Music In The Work Of Marcel Proust And Romain Rolland
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| Author | : Josh Torabi |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2020-12-20 |
| Genre | : Literary Criticism |
| ISBN | : 1000294625 |
This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland’s Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce’s modernist epic Ulysses (1922), and Thomas Mann’s late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche’s conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche’s early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland’s status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.
| Author | : Edward Lockspeiser |
| Publisher | : CUP Archive |
| Total Pages | : 374 |
| Release | : 1978 |
| Genre | : Music |
| ISBN | : 9780521293419 |
| Author | : Hanns-Werner Heister |
| Publisher | : Springer Nature |
| Total Pages | : 724 |
| Release | : 2021-02-21 |
| Genre | : Technology & Engineering |
| ISBN | : 3662629070 |
This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author’s research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and – conscious – “blurring”. In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a “Philosophy of Fuzzy Logic”. Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.
| Author | : Adam Watt |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2013-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 110751214X |
This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.
| Author | : Alex Aronson |
| Publisher | : Totowa, N.J. : Rowman & Littlefield |
| Total Pages | : 296 |
| Release | : 1980 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Andrew Thomson |
| Publisher | : Oxford University Press |
| Total Pages | : 266 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780198162209 |
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
| Author | : Keith Busby |
| Publisher | : Rodopi |
| Total Pages | : 273 |
| Release | : 1992 |
| Genre | : Social Science |
| ISBN | : 9789051832969 |
| Author | : Gregor Dallas |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 276 |
| Release | : 2009-05-26 |
| Genre | : History |
| ISBN | : 0802719007 |
A history of Paris in twelve métro stops. Métro Stop Paris recounts the extraordinary and colorful history of the City of Light, by way of twelve Métro stops-a voyage across both space and time. At each stop a Parisian building, or street, or tomb or landmark sparks a story that holds particular significance for that area of the city. Dallas takes us to the jazz cellars and literary cafés of Montparnasse and Saint-Germain-des-Prés; the catacombs at Hell's Gate; and the Opéra during the days of Claude Debussy. A darker side of Paris emerges at the Trocadéro stop and a charitable side at the Gare du Nord, which highlights the work of Saint Vincent de Paul. Finally, our journey ends at Père-Lachaise cemetery with the little-known story of Oscar Wilde's curious involvement in the Dreyfus affair, one of France's greatest legal scandals. From Hell (the Denfert-Rochereau stop on the south side of the city) to Heaven (the Gare du Nord at the north end of Paris), Métro Stop Paris carries readers on a journey of the heart and mind. Métro Stop Paris is a thinker's guide to Paris made up of "slices of life," little vignettes drawn from Paris's two thousand years of history. Taken separately, these are charming historic tales about a city known and loved by many, but read as a whole Métro Stop Paris goes straight to the heart of what is quintessentially Parisian.
| Author | : Jann Pasler |
| Publisher | : Princeton University Press |
| Total Pages | : 426 |
| Release | : 2021-07-13 |
| Genre | : Music |
| ISBN | : 1400845106 |
A revealing look at French composer and virtuoso Camille Saint-Saëns Camille Saint-Saëns—perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music—is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
| Author | : Theodore Ziolkowski |
| Publisher | : Cambridge University Press |
| Total Pages | : 205 |
| Release | : 2009-09-24 |
| Genre | : Literary Criticism |
| ISBN | : 0521112605 |
This book analyses how the outrage caused by controversial plays or productions reflects the moral standards of the time.
