Medieval Music and the Art of Memory

Medieval Music and the Art of Memory
Author: Anna Maria Busse Berger
Publisher: University of California Press
Total Pages: 304
Release: 2019-10-08
Genre: Music
ISBN: 0520314271

Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.

Women in Music

Women in Music
Author: Karin Pendle
Publisher: Routledge
Total Pages: 723
Release: 2005-09-19
Genre: Music
ISBN: 1135384568

First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.

The Medieval Theater of Cruelty

The Medieval Theater of Cruelty
Author: Jody Enders
Publisher: Cornell University Press
Total Pages: 292
Release: 2002
Genre: History
ISBN: 9780801487835

Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.

Annotated Chaucer bibliography

Annotated Chaucer bibliography
Author: Mark Allen
Publisher: Manchester University Press
Total Pages: 886
Release: 2015-11-01
Genre: Literary Criticism
ISBN: 1784996459

An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010

Intersections of Sexuality and the Divine in Medieval Culture

Intersections of Sexuality and the Divine in Medieval Culture
Author: Susannah Chewning
Publisher: Routledge
Total Pages: 333
Release: 2017-03-02
Genre: Literary Criticism
ISBN: 1351926357

As distinct from the many recent collections and studies of medieval literature and culture that have focused on gender and sexuality as their major themes, this collection considers and serves to re-think and re-situate religion and sexuality together. Including 'traditional' works such as Chaucer and the Pearl-poet, as well as less well known and studied texts - such as alchemical texts and the Wohunge group - the contributors here focus on the meeting point of these two often-examined concepts. They seek an understanding of where sex and religion distinguish themselves from one another, and where they do not. This volume locates the Divine and the Erotic within the continuum of experience and devotion that characterize the paradox of the medieval world. Not merely original in their approaches, these authors seek a new vision of how these two inter-connected themes - sexuality and the Divine - meet, connect, distinguish themselves, and merge within medieval life, language, and literature.

Mother of God

Mother of God
Author: Miri Rubin
Publisher: Penguin UK
Total Pages: 576
Release: 2009-02-26
Genre: Religion
ISBN: 0141912642

Mary, the mother of Jesus, is one of the most powerful, influential and complex of all religious figures. The focus for women, the inspiration of faith, the subject of innumerable paintings, sculptures, pieces of music and churches, Mary is so entangled in our world that it is impossible to conceive of the history of Western culture and religion without her. Miri Rubin's Mother of God is a major work of cultural imagination. Mary's role in the Gospels is a relatively minor one, and yet in the centuries during which Christianity established itself she emerged as a powerful, strange and ungovernable force, endlessly remade and reimagined by wave after wave of devotees, ultimately becoming 'a sort of God', in ways that have always made some Christians uneasy. Whether talking about the vast public festivals celebrating Mary that sweep up entire communities or the intense private agony of individual devotion, Rubin's book is a triumph of sympathy and intelligence. Throughout Christianity's journey from mysterious origins to global religion, the Mother of God has been a profound presence in countless lives - Mother of God is the story of that presence and a book that raises profound questions about the human experience.

Angels and Anchoritic Culture in Late Medieval England

Angels and Anchoritic Culture in Late Medieval England
Author: Joshua S. Easterling
Publisher: Oxford University Press
Total Pages: 240
Release: 2021-08-19
Genre: Literary Criticism
ISBN: 0192635794

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. This volume examines Latin and vernacular writings that formed part of a flourishing culture of mystical experience in the later Middle Ages (ca. 1150–1400), including the ways in which visionaries within their literary milieu negotiated the tensions between personal, charismatic inspiration and their allegiance to church authority. It situates texts written in England within their wider geographical and intellectual context through comparative analyses with contemporary European writings. A recurrent theme across all of these works is the challenge that a largely masculine and clerical culture faced in the form of the various, and potentially unruly, spiritualities that emerged powerfully from the twelfth century onward. Representatives of these major spiritual developments, including the communities that fostered them, were often collaborative in their expression. For example, holy women, including nuns, recluses, and others, were recognized by their supporters within the church for their extraordinary spiritual graces, even as these individual expressions of piety were in many cases at variance with securely orthodox religious formations. These writings become eloquent witnesses to a confrontation between inner, revelatory experience and the needs of the church to set limitations upon charismatic spiritualities that, with few exceptions, carried the seeds of religious dissent. Moreover, while some of the most remarkable texts at the centre of this volume were authored (and/or primarily read) by women, the intellectual and religious concerns in play cut across the familiar and all-too-conventional boundaries of gender and social and institutional affiliation.