Music Manuscript Preparation
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Author | : Mona Mender |
Publisher | : Metuchen, N.J. : Scarecrow Press |
Total Pages | : 228 |
Release | : 1991 |
Genre | : Music |
ISBN | : |
From this concise textbook, a student may learn, step by step, how to prepare any kind of music manuscript; composers and copyists can use it for reference. Mender includes a large section on contemporary music, both classical and popular; a section on cueing; abundant illustrations; and an extensive index. The book is divided into sections on material and equipment; notation; general preparation; cueing; instruments (special notation and preparation); contemporary music ('serious' and popular); proofreading by way of counting measures; and duplication of manuscripts. The appendix excerpts music manuscripts and comments by several contemporary composers.
Author | : Janet S. Dodd |
Publisher | : |
Total Pages | : 482 |
Release | : 1997 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Guidelines from ACS to help authors and editors in preparing scientific texts.
Author | : Gayle Giese |
Publisher | : Alfred Music |
Total Pages | : 92 |
Release | : |
Genre | : Music |
ISBN | : 9781457459443 |
A 64-page concise handbook for professional and student writers, arrangers, copyists, editors or proofreaders -- anyone working with music manuscripts. Included are sections on general music notation, shorthand notation, proofreading, terms and type, choral/vocal music, instrumental scores and parts, pop and keyboard music, plus a special section with specifics for engravers.
Author | : Elaine Gould |
Publisher | : Faber Music Ltd |
Total Pages | : 694 |
Release | : 2016-08-17 |
Genre | : Music |
ISBN | : 0571590039 |
Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.
Author | : Alexander Rehding |
Publisher | : Oxford University Press, USA |
Total Pages | : 849 |
Release | : 2019 |
Genre | : Music |
ISBN | : 0190454741 |
Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Author | : Matthew Nicholl |
Publisher | : Berklee Press Publications |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Music |
ISBN | : 9780876390740 |
(Berklee Guide). Whether you notate music by hand or use computer software, this practical reference will show you today's best practices rendering the details of your scores and parts. Improve your music's legibility and express your ideas clearly to get the best possible representation of your music. You will learn to: create scores that are easy to conduct and parts that are easy to perform; understand the unique practices and standards for handwritten vs. computer-generated scores, such as those by Finale and Sibelius; lay out scores with proper instrument order, measures per page, and common alignment practices; understand the publication standards for orchestral, big-band, vocal, and rhythm-section-based scores; use appropriate practices for different styles, such as pop, commercial, classical, and jazz; and more. Music Notation Preparing Scores and Parts is used as a notation textbook by Berklee College of Music's Contemporary Writing and Production Department. It presents the definitive word in score and part preparation, based on contemporary publishing-industry practice.
Author | : Gary Stith |
Publisher | : Meredith Music |
Total Pages | : 98 |
Release | : 2011-05-01 |
Genre | : Music |
ISBN | : 1574632086 |
(Meredith Music Resource). This text is sure to provide the most practical approach to orchestra and wind band score study ever published. It methodically simplifies preliminary score study and initial rehearsal preparation for all conductors of band, orchestra and chamber ensembles. It is enormously valuable for practicing conductors from elementary school to those leading professional ensembles. As a supplement to undergraduate and graduate level instrumental conducting classes, it is an extremely effective text. The unique features of this innovative publication include: * an easy-to-read format that systematically walks the reader through the entire score-study process * complete full score to Flourish for Wind Band by Vaughan Williams used as the study score throughout * compositional flowchart of the Vaughan Williams work * Score and Rehearsal Preparation Worksheet that can be reproduced and used with any wind band or orchestral score (and maintained for future use) * seating-arrangement diagrams of nationally renown wind bands and orchestras * comprehensive glossary of standard instrument abbreviations * standard band and orchestra instrumentation reference chart * selective and detailed bibliography containing specific sources that will prove invaluable in the preparation of all instrumental scores.
Author | : Samuel Z. Solomon |
Publisher | : Oxford University Press |
Total Pages | : 313 |
Release | : 2016 |
Genre | : Music |
ISBN | : 0199920362 |
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
Author | : James Grier |
Publisher | : Cambridge University Press |
Total Pages | : 288 |
Release | : 1996-08-15 |
Genre | : Music |
ISBN | : 9780521558631 |
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author | : J. David Boyle |
Publisher | : Halcyon Press Ltd. |
Total Pages | : 147 |
Release | : 2004 |
Genre | : Education |
ISBN | : 1931823146 |
The purpose of Preparing Graduate Papers in Music is to provide music students with some guidelines to assist in the preparation of theses, essays, dissertations, and other papers that may be written as part of their graduate program. This manual includes information and examples for preparing such papers and is designed specifically to assist students in writing about music and in documenting references to music, music notation, recordings, and other musical resources. It is intended to complement guidelines provided by a university's graduate office and the two style manuals most used by music students, A Manual for Writers of Term Papers, Theses, and Dissertations (Turabian 1996) and the Publication Manual of the American Psychological Association (APA 1994).