Music In Aztec And Inca Territory
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Author | : Robert Stevenson |
Publisher | : Univ of California Press |
Total Pages | : 406 |
Release | : 1968-01-01 |
Genre | : History |
ISBN | : 9780520031692 |
Robert Stevenson's book is a comprehensive, expert and readable study on Aztec and Incan music. He examines the musical cultures at the time of first contact with Europeans and also Mesoamerican and Andean highland musical traditions up to 1800.
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Publisher | : Univ of California Press |
Total Pages | : 400 |
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Author | : Robert M. Stevenson |
Publisher | : Univ of California Press |
Total Pages | : 516 |
Release | : 2023-07-28 |
Genre | : Music |
ISBN | : 0520317238 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
Author | : Carl Lumholtz |
Publisher | : |
Total Pages | : 590 |
Release | : 1902 |
Genre | : Indians of Mexico |
ISBN | : |
Author | : Richard Keeling |
Publisher | : Routledge |
Total Pages | : 473 |
Release | : 2013-10-15 |
Genre | : Music |
ISBN | : 1135503028 |
First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.
Author | : Javier F Leon |
Publisher | : University of Illinois Press |
Total Pages | : 440 |
Release | : 2016-07-15 |
Genre | : Music |
ISBN | : 0252098439 |
Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors include Marina Alonso Bolaños, Gonzalo Camacho Díaz, José Jorge de Carvalho, Claudio F. Díaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Rubén López-Cano, Angela Lühning, Jorge Martínez Ulloa, Maria Ignêz Cruz Mello, Julio Mendívil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina Santamaría-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.
Author | : Benjamin Brand |
Publisher | : Cambridge University Press |
Total Pages | : 379 |
Release | : 2016-10-27 |
Genre | : History |
ISBN | : 1107158370 |
The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Author | : Dale A Olsen |
Publisher | : Routledge |
Total Pages | : 646 |
Release | : 2021-11-18 |
Genre | : Music |
ISBN | : 1000525538 |
First Published in 2000. The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region's uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.
Author | : Victor Coelho |
Publisher | : Cambridge University Press |
Total Pages | : 284 |
Release | : 2003-07-10 |
Genre | : Music |
ISBN | : 9780521000406 |
From its origins in the culture of late medieval Europe to enormous global popularity in the twentieth, the guitar and its development comprise multiple histories, each characterized by distinct styles, playing techniques, repertories, and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions, and Western and non-Western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring twelve essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and the differences between guitar traditions; all styles--from baroque, classical, country, blues, and rock to flamenco, African, and Celtic--will share the same platform, along with instrument making. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
Author | : Michael V Pisani |
Publisher | : Yale University Press |
Total Pages | : 438 |
Release | : 2008-10-01 |
Genre | : Music |
ISBN | : 0300130732 |
This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.