Music Of The Bible Revealed
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| Author | : Suzanne Haïk-Vantoura |
| Publisher | : Continuum |
| Total Pages | : 584 |
| Release | : 1991 |
| Genre | : Bible |
| ISBN | : |
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
| Author | : Robert Ignatius Letellier |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 579 |
| Release | : 2017-06-23 |
| Genre | : Music |
| ISBN | : 1443868485 |
This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.
| Author | : Dr. Bonnie L. Westhoff |
| Publisher | : WestBow Press |
| Total Pages | : 168 |
| Release | : 2016-07-27 |
| Genre | : Religion |
| ISBN | : 1512740942 |
The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.
| Author | : Suzanne Haïk-Vantoura |
| Publisher | : |
| Total Pages | : 484 |
| Release | : 1987 |
| Genre | : Cantillation |
| ISBN | : |
| Author | : |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 496 |
| Release | : 2017-06-27 |
| Genre | : Religion |
| ISBN | : 0393243907 |
“The vividness and beauty of the language emerge in a fresh way . . . with evocative simplicity.” —Robert Alter, professor emeritus of Hebrew and comparative literature, University of California, Berkeley The world’s greatest poetry resides in the Bible, yet these major poets are traditionally rendered into prose. In this pioneering volume of biblical poets translated in English, Willis Barnstone restores the lyricism and power of the poets’ voices in both the New and Old Testaments. In the Hebrew Bible we hear Solomon rhapsodize in Song of Songs, David chant in Psalms, God and Job debate in grand rhetoric, and prophet poet Isaiah plead for peace. Jesus speaks in wisdom verse in the Gospel, Paul is a philosopher of love, and John of Patmos roars majestically in Revelation, the Bible’s epic poem. This groundbreaking volume includes every major biblical poem from Genesis and Adam and Eve in the Garden to the last pages of Alpha and Omega in Paradise.
| Author | : Aaron Robinson |
| Publisher | : Tate Publishing |
| Total Pages | : 182 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 1621474631 |
What do Fred Rogers, Billy Joel, and John Philip Sousa all have in common? Is it their fame? Their talent? Their universal appeal? ...or is it the undeniable fact that they themselves answer the question: Does God Sing? Composer and conductor Aaron Robinson was a late bloomer in music. But by his mid-teens, he was giving professional solo concerts. Proficient in piano, composition, and organ, Robinson thirsted for new music to expand his knowledge. After several years of conducting and performing, he discovered not only God's voice in all types of music, but the experiences that produced them. From the simplest of melodies sung by a single human voice to the glorious sounds of a full choir accompanied by a magnificent pipe organ, he realized how God uses music to communicate with us. All we need to do is listen. In Does God Sing? author Aaron Robinson explores the power of music and the ability music has to change and heal our lives. Through a mixture of memoir and commentary, Robinson explains how God revealed Himself through music in his life and in the lives of those around him. Discover God's love, purpose, and guidance in your life through your ability to hear Him in music.
| Author | : Darrell W. Johnson |
| Publisher | : Regent College Publishing |
| Total Pages | : 420 |
| Release | : 2004 |
| Genre | : Religion |
| ISBN | : 9781573832120 |
Revelation is probably the most read, but least understood book of the Bible. History is replete with examples of how not to interpret it, and books featuring end-of-world prophecy claims based on Revelation consistently top the bestseller lists. But how can the message of such an enigmatic book be applied to our lives today? In Discipleship on the Edge, Darrell W. Johnson drives home the challenging and practical message of Revelation in thirty carefully crafted sermons. Paying careful attention to the original context of Revelation and the circumstances surrounding its composition, Johnson shows that the book is not a "crystal ball" but rather a "discipleship manual." Thoroughly researched and yet accessible, this collection of sermons is a helpful resource for pastors and small group leaders who are looking for models to help them preach and teach the message of Revelation in a time when there is much confusion about the end times. Darrell W. Johnson serves as Scholar-in-Residence at The Way Church and Canadian Church Leaders Network in Vancouver, British Columbia, Canada. A popular conference and retreat speaker, he has also served as the preaching pastor for a number of congregations in North America and the Philippines, as well as serving as Adjunct Professor of Preaching for the Doctor of Ministry program at Fuller Theological Seminary in Pasadena, California, and a Teaching Fellow at Regent College. His other books include Experiencing the Trinity and Fifty-Seven Words That Change The World.
| Author | : Elaine Pagels |
| Publisher | : Penguin |
| Total Pages | : 253 |
| Release | : 2012-03-06 |
| Genre | : Religion |
| ISBN | : 110157707X |
A startling exploration of the history of the most controversial book of the Bible, by the bestselling author of Beyond Belief. Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it? In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies. In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.
| Author | : Richard Elliott Friedman |
| Publisher | : Harper Collins |
| Total Pages | : 606 |
| Release | : 2009-06-02 |
| Genre | : Religion |
| ISBN | : 0061951293 |
This groundbreaking volume of the Five Books of Moses shows and explains how the source texts were compiled: “A fundamental resource” (Peter Machinist, Harvard University). For centuries, biblical scholars have worked on discovering how the Bible came to be. The consensus among a broad range of experts is known as The Documentary Hypothesis: the idea that ancient writers produced documents of poetry, prose, and law over many centuries, which editors then used as sources to fashion the books of the Bible that people have read for the last two thousand years. In The Bible with Sources Revealed, eminent scholar Richard Elliott Friedman offers a new, visual presentation of the Five Books of Moses—Genesis, Exodus, Leviticus, Numbers, and Deuteronomy—unlocking the complex and fascinating tapestry of their origins. Different colors and type styles allow readers to easily identify each of the distinct sources, showcasing Friedman's highly acclaimed and dynamic translation. This unique Bible provides a new means to explore the riches of scripture by: •Making it possible to read the source texts individually, to see their artistry, their views of God, Israel, and humankind, and their connection to their moment in history •Presenting the largest collection of evidence ever assembled for establishing and explaining the Documentary Hypothesis •Showing visually how the Bible was formed out of these sources •Helping readers appreciate that the Bible is a rich, complex, beautiful work as a result of the extraordinary way in which it was created.
| Author | : Maeve Louise Heaney |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 361 |
| Release | : 2012-09-01 |
| Genre | : Religion |
| ISBN | : 1610974506 |
"The conversation between music and theology, dormant for too long in recent years, is at last gathering pace. And rightly so. There will always be theologians who will regard music as a somewhat peripheral concern, too trivial to trouble the serious scholar, and in any case almost impossible to engage because of its notorious resistance to words and concepts. But an increasing number are discovering again what many of our forbears realized centuries ago, that the kinship between this pervasive feature of human life and the search for a Christian 'intelligence of faith' is intimate and ineradicable. Maeve Heaney's ambitious, wide-ranging, and energetic book pushes the conversation further forward still. Her approach is unapologetically theological, grounded in the passions and concerns of mainstream doctrinal theology. And yet she is insisting . . . that music must be given its due place in the ecology of theology. Although convinced that music should not be set up as a rival to linguistic or conceptual articulation, let alone swallow up 'traditional' modes of theological language and thought, she is equally convinced that music is an irreducible means of coming to terms with the world, a unique vehicle of world-disclosure, and as such, can generate a particular form of 'understanding': 'there are things which God may only be saying through music.' If this is so, it is incumbent on the theologian to listen." --Jeremy Begbie, from the Foreword
