Musical Illuminations Of Genesis Narratives
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| Author | : Helen Leneman |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 318 |
| Release | : 2017-11-16 |
| Genre | : Religion |
| ISBN | : 056767374X |
This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Fauré. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saëns and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by César Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Célanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Méhul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.
| Author | : Susanne Scholz |
| Publisher | : |
| Total Pages | : 697 |
| Release | : 2020-12-31 |
| Genre | : Bibles |
| ISBN | : 0190462671 |
The Oxford Handbook of Feminist Approaches to the Hebrew Bible brings together 37 essential essays written by leading international scholars, examining crucial points of analysis within the field of feminist Hebrew Bible studies. Organized into four major areas - globalization, neoliberalism, media, and intersectionality - the essays collectively provide vibrant, relevant, and innovative contributions to the field. The topics of analysis focus heavily on gender and queer identity, with essays touching on African, Korean, and European feminist hermeneutics, womanist and interreligious readings, ecofeminist and animal biblical studies, migration biblical studies, the role of gender binary voices in evangelical-egalitarian approaches, and the examination of scripture in light of trans women's voices. The volume also includes essays examining the Old Testament as recited in music, literature, film, and video games. The Oxford Handbook of Feminist Approaches to the Hebrew Bible charts a culturally, hermeneutically, and exegetically cutting-edge path for the ongoing development of biblical studies grounded in feminist, womanist, gender, and queer perspectives.
| Author | : Helen Leneman |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2021-03-25 |
| Genre | : Religion |
| ISBN | : 0567687317 |
This volume focuses on the story of Judith as presented by composers, librettists and playwrights over four centuries. Helen Leneman analyzes numerous examples of music, librettos and the librettists' views of Judith – strongly influenced by societal attitudes of their time – and how these works in turn suggest unexpected ways of understanding biblical women and their stories. Music adds nuances, colors and emotions, becoming a subtext that suggests character and emotions. Leneman presents in-depth analyses of the librettos and music of 16 operas and oratorios based on the book of Judith that span 300 years (1694-1984), in addition to two influential plays that inspired several librettos in the nineteenth century. Exploring works by such varied composers as Vivaldi, Mozart, Parry, Honegger, Serov, Chadwick and von Reznicek, Leneman reveals the ways in which each adaptation expands, distils or reinterprets Judith's character and story. In this first ever extensive study of musical settings of the Book of Judith, Leneman enables the biblical heroine to transcend her source.
| Author | : Nyasha Junior |
| Publisher | : Oxford University Press |
| Total Pages | : 169 |
| Release | : 2019-05-28 |
| Genre | : Religion |
| ISBN | : 0191062502 |
Reimagining Hagar illustrates that while interpretations of Hagar as Black are not frequent within the entire history of her interpretation, such interpretations are part of strategies to emphasize elements of Hagar's story in order to associate or disassociate her from particular groups. It considers how interpreters engage markers of difference, including gender, ethnicity, status and their intersections in their portrayals of Hagar. Nyasha Junior offers a reception history that examines interpretations of Hagar with a focus on interpretations of Hagar as a Black woman. Reception history within biblical studies considers the use, impact, and influence of biblical texts and looks at a necessarily small number of points within the long history of the transmission of biblical texts. This volume covers a limited selection of interpretations over time that is not intended to be a representative sample of interpretations of Hagar. It is beyond the scope of this book to offer a comprehensive collection of interpretations of Hagar throughout the history of biblical interpretation or in popular culture. Junior argues for the African presence in biblical texts; identifies and responds to White supremacist interpretations; offers cultural-historical interpretation that attends to the history of biblical interpretation within Black communities; and provides ideological criticism that uses the African-American context as a reading strategy. Reimagining Hagar offers a history of interpretation, but also expands beyond interpretation among Black communities to consider how various interpreters have identified Hagar as Black.
| Author | : John Burke |
| Publisher | : BRILL |
| Total Pages | : 650 |
| Release | : 2006-01-01 |
| Genre | : History |
| ISBN | : 900434487X |
"Byzantine Narrative: Papers in Honour of Roger Scott"--"Copyright"--"Dedication" -- "Contents" -- "Introduction" -- "Roger Scott" -- "List of Illustrations" -- "KEYNOTE PAPERS" -- "Novelisation in Byzantium: Narrative after the Revival of Fiction" -- "Narrating Justinian: From Malalas to Manasses" -- "NARRATIVE IN HISTORIANS, CHRONICLES & FICTION" -- "To Narrate the Events of the Past: On Byzantine Historians, and Historians on Byzantium" -- "Tradition and Originality in Photius' Historical Reading" -- "Narrating the Trials and Death in Exile of Pope Martin I and Maximus the Confessor" -- "The Use of Metaphor in Michael Psellos' Chronographia" -- "War and Peace in the Alexiad" -- "Moralising History: the Synopsis Historiarum of John Skylitzes" -- "The Representation of Augustae in John Skylitzes' Synopsis Historiarum" -- "The Madrid Skylitzes as an Audio-Visual Experiment" -- "The Goths and the Bees in Jordanes: A Narrative of No Return" -- "From 'Fallen Woman' to Theotokos: Music, Women's Voices and Byzantine Narratives of Gender Identity" -- "How the Entertaining Tale of Quadrupeds became a Tale: Grafting Narrative" -- "Lamenting the Fall or Disguising a Manifesto? The Poem Conquest of Constantinople" -- "A Probable Solution to the Problem of the Chronicle of the Turkish Sultans" -- "NARRATIVE IN BYZANTINE ART" -- "The Narration of Christ' s Passion in Early Christian Art" -- "Observations on the Paintings of the Exodus Chapel, Bagawat Necropolis, Kharga Oasis, Egypt" -- "The Column of Arcadius: Retlections of a Roman Narrative Tradition" -- "Biblical Narrative in the Mosaics of Bishop Theodore's Cathedral, Aquileia" -- "Plato, Plutarch and the Sibyl in the Fresco Decoration of the Episcopal Church of the Virgin Ljeviška in Prizren" -- "Narrativity in Armenian Manuscript Illustration
| Author | : Alastair Minnis |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 368 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 081224723X |
Introduction : creating paradise -- ch. 1. The body in Eden. Creating bodies ; Bodily functions ; The pleasures of paradise ; Being fruitful and multiplying ; The children of Eden ; What Adam knew ; Creating souls ; Eden as human habitat -- ch. 2. Power in paradise. Dominion over the animals ; Domestic dominion : the origins of economics ; Power and gender ; Unequal men : the origins of politics ; Power and possession : the origins of ownership ; The insubordinate fall -- ch. 3. Death and the paradise beyond. The death of the animal ; The body returns ; Representing paradise : from Eden to the patria ; Perfecting children's bodies ; Rewarding inequality ; Negotiating the material ; Resurrecting the senses ; Somewhere over the rainbow -- Coda : between paradises.
| Author | : James Orr |
| Publisher | : Forgotten Books |
| Total Pages | : 30 |
| Release | : 2016-11-18 |
| Genre | : Religion |
| ISBN | : 9781334325397 |
Excerpt from The Early Narratives of Genesis The subject A nave Men asked to speak on is a large one, and is complicated with many questions - critical, archaeological, scientific, exegetical. You will therefore bear with me if many points have to be touched upon in a cursory manner, and if some things have to be omitted altogether on which you would probably wish to hear me Speak. The subject is the Early Narratives in the Book of Genesis. By the Early Narratives are to be understood the first eleven chapters of the Book - those which pre cede the times of Abraham. These chapters present peculiarities of their own, and I confine attention to them, although the critical treatment applied to them is not confined to these chapters, but extends through out the whole Book of Genesis, the Book of Exodus, and the later history with much the same result in reducing them to legend. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : Ṣabrī Ḥāfiẓ |
| Publisher | : |
| Total Pages | : 334 |
| Release | : 1993 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
After formulating a theoretical foundation for the sociology of narrative genres based on the work of Bakhtin, Foucault, Goldmann, Jauss and Said, this work challenges the widely held assumption that Arabic culture stagnated before its contact with the West at the beginning of the nineteenth century. Hafez traces the revival to the mid-eighteenth century and follows its development throughout the Arab world, showing how the emergence of a new reading public with its distinct 'world view' induced the process of the transformation and genesis of a new literary discourse. This is followed by a study of the dynamics of this process and an outline of the various stages of the formation and transformation of the new narrative discourse until it culminates in the production of a sophisticated and mature narrative. The Genesis of Arabic Narrative Discourse shifts the terms of the debate on the rise of narrative from formal analysis to an analysis of social formation, clarifying many of the issues which have long dogged critical discussion. It changes the nature of literary history by overlaying its dry chronology with the vivid socio-cultural dimension and by achieving a fine balance between the textual and contextual. It tests its major theoretical suppositions by tracing the historical development of narrative discourse, as well as through a detailed and sensitive analysis of a short story in a manner that changes the nature of Arabic literary criticism and puts it on an equal footing with modern critical discourse in Western culture.
| Author | : Vincenzo Borghetti |
| Publisher | : Taylor & Francis |
| Total Pages | : 266 |
| Release | : 2024-05-09 |
| Genre | : Music |
| ISBN | : 1040021069 |
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.
| Author | : Amirhosein Khandizaji |
| Publisher | : Springer |
| Total Pages | : 260 |
| Release | : 2019-06-27 |
| Genre | : Social Science |
| ISBN | : 303019048X |
This book draws on core concepts coined by Adorno, such as identity thinking, the culture industry, and his critique of the autonomous and rational subject, to address the ills that plague neoliberal capitalist societies today. These ills range from the risk of a return to totalitarian tendencies, to the global rise of the far-right, and anti-feminist conceptions of motherhood. Subsequent chapters outline the ways in which Adorno's thought can also be seen to redress the challenges of modern societies, such as the critical function of artworks, and the subversive potential of slow-food and popular music. The important underlying concern of the book is to highlight the continuing relevance of Adorno, both in dealing with the failures of neo-liberal capitalist societies, and in his applicability to a wide range of disciplines.
