Music From The Hitchcock Films Solo Piano
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Author | : Wise Publications |
Publisher | : Wise Publications |
Total Pages | : 96 |
Release | : 2014-05-16 |
Genre | : Music |
ISBN | : 1783233370 |
Alfred Hitchcock was once so famous he was the only film director whose name appeared on the cinema marquee above the title. He disparaged actors and loathed location shooting since both threatened the precise realisation of the film he had already made in his mind. Yet, in his Hollywood heyday he forged some creative collaborations he truly valued: those with composers. From the start, Hitchcock knew that music was an invaluable aid to any director of suspense movies who wanted to put his audience through the emotional wringer. From Arthur Benjamin’s pivotal cantata in the 1934 version of 'The Man Who Knew Too Much' to Bernard Herrmann’s jagged soundtrack for the landmark shocker 'Psycho', the music was usually a visceral part of any Hitchcock movie. By the time John Williams scored Hitchcock’s final film 'Family Plot' (1976), a whole generation of moviegoers would always remember their favourite Hitchcock film with, as it were, the soundtrack attached. Here, arranged for Piano, are some of the most evocative themes from some of Hitchcock’s most unforgettable films.
Author | : Ludovico Einaudi |
Publisher | : Chester Music |
Total Pages | : 112 |
Release | : 2015-07-06 |
Genre | : Music |
ISBN | : 1783237147 |
Ludovico Einaudi's beautifully evocative music lends itself so perfectly to use in films that for many years directors have been using it to complement their images. 17 of the best examples of his music for film over the past two decades are included here in this Film Music collection, arranged for solo Piano. Perhaps the most well-suited of all Einaudi's film collaborations have been with directors Olivier Nakache and Eric Toledano on their hugely successful films 'Intouchables' and 'Samba'. From these two films come nine of Einaudi's most wonderful works, including Time Lapse and Una Mattina. Film Music further includes selections from 'Comes A Bright Day' (Berlin Song), 'Insidious' (the astonishing Nuvole Bianche) and his compositions Shane Meadows' 'This Is England' and Russell Crowe's 'The Water Diviner'. Alongside the beautiful transcriptions is a fascinating introduction to each film, letting you find out about how the song was used as well as learning how to play it. This luxurious collection of cinematic sheet music is perfect for fans of Ludovico Einaudi as well as film lovers who appreciate the power of a marriage of music and image – A masterclass in film composition. Song List: - Berlin Song - Nuvole Bianche - Fly - L'Origine Nascolta - Una Mattina - Writing Poems - Time Lapse - Ascolta - Experience - Run - Walk - Cache Cache - Dietro Casa - Oltremare - Ritornare - The Water Diviner - Newton's Cradle
Author | : Mark Hayes |
Publisher | : Hal Leonard |
Total Pages | : 66 |
Release | : 2021-06-01 |
Genre | : Music |
ISBN | : 1705146562 |
(Piano Solo Songbook). Ten tunes from Tinseltown masterfully arranged by Mark Hayes for piano solo. Includes: Climb Ev'ry Mountain (from The Sound of Music ) * Gabriel's Oboe (from The Mission ) * God Help the Outcasts (from The Hunchback of Notre Dame ) * If I Only Had a Brain (from The Wizard of Oz ) * Part of Your World (from The Little Mermaid ) * People (from Funny Girl ) * Theme from Schindler's List * Singin' in the Rain * Somewhere, My Love (from Doctor Zhivago ) * Unchained Melody.
Author | : Charles François Gounod |
Publisher | : Alfred Music |
Total Pages | : 8 |
Release | : 2005-05-03 |
Genre | : Music |
ISBN | : 1470600382 |
This advanced piano piece by the 19th-century French composer is one of his most popular concert works. The program music describes a funeral procession, relieved by a lively middle section where the mourners stop for refreshment. The main theme was used as the signature music for the Alfred Hitchcock mystery television series.
Author | : |
Publisher | : Hal Leonard Corporation |
Total Pages | : 135 |
Release | : 2022-02-01 |
Genre | : Music |
ISBN | : 1705165680 |
(Piano). This collection features some of Einaudi's most popular piano compositions featured in films, complementing the new album from Decca. CONTENTS: Experience * Golden Butterflies * Berlin Song * Love Is a Mystery * Main Theme from The Third Murder * The Water Diviner * Petricor * Fly * Time Lapse * Walk * Cold Wind Var. 1 * Ascolta * Histoire sans nom * Due Tramonti * Run * Le Onde * L'Origine Nascosta
Author | : |
Publisher | : |
Total Pages | : 112 |
Release | : 2008-01 |
Genre | : Motion picture music |
ISBN | : 9781847721952 |
Presents music from films arranged for solo piano.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Omnibus Press |
Publisher | : |
Total Pages | : 112 |
Release | : 2008 |
Genre | : Motion picture music |
ISBN | : 9781847721952 |
Presents music from films arranged for solo piano.
Author | : Alexandre Desplat |
Publisher | : Alfred Music |
Total Pages | : 20 |
Release | : 2013-02-26 |
Genre | : Music |
ISBN | : 1470624281 |
For film score enthusiasts who play the piano, this folio presents piano arrangements of three standout selections from Alexandre Desplat's Original Soundtrack to the award-winning film. Titles: *The Mission *Held Up by Guards *Cleared Iranian Airspace
Author | : Royal S. Brown |
Publisher | : Univ of California Press |
Total Pages | : 408 |
Release | : 2023-04-28 |
Genre | : Performing Arts |
ISBN | : 0520914775 |
Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume.