Music of Mexico for Acoustic Guitar Volume 1

Music of Mexico for Acoustic Guitar Volume 1
Author: Ruben Delgado
Publisher: Mel Bay Publications
Total Pages: 57
Release: 2011-01-24
Genre: Music
ISBN: 1610654919

Books in Mel Bay's Acoustic Guitar category are written to be played fingerstyle on either nylon or steel string guitars. the titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.

Music of Mexico for Acoustic Guitar

Music of Mexico for Acoustic Guitar
Author:
Publisher:
Total Pages: 55
Release: 1996-09-01
Genre: Music
ISBN: 9780786627189

"Books in Mel Bay's ""Acoustic Guitar"" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature."

Music of Latin America for Acoustic Guitar

Music of Latin America for Acoustic Guitar
Author: ELIAS BARREIRO
Publisher: Mel Bay Publications
Total Pages: 122
Release: 2011-03-11
Genre: Music
ISBN: 1610656393

This superb collection features 31 solo guitar settings of a colorful spectrum of music from Brazil, Venezuela, Columbia, Mexico, Cuba, Puerto Rico, Bolivia, Chile, Costa Rica, Ecuador, Guatemala, Peru, the Dominican Republic, and Uruguay. the music is derived largely from 19th and 20th century piano literature. While many anonymously composed selections are included here, most of these tunes were written by professional musicians who happened to be pianists, band directors or arrangers. Typical of the period, some orchestral scores appears as piano reductions, which Professor Barreiro has also used as a source for his guitar transcriptions. All of these selections are presented in standard notation and tablature with historical and performance notes. A companion CD is included featuring 16 selections from the book performed by Barreiro.

Mariachi Favorites for Solo Guitar

Mariachi Favorites for Solo Guitar
Author: Laura Sobrino
Publisher: Mel Bay Publications
Total Pages: 57
Release: 2010-10-07
Genre: Music
ISBN: 1609744764

Mariachi music for most of its 200 or so years has primarily been an aural tradition, passing songs down from generation to generation, ear to ear. This collection puts many popular tunes from the genre in print for any classical guitarist to play. Author Laura Sobrino has been a professional mariachi and is familiar with the stylistic intricacies that truly make this Mexican traditional and popular music unique. Written in standard notation and tablature.

Hispanic-American Guitar

Hispanic-American Guitar
Author: DOUG BACK
Publisher: Mel Bay Publications
Total Pages: 112
Release: 2011-03-04
Genre: Music
ISBN: 161065613X

The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. the works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist/composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillaño, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of the Celebrated Spanish Retreat, a programmatic work with an unusual "C" tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. the book features twenty-one solos and two duets which range in difficulty from easy to advanced. an extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.

Master Anthology of New Classic Guitar Solos, Volume 1

Master Anthology of New Classic Guitar Solos, Volume 1
Author: Stephen Rekas
Publisher: Mel Bay Publications
Total Pages: 199
Release: 2016-05-24
Genre: Music
ISBN: 1610659023

This collection presents original works by 21 modern-day composer/guitarists, including both well-known artists and gifted upstarts. Recommended for the intermediate to advanced player, with the exception of a few pieces in alternate tunings, the selections are written in standard notation only. Bio sketches, photos, performance notes and a CD recorded for the most part by the composers themselves complete this musical portrait of the classic guitar in the 21st century.

Recording the Classical Guitar

Recording the Classical Guitar
Author: Mark Marrington
Publisher: Routledge
Total Pages: 453
Release: 2021-03-30
Genre: Music
ISBN: 1351371401

Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.