Mythical And Legendary Narrative In Ovids Fasti
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Author | : Paul Murgatroyd |
Publisher | : BRILL |
Total Pages | : 320 |
Release | : 2017-07-31 |
Genre | : Literary Criticism |
ISBN | : 9047407229 |
This book analyses the mythical and legendary narratives in Ovid's Fasti as narrative and concentrates on the neglected literary aspects of these stories. It combines traditional tools of literary criticism with more modern techniques (taken especially from narratology and intertextuality). From a narratological viewpoint it covers important features such as aperture, closure, characterization, internal narrators, description, space, time and cinematic technique. On the intertextual level it examines the narratives' complex relationship with Virgil, Livy and Ovid's own earlier works. Recent criticism on the Fasti has addressed various elements (religious, historical, political, astronomical etc.), but detailed narrative study has been wanting. This book fills that gap, to provide a more informed and balanced appreciation of this multifaceted poem aimed at classicists and literary critics in general (for whom all the Latin is translated).
Author | : Nina MacLaughlin |
Publisher | : Macmillan + ORM |
Total Pages | : 226 |
Release | : 2019-11-19 |
Genre | : Fiction |
ISBN | : 0374721092 |
In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of myth I am the home of this story. After thousands of years of other people’s tellings, of all these different bridges, of words gotten wrong, I’ll tell it myself. Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid’s narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.
Author | : Carole E. Newlands |
Publisher | : Bloomsbury Publishing |
Total Pages | : 286 |
Release | : 2015-09-02 |
Genre | : Philosophy |
ISBN | : 0857739840 |
Virgil, Horace and Ovid are often cited as the three great canonical poets of classical Roman literature. And of the three, arguably it is Ovid (43 BCE-CE 17/18) who has the most enduring legacy. Carole Newlands introduces her subject as an ancient author with a vital place in the modern cultural canon: and also as the inspiration behind figures as diverse as Chaucer, Titian, Dryden and Ted Hughes. She views Ovid as a Latin writer who is uniquely suitable for times of change: he appeals to postmodern sensibilities because of his interest in psychology, his fascination with cultural hybridity and his challenge to the conventional divide between animal and human. This book explores the connection between the historical poet and the works he produced: love elegies, the Metamorphoses and the Fasti. It shows that unlike Virgil - who wrote early in Augustus' reign, anticipating a golden age of peace and prosperity - Ovid was a product of the late Augustan age: one of hardening autocracy and the greater influence of Tiberius behind the scenes. His elegies and erotic myths must therefore be understood as the result of complex, shifting political circumstances.
Author | : Jennifer A. Rea |
Publisher | : Bloomsbury Publishing |
Total Pages | : 193 |
Release | : 2013-11-20 |
Genre | : Literary Criticism |
ISBN | : 1472537831 |
"Legendary Rome" is the first book to offer a comparative treatment of the reinvention of Rome's origins in the poetry of Vergil, Tibullus and Propertius. It also examines the impact that the changing topography of Rome, as orchestrated by the emperor Augustus, had on those poets' renditions of Rome's legendary past. When the poets explore the significance of Augustus' reconstruction of the Palatine and Capitoline hills, they create new meaning and memories for the story of Rome's legendary foundations. As the tradition of Rome's mythic and legendary origins evolves through each poetic revision, the past transforms and is reinvented anew.The exploration of what constitutes a civilised landscape for each poet leads to significant conclusions about the dynamic and evolving nature of shared public memories. Written when Rome was in the process of defining a new, post-war identity, the poems studied here capture the growing tension between community and individual development, the restoration of peace versus expansion through military means, and stability and change within the city.
Author | : Stephen J. Harrison |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 506 |
Release | : 2018-10-08 |
Genre | : Literary Criticism |
ISBN | : 3110611023 |
Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
Author | : Vassiliki Panoussi |
Publisher | : Johns Hopkins University Press |
Total Pages | : 315 |
Release | : 2019-06-04 |
Genre | : Literary Criticism |
ISBN | : 1421428911 |
How does the treatment of women's rituals in Latin poetry and prose reveal Roman ideas of female agency? Powerful female characters pervade both Greek and Latin literature, even if their presence is largely dictated by the narratives of men. Feminist approaches to the study of women in Greek literature have helped illustrate the importance of their religious and ritual roles in public life—Latin literature, however, has not been subject to similar scrutiny. In Brides, Mourners, Bacchae, Vassiliki Panoussi takes up the challenge, exploring women's place in weddings, funerals, Bacchic rites, and women-only rituals. Panoussi probes the multifaceted ways women were able to exercise influence, even power, in ancient Rome from the days of the late Republic to Flavian times. Systematically investigating both poetry and prose, Panoussi covers a wide variety of genres, from lyric poetry (Catullus), epic (Ovid, Lucan, Valerius, Statius), elegy (Propertius, Ovid), and tragedy (Seneca) to historiography (Livy) and the novel (Petronius). The first large-scale analysis of this body of evidence from a feminist perspective, the book makes a compelling case that female ritual was an important lens through which Roman authors explored the problems of women's agency, subjectivity, civic identity, and self-expression. By focusing on the fruitful intersection of gender and religion, the book elucidates not only the importance of female religious experience in Rome but also the complexity of ideological processes affecting Roman ideas about gender, sexuality, family, and society. Brides, Mourners, Bacchae will be of value to scholars of classics and ancient religions, as well as anyone interested in the study of gender in antiquity or the connection between religion and ideology.
Author | : Amy A. Koenig |
Publisher | : University of Wisconsin Pres |
Total Pages | : 228 |
Release | : 2024 |
Genre | : Classical literature |
ISBN | : 0299345300 |
Imperial Rome privileged the elite male citizen as one of sound mind and body, superior in all ways to women, noncitizens, and nonhumans. One of the markers of his superiority was the power of his voice, both literal (in terms of oratory and the legal capacity to represent himself and others) and metaphoric, as in the political power of having a "voice" in the public sphere. Muteness in ancient Roman society has thus long been understood as a deficiency, both physically and socially. In this volume, Amy Koenig deftly confronts the trope of muteness in Imperial Roman literature, arguing that this understanding of silence is incomplete. By unpacking the motif of voicelessness across a wide range of written sources, she shows that the Roman perception of silence was more complicated than a simple binary and that elite male authors used muted or voiceless characters to interrogate the concept of voicelessness in ways that would be taboo in other contexts. Paradoxically, Koenig illustrates that silence could in fact be freeing--that the loss of voice permits an untethering from other social norms and expectations, thus allowing a freedom of expression denied to many of the voiced.
Author | : Martin Vöhler |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 431 |
Release | : 2021-02-22 |
Genre | : Literary Criticism |
ISBN | : 3110715813 |
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.
Author | : Llewelyn Morgan |
Publisher | : Oxford University Press |
Total Pages | : 152 |
Release | : 2020-09-24 |
Genre | : Literary Collections |
ISBN | : 0192574671 |
"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : Gwynaeth McIntyre |
Publisher | : Bloomsbury Publishing |
Total Pages | : 260 |
Release | : 2019-01-24 |
Genre | : History |
ISBN | : 1350048445 |
The figure of Anna Perenna embodies the complexity and richness of the Roman mythological tradition. In exploring Anna Perenna, the contributors apply different perspectives and critical methods to an array of compelling evidence drawn from central texts, monuments, coins, and inscriptions that encapsulate Rome's shifting artistic and political landscape. As a collection, Uncovering Anna Perenna provides a unique examination that represents the interdisciplinary intersection between Roman literature, history, and culture. The assembled chapters offer thought-provoking and insightful discussions written by specialists in Roman myth and religion, literary studies, and ancient history. A convergence of different perspectives within the collection, including comparative literature, gender and sexuality, literary criticism, and reception, results in a rich and varied investigation. Organized into four parts, the volume explores Anna along four conceptual lines: her liminal nature as a Carthaginian figure coopted into Rome's literary, mythological, and artistic heritage; her capacity as a Roman goddess and nymph; her political and cultural associations with plebeian and populist ideology; and her intriguing influence on James Joyce's Finnegans Wake.