and space; and yet story can also have a delicate impermanence that lasts no longer than a moment before it flashes back into the void. Some stories can bring people together; other stories can tear entire civilisations apart. Stories express and enliven experience; stories project and describe the desires and anxieties of existence. Stories can be narrated through written word and physical gesture, through graphic illustration and musical orchestration, through the spatial dynamics of architecture and the abstract poetics of conjecture. For these and myriad other reasons, storytelling and narrative are central to humanity, and the study of these practices is central to an understanding of what it means to be human. In this volume, the many narrative dimensions, media, and critical approaches to storytelling are explored with the common intention of comprehending and appreciating the global role that story plays in the articulation of human experience.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 263 |
| Release | : 2015-05-19 |
| Genre | : Social Science |
| ISBN | : 9004184120 |
Culture studies try to understand how people assume identities and how they perceive reality. In this perspective narration, as a basic form of cognitive processing, is a fundamental cultural technique. Narrations provide the coherence, temporal organization and semantic integration that are essential for the development and communication of identity, knowledge and orientation in a socio-cultural context. In essence, Anderson’s “Imagined Communities” need to be thought of as “Narrated Communities” from the beginning. Narration is made up by what people think; and vice versa, narration makes up people's thoughts. What is considered "fictitious" or "real" no longer separates narratives from an "outside" they refer to, but rather represents different narratives. Narration not only constructs notions of what was “real” in retrospect, but also prospectively creates possible worlds, even in the (supposedly hard) sciences, as in e.g. the imaginative simulation of physical processes. The book’s unique interdisciplinary approach shows how the implications of this fundamental insight go far beyond the sphere of literature and carry weight for both scholarly and scientific disciplines.
| Author | : Richard van Leeuwen |
| Publisher | : BRILL |
| Total Pages | : 842 |
| Release | : 2018-07-17 |
| Genre | : Reference |
| ISBN | : 900436269X |
It is gradually being acknowledged that the Arabic story-collection Thousand and One Nights has had a major influence on European and world literature. This study analyses the influence of Thousand and One Nights, as an intertextual model, on 20th-century prose from all over the world. Works of approximately forty authors are examined: those who were crucial to the development of the main currents in 20th-century fiction, such as modernism, magical realism and post-modernism. The book contains six thematic sections divided into chapters discussing two or three authors/works, each from a narratological perspective and supplemented by references to the cultural and literary context. It is shown how Thousand and One Nights became deeply rooted in modern world literature especially in phases of renewal and experiment.
| Author | : Arthur I. Miller |
| Publisher | : MIT Press |
| Total Pages | : 429 |
| Release | : 2020-11-10 |
| Genre | : Computers |
| ISBN | : 0262539624 |
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.
| Author | : Richard Dawkins |
| Publisher | : Simon and Schuster |
| Total Pages | : 264 |
| Release | : 2012-09-11 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1451675046 |
The author addresses key scientific questions previously explained by rich mythologies, from the evolution of the first humans and the life cycle of stars to the principles of a rainbow and the origins of the universe.
| Author | : Victoria Song |
| Publisher | : Simon and Schuster |
| Total Pages | : 97 |
| Release | : 2021-08-24 |
| Genre | : Business & Economics |
| ISBN | : 1637630050 |
Bending Reality is the innovative process used by billionaires, tech leaders, and the world's most successful people to make the impossible . . . probable. Victoria Song teaches readers how to unlock the hidden power within their bodies to get what they want. After achieving success but lacking fulfillment as a student at Yale University and Harvard Business School, and then as a Forbes 30 Under 30 Venture Capitalist, Victoria set off on an unusual quest to study, train, and work with more than 24 of the best coaches, therapists, and healers in the world. She then deployed the skills and tools she'd learned with a diverse group of the world's highest performers. Through it all, she's discovered the codes that enable her clients to bend reality toward the directions they want. By accessing this extraordinary ability, Victoria's clients have sold a company for 4 billion dollars, grown revenue 1,000% during a pandemic, and pivoted to design a more effective COVID-19 vaccine. Victoria reveals the meta-framework behind peak performance, self-development, therapy, and meditation that is accessible for all. Whether you've studied these areas closely or this is the first book you've read on this topic, you'll have a front row seat to how the world's elite use this knowledge to achieve more while doing less. In this fast-paced guide to success, you will learn how to: Bend reality by mastering two states of being that most people aren't even aware of. Navigate change and face the unknown like the greatest leaders. Access creative downloads that artists, musicians, and geniuses receive. Make your own luck--there's literally a recipe! Find your unique "zone of genius" and live from it every day. Packed with powerful tools and exercises, Bending Reality will move you beyond intellectual understanding to embodiment. This is not another mindset book. You're ready for Bending Reality if you realize it's time to go beyond the mind and harness the full capacity of your consciousness to make quantum leaps in every area of your life. After learning how to bend reality, you will no longer need to memorize rules, tips, or tricks, but you will embody the essence of a remarkable leader who can make the impossible--probable.
| Author | : Sabine Schlickers |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 272 |
| Release | : 2017-11-07 |
| Genre | : Social Science |
| ISBN | : 3110566575 |
Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ‒ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.
