Musical History As Seen Through Contemporary Eyes
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Author | : Benjamin Knysak |
Publisher | : Hollitzer Wissenschaftsverlag |
Total Pages | : 530 |
Release | : 2022-02-04 |
Genre | : Music |
ISBN | : 3990129740 |
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
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Total Pages | : 36 |
Release | : 1912 |
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Author | : Deno John Geanakoplos |
Publisher | : University of Chicago Press |
Total Pages | : 532 |
Release | : 1984 |
Genre | : History |
ISBN | : 9780226284613 |
Deno John Geanakoplos here offers a prodigious collection of source materials on the Byzantine church, society, and civilization (many translated for the first time into English), arranged chronologically and topically, and knit together with an analytical historical commentary. His selections from Byzantine writers as well as from more obscure documents and chronicles in Latin, Arabic, Slavic, Italian, Armenian, and French reflect all the diversity of Byzantine life--the military tactics of the long-invincible cataphract cavalry and the warships armed with Greek fire, the mysticism of Hesychast monks, the duties of imperial officers, the activities of daily life from the Hippodrome and Hagia Sophia to the marketplaces, baths, and brothels. Geanakoplos not only covers the traditional areas of political, ecclesiastical, socioeconomic, administrative, and military life, but also provides a vivid picture of Byzantine culture--education, philosophy, literature, theology, medicine, and science. Of particular interest are the insights into the empire's relations with the Latin West, the Slavs, the Arabs, the Turks, and other neighboring peoples. Byzantium is much more than a sourcebook. The running commentary reflects the most recent scholarly research in Byzantine studies and places each translated source in its precise historical context. Through the use of both primary sources and commentary, Geanakoplos has represented in all its richness and complexity one of the world's great civilizations. There is no comparable book on Byzantine history and civilization in any language.
Author | : Christina Fuhrmann |
Publisher | : Liverpool University Press |
Total Pages | : 392 |
Release | : 2023-02-16 |
Genre | : Music |
ISBN | : 1638040435 |
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Author | : Jamie L. Reuland |
Publisher | : Cambridge University Press |
Total Pages | : 301 |
Release | : 2023-11-30 |
Genre | : Music |
ISBN | : 1009425021 |
This path-breaking account of music's role in Venice's Mediterranean empire sheds new light on the city's earliest musical history.
Author | : Aldous Leonard Huxley |
Publisher | : DigiCat |
Total Pages | : 188 |
Release | : 2022-08-01 |
Genre | : Fiction |
ISBN | : |
DigiCat Publishing presents to you this special edition of "Music At Night and other essays, including Vulgarity in Literature" by Aldous Leonard Huxley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : K.J. Donnelly |
Publisher | : Routledge |
Total Pages | : 294 |
Release | : 2014-03-26 |
Genre | : Music |
ISBN | : 1134692110 |
From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.
Author | : Ayana O. Smith |
Publisher | : Univ of California Press |
Total Pages | : 326 |
Release | : 2019-03-05 |
Genre | : Music |
ISBN | : 0520421108 |
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
Author | : Joseph P. Swain |
Publisher | : Rowman & Littlefield |
Total Pages | : 465 |
Release | : 2023-05-08 |
Genre | : Music |
ISBN | : 1538151626 |
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
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Total Pages | : 364 |
Release | : 1918 |
Genre | : Composers |
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