Musical Form And Analysis
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| Author | : Glenn Spring |
| Publisher | : Waveland Press |
| Total Pages | : 416 |
| Release | : 2013-08-29 |
| Genre | : Music |
| ISBN | : 1478611731 |
Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.
| Author | : William E. Caplin |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 759 |
| Release | : 2013-07 |
| Genre | : Music |
| ISBN | : 0199987297 |
Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.
| Author | : James Mathes |
| Publisher | : Pearson Prentice Hall |
| Total Pages | : 386 |
| Release | : 2006-11-01 |
| Genre | : Music |
| ISBN | : 9780131584242 |
'The analysis of musical form' emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. analysis of tonal design, thematic types and phrase structure, formal functions, musical text
| Author | : Leon Stein |
| Publisher | : Alfred Music |
| Total Pages | : 324 |
| Release | : 1999-11-27 |
| Genre | : Music |
| ISBN | : 9781457400940 |
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
| Author | : Douglass Marshall Green |
| Publisher | : Cengage Learning |
| Total Pages | : 344 |
| Release | : 1979 |
| Genre | : Education |
| ISBN | : |
Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text takes students a step further by enabling them to approach musical works unencumbered by preconceived notions of what characteristics the text should or should not have. Providing specific help on every aspect of musical analysis, this text uses many of the compositions found in Charles Burkhart's ANTHOLOGY FOR MUSICAL ANALYSIS, but it allows students the freedom to explore works that they already own.
| Author | : Nicholas Cook |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 388 |
| Release | : 1994 |
| Genre | : Music |
| ISBN | : 9780198165088 |
This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.
| Author | : Cedric T. Davie |
| Publisher | : Courier Dover Publications |
| Total Pages | : 194 |
| Release | : 2014-05-05 |
| Genre | : Music |
| ISBN | : 0486172767 |
Clear, elementary explanation of basic forms, Renaissance to 1900, with many works analyzed. Nature and function of concerto, sonata, etc., clarified with nonmusical analogies; illustrated in detailed analysis of specific piece of music.
| Author | : William E. Caplin |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2000-12-28 |
| Genre | : Music |
| ISBN | : 0199881758 |
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
| Author | : Ellis B. Kohs |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1976 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
| Author | : William Earl Caplin |
| Publisher | : Leuven University Press |
| Total Pages | : 181 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 9058678229 |
The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys.
