Musica Significans
| Author | : Raymond Monelle |
| Publisher | : Psychology Press |
| Total Pages | : 120 |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : 9789057550171 |
Musica Significans
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Musical Semiotics in Growth
| Author | : Eero Tarasti |
| Publisher | : Indiana University Press |
| Total Pages | : 668 |
| Release | : 1996 |
| Genre | : Literary Criticism & Collections |
| ISBN | : 9780253329493 |
The international research project on Musical Signification, since its founding over ten years ago, has sought to win new scholars to musical semiotics. To that end, the Department of Musicology at Helsinki University has already organized five international doctoral and postdoctoral seminars. They have become something of a tradition. The anthology consists of papers presented in the three first seminars covering areas from music philosophy and aesthetics to the analysis of vocal and instrumental as well as electro-acoustic music, interrelationships of arts, music history, post-modernism, etc.
Musica Poetica: Musical-Rhetorical Figures in German Baroque Music
| Author | : Dietrich Bartel |
| Publisher | : U of Nebraska Press |
| Total Pages | : 496 |
| Release | : 1997-07-01 |
| Genre | : Music |
| ISBN | : 9780803235939 |
Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.
The Routledge Handbook of Music Signification
| Author | : Esti Sheinberg |
| Publisher | : Routledge |
| Total Pages | : 427 |
| Release | : 2020-03-17 |
| Genre | : Music |
| ISBN | : 1351237527 |
The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.
Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
| Author | : Esti Sheinberg |
| Publisher | : Routledge |
| Total Pages | : 395 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351562061 |
The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature. The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich‘s music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with the artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly music in general and then more specifically to the music of Shostakovich. The composer‘s cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music.
Rock: The Primary Text - Developing a Musicology of Rock
| Author | : Allan F Moore |
| Publisher | : Routledge |
| Total Pages | : 242 |
| Release | : 2017-11-01 |
| Genre | : Social Science |
| ISBN | : 1351807714 |
This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the conviction that, with "rock" criticism and commentary in general, insufficient attention is paid to what the author calls the "primary text" - that constituted by the sounds themselves, as opposed to commentaries on them. In the first chapter, Allan Moore argues for the development of a musicology particular to rock, which may share aspects of established musicology, but which acknowledges that rock differs in its purposes, publics and aims. The primary elements of such a musicology are then laid out in Chapter 2. Next, there are critiques of rock myths of authenticity and unmediated expression. These are centred on the ideological appropriation of the ethos and techniques of the "blues", and extend to discussions of a range of more recent rock styles. The crucial role played by authenticity in the reception of rock is considered at more length in Chapter 5.
Rock: The Primary Text
| Author | : Allan F. Moore |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2017-10-03 |
| Genre | : Music |
| ISBN | : 1351218727 |
This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
The Chromatic Fourth During Four Centuries of Music
| Author | : Peter Williams |
| Publisher | : Oxford University Press |
| Total Pages | : 278 |
| Release | : 1997 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780198165637 |
The "Chromatic Fourth" is a musical pattern of six notes moving by step up or down the scale. In this essentially practical study Peter Williams draws on his extensive knowledge of the music of four centuries to investigate and analyze over 200 examples taken from composers ranging from Bach to Bart k, and from Schubert to Shostakovich.
Music, Sound and Space
| Author | : Georgina Born |
| Publisher | : Cambridge University Press |
| Total Pages | : 375 |
| Release | : 2013-01-17 |
| Genre | : Music |
| ISBN | : 1107310555 |
Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
