Music And Time
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Author | : Gwendolyn Hooks |
Publisher | : |
Total Pages | : 0 |
Release | : 2017-03-15 |
Genre | : |
ISBN | : 9781536405941 |
Henry's drum practice at home is too loud so he goes outside and when he sees his friends playing jump rope he figures out a way to play drums and play with his friends.
Author | : Suzannah Clark |
Publisher | : Harvard University Press |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Musical meter and rhythm |
ISBN | : 9780964031760 |
Music in Time probes the temporality of music from many perspectives, in response to Christopher F. Hasty's groundbreaking Meter as Rhythm. The essays bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies.
Author | : Christopher P. Gordon |
Publisher | : |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Music |
ISBN | : 9780757540967 |
Author | : John Burnside |
Publisher | : Princeton University Press |
Total Pages | : 528 |
Release | : 2021-04-06 |
Genre | : Literary Criticism |
ISBN | : 0691218862 |
"First published in a slight different form in Great Britain in 2019 by Profile Books Ltd."--Title page verso.
Author | : Jeremy Begbie |
Publisher | : Cambridge University Press |
Total Pages | : 336 |
Release | : 2000-07-24 |
Genre | : Music |
ISBN | : 9780521785686 |
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Author | : Daniel Barenboim |
Publisher | : Verso |
Total Pages | : 200 |
Release | : 2008 |
Genre | : Music |
ISBN | : |
From Israel's most celebrated musician and outspoken critic comes an examination of the power of music to transform society.
Author | : Mariusz Kozak |
Publisher | : Oxford University Press |
Total Pages | : 325 |
Release | : 2019-10-09 |
Genre | : Music |
ISBN | : 0190080221 |
What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.
Author | : Jennifer Bryant |
Publisher | : Eerdmans Publishing Company |
Total Pages | : 32 |
Release | : 2005 |
Genre | : Juvenile Nonfiction |
ISBN | : 0802852297 |
Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.
Author | : David Epstein |
Publisher | : Wadsworth Publishing Company |
Total Pages | : 636 |
Release | : 1995 |
Genre | : Music |
ISBN | : |
Epstein investigates the relationship between the ineffable art of music and the hard science of neurobiology. He integrates philosophic and scientific inquiry to formulate a theory of the fundamental yet elusive quality in music time. Derived from an analytical study of motion, tempo and emotion, Shaping Time offers a theory of the way we percieve, perform and interpret music. Epstein suggests that audience satisfaction with a musical performance results from timing trajectories established by the performer at the beginning of the piece. When the timing of a performance conflicts with audience anticipation, listeners experience physical and affective discomfort. Epstein applies his thesis to a wide range of examples for the repertoire.
Author | : Christopher Hasty |
Publisher | : Oxford University Press |
Total Pages | : 329 |
Release | : 1997-04-10 |
Genre | : Music |
ISBN | : 0195356535 |
In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.