Music Modernity And God
Download Music Modernity And God full books in PDF, epub, and Kindle. Read online free Music Modernity And God ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Jeremy Begbie |
| Publisher | : OUP Oxford |
| Total Pages | : 270 |
| Release | : 2013-11-22 |
| Genre | : Religion |
| ISBN | : 0191611816 |
When the story of modernity is told from a theological perspective, music is routinely ignored—despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, this collection of essays shows that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Jeremy Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther, and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
| Author | : Jeremy Begbie |
| Publisher | : Oxford University Press |
| Total Pages | : 270 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 0199292442 |
Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-currents shaping modernity. Begbie argues that music is capable of yielding highly effective ways of addressing some of the more intractable theological problems and dilemmas of modernity.
| Author | : Jeremy Begbie |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 398 |
| Release | : 2021-02-02 |
| Genre | : History |
| ISBN | : 019884655X |
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
| Author | : Jeremy Begbie |
| Publisher | : Baker Academic |
| Total Pages | : 416 |
| Release | : 2007-12 |
| Genre | : Music |
| ISBN | : 0801026954 |
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
| Author | : Michael Marissen |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2016-04-20 |
| Genre | : Music |
| ISBN | : 0190606967 |
Bach & God explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin" on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.
| Author | : Michael Allen Gillespie |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 762 |
| Release | : 2010-10-21 |
| Genre | : Philosophy |
| ISBN | : 1459606124 |
Taking as his starting point the collapse of the medieval world, Gillespie argues that from the very beginning moderns sought not to eliminate religion but to support a new view of religion and its place in human life- and that they did so not out of hostility but in order to sustain certain religious beliefs. He goes on to explore the ideas of such figures as William of Ockham, Petrarch, Erasmus, Luther, Descartes, and Hobbes, showing that modernity is best understood as the result of a series of attempts to formulate a new and coherent metaphysics or theology.
| Author | : Andrew Shanks |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2012-10-02 |
| Genre | : Religion |
| ISBN | : 1134737270 |
For the past four hundred years, theological debate has been dominated by a fundamental divide: between the liberals, with strong loyalties to the secularity of the secular state and university on the one hand, and the neo-orthodox, insisting on the absolute priority of a proper loyalty to the church community itself, on the other. God and Modernity strikes off in a fundamentally new directionAndrew Shanks boldly calls for a new and better way to do theology. Shanks argues that God is most present in a culture where public debate over ethical issues flourishes best. Social movements such as feminist movements, peace movements, and green movements have emerged to challenge both Church and State. These new movements are no longer confined to a particular confessional religious identity and are independent of state sponsorship. These social movements already made an individual impact on theology. What would a theology look like, systematically trying to reconcile older divisions in the theological debate with a new loyalty to such movements common ethos? Anyone wishing to gain a refreshing insight into a new way of understanding theology and politics will welcome this ground-breaking book.
| Author | : Michael J. Buckley |
| Publisher | : Yale University Press |
| Total Pages | : 204 |
| Release | : 2004-01-01 |
| Genre | : Religion |
| ISBN | : 9780300093841 |
Reflecting on the development of atheism from the beginnings of modernity to the present day, the author suggests that atheism originated in the denial that the various forms of interpersonal religious experience possess any cognitive cogency.
| Author | : George Corbett |
| Publisher | : Open Book Publishers |
| Total Pages | : 339 |
| Release | : 2019-05-01 |
| Genre | : Music |
| ISBN | : 1783747293 |
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.
| Author | : Jeremy Begbie |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 237 |
| Release | : 2018-02-14 |
| Genre | : Religion |
| ISBN | : 1467449393 |
How can the arts witness to the transcendence of the Christian God? Many people believe that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world—even for those who may have no use for conventional forms of Christianity. In this book Jeremy Begbie—a leading voice on theology and the arts—employs a biblical, Trinitarian imagination to show how Christian involvement in the arts can be shaped by the distinctive vision of God’s transcendence opened up in and through Jesus Christ.
