Narralogues
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Author | : Ronald Sukenick |
Publisher | : SUNY Press |
Total Pages | : 146 |
Release | : 2000-01-06 |
Genre | : Literary Criticism |
ISBN | : 9780791443996 |
These "narralogues" combine story and argument, moving from Socratic dialogue to outright narrative, and ultimately making the case that fiction is a medium for telling the truth.
Author | : Eric Miles Williamson |
Publisher | : Texas A&M University Press |
Total Pages | : 266 |
Release | : 2014-10-15 |
Genre | : Literary Criticism |
ISBN | : 1680030035 |
Say It Hot Volume II: Industrial Strength is a collection of essays on American poets, fiction writers, nonfiction writers, and issues of interest to artists and academics. A companion volume to Say It Hot, these essays are brutally honest and acutely intelligent. From the book: “Literary authors these days no longer make livings off their work. Their books are not to be found in bookstores, and the books are rarely printed by major New York publishing houses. No one reads their works except for other literary authors and the professors who are evaluating their tenure and promotion folders at the colleges and universities at which they are employed, and it’s a minor miracle if a literary book from a small press sells a thousand copies. Fiction writers from wealth write about writing or they write about the ridiculous “sufferings” of the rich. Fiction writers from the lower classes write about the primordial filth from which they’ve physically escaped but from which they’ll never mentally be able to leave behind. Like war veterans, people who’ve fought it out in the miasma of poverty and blue- collar hell can never get the stink out of their skins, try as they may. Just like people who haven’t been to war can spot vets who have, middle-class people and the rich can spot people who’ve grown up poor, no matter what their position in life or the quality of their designer suits. Those suits just don’t fit right, and the neckties make them fidget and sweat. What the well-heeled authors and the working-class writers have in common is that they’ve been trained not to pronounce moral judgment.”
Author | : Matthew Roberson |
Publisher | : State University of New York Press |
Total Pages | : 295 |
Release | : 2012-02-01 |
Genre | : Literary Criticism |
ISBN | : 0791486826 |
In Musing the Mosaic prominent critics of postmodern and contemporary fiction and culture discuss the fictional and theoretical works of Ronald Sukenick, one of the most important American writers to emerge from the late 1960s. Sukenick has been a prolific participant in reshaping the American literary tradition for two generations and played a pivotal role in the creation and growth of the Fiction Collective and FC2 publishing houses, as well as the journals American Book Review and Black Ice Magazine. In his work he argues that contemporary fiction can neither perform traditional functions nor rely on any conventions in an ever-more dynamic world. Staying true to Sukenick's own creative style, one that takes the seams out of writing before re-stitching it in ways that are truly novel, the contributors examine how and why his writing comes closer to the dissolving, fragmentary nature of reality and its lack of closure than perhaps anything written before it.
Author | : Oscar Hemer |
Publisher | : LIT Verlag Münster |
Total Pages | : 518 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 364380122X |
What can fiction tell us about the world that journalism and science cannot? This simple yet vast question is the starting-point for an interrogation of the relationship between literary fiction and society's dramatic transformation in South Africa and Argentina over the past several decades. The resulting discursive text borders on both journalism and literature, incorporating reportage, essay, and memoir. (Series: Freiburg Studies in Social Anthropology - Vol. 34)
Author | : M. Cornis-Pope |
Publisher | : Springer |
Total Pages | : 333 |
Release | : 2016-04-30 |
Genre | : Science |
ISBN | : 1403970033 |
Narrative Innovation and Cultural Rewriting undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological division (real vs. imaginary, wordly and other-worldly), sociocultural oppositions (of race, class, gender) and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.
Author | : |
Publisher | : |
Total Pages | : 696 |
Release | : 2000 |
Genre | : Arts, Modern |
ISBN | : |
Author | : James A. Inman |
Publisher | : Routledge |
Total Pages | : 247 |
Release | : 2020-07-24 |
Genre | : Language Arts & Disciplines |
ISBN | : 1000149412 |
In scholarship about technology and English studies, there are a number of first-person narratives that suggest what may be termed "traditional" professional paths. That is, they chronicle the positive influence of a particular technology, class, professor, or publication, and suggest that it inspired a distinct and rewarding professional path. What is missing is the rest of the story--alternate ways that individuals have come to do work in technology and English studies and analysis of what this means for paths others might pursue. Technology and English Studies: Innovative Professional Paths meets this need. The volume begins with definitions of its three central terms: technology, English Studies, and professional paths. Chapters are organized in four sections, reflecting both a chronological progression and thematic professional development: "The Past as the Future"; "Searching the Academy"; "Pushing Boundaries"; and "Forging Beyond." As a forerunner in addressing professionalization across the domains that comprise technology and English studies, it will prove foundational for many readers with non-traditional or otherwise alternate backgrounds who are working out what professional paths might be available to them. Technology and English Studies: Innovative Professional Paths is an important professional development resource for professors, instructors, and graduate students across the field of English studies, including rhetoric and composition, computers and writing, computer-assisted language learning, literary and linguistic computing, literary studies, English education, technical communication, linguistics, writing centers, second-language education/ESL, and creative writing.
Author | : David Vichnar |
Publisher | : Charles University in Prague, Karolinum Press |
Total Pages | : 510 |
Release | : 2023-11-01 |
Genre | : Literary Criticism |
ISBN | : 8024649373 |
The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.
Author | : |
Publisher | : |
Total Pages | : 620 |
Release | : 2002 |
Genre | : American literature |
ISBN | : |
Author | : Mark Amerika |
Publisher | : Leonardo Books |
Total Pages | : 470 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
A collection of writings by a digital artist that blends personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. It tells the early history of a net art world "gone wild," while constructing a parallel poetics of net art that complements the author's own artistic practice