Music Discipline And Arms In Early Modern France
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Author | : Kate van Orden |
Publisher | : University of Chicago Press |
Total Pages | : 337 |
Release | : 2005-09 |
Genre | : History |
ISBN | : 0226849767 |
Examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. Van Orden constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances. The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets.
Author | : Katherine Butler |
Publisher | : Boydell & Brewer |
Total Pages | : 344 |
Release | : 2019 |
Genre | : Music |
ISBN | : 1783273712 |
The complex relationship between myths and music is here investigated.
Author | : Allie Terry-Fritsch |
Publisher | : Routledge |
Total Pages | : 496 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 135157423X |
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Author | : David P. LaGuardia |
Publisher | : Routledge |
Total Pages | : 325 |
Release | : 2016-03-03 |
Genre | : Literary Criticism |
ISBN | : 1317097688 |
Memory and Community in Sixteenth-Century France engages the question of remembering from a number of different perspectives. It examines the formation of communities within diverse cultural, religious, and geographical contexts, especially in relation to the material conditions for producing texts and discourses that were the foundations for collective practices of memory. The Wars of Religion in France gave rise to numerous narrative and graphic representations of bodies remembered as icons and signifiers of the religious ’troubles.’ The multiple sites of these clashes were filled with sound, language, and diverse kinds of signs mediated by print, writing, and discourses that recalled past battles and opposed different factions. The volume demonstrates that memory and community interacted constantly in sixteenth-century France, producing conceptual frames that defined the conflicting groups to which individuals belonged, and from which they derived their identities. The ongoing conflicts of the Wars hence made it necessary for people both to remember certain events and to forget others. As such, memory was one of the key ideas in a period defined by its continuous reformulations of the present as a forum in which contradictory accounts of the recent past competed with one another for hegemony. One of the aims of Memory and Community in Sixteenth-Century France is to remedy the lack of scholarship on this important memorial function, which was one of the intellectual foundations of the late French Renaissance and its fractured communities.
Author | : Kate van Orden |
Publisher | : Univ of California Press |
Total Pages | : 257 |
Release | : 2013-10-19 |
Genre | : Music |
ISBN | : 0520957113 |
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Author | : Bram van Leuveren |
Publisher | : BRILL |
Total Pages | : 345 |
Release | : 2023-08-14 |
Genre | : History |
ISBN | : 9004537813 |
This book is the first to explore the rich festival culture of late sixteenth- and early seventeenth-century France as a tool for diplomacy. Bram van Leuveren examines how the late Valois and early Bourbon rulers of the kingdom made conscious use of festivals to advance their diplomatic interests in a war-torn Europe and how diplomatic stakeholders from across the continent participated in and responded to the theatrical and ceremonial events that featured at these festivals. Analysing a large body of multilingual eyewitness and commemorative accounts, as well as visual and material objects, Van Leuveren argues that French festival culture operated as a contested site where the diplomatic concerns of stakeholders from various national, religious, and social backgrounds fought for recognition.
Author | : Simon Trezise |
Publisher | : Cambridge University Press |
Total Pages | : 441 |
Release | : 2015-02-19 |
Genre | : Music |
ISBN | : 0521877946 |
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Author | : Katherine Butler (Music tutor) |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 273 |
Release | : 2015 |
Genre | : Biography & Autobiography |
ISBN | : 1843839814 |
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Author | : Noel Fallows |
Publisher | : Bloomsbury Publishing |
Total Pages | : 289 |
Release | : 2022-08-31 |
Genre | : History |
ISBN | : 1350283029 |
A Cultural History of Sport in the Medieval Age covers the period 600 to 1450. Lacking any viable ancient models, sport evolved into two distinct forms, divided by class. Male and female aristocrats hunted and knights engaged in jousting and tournaments, transforming increasingly outdated modes of warfare into brilliant spectacle. Meanwhile, simpler sports provided recreational distraction from the dangerously unsettled conditions of everyday life. Running, jumping, wrestling, and many ball games - soccer, cricket, baseball, golf, and tennis – had their often violent beginnings in this period. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training and technology; rules and order; conflict and accommodation; inclusion, exclusion and segregation; minds, bodies and identities; representation. Noel Fallows is Distinguished Research Professor at the University of Georgia, USA. Volume 2 in the Cultural History of Sport set General Editors: Wray Vamplew, Mark Dyreson, and John McClelland
Author | : Tim Blanning |
Publisher | : Penguin UK |
Total Pages | : 401 |
Release | : 2013-03-07 |
Genre | : Music |
ISBN | : 0141976454 |
Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.