Music and Dance in California and the West
Author | : Bruno David Ussher |
Publisher | : |
Total Pages | : 322 |
Release | : 1948 |
Genre | : California, Southern |
ISBN | : |
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Author | : Bruno David Ussher |
Publisher | : |
Total Pages | : 322 |
Release | : 1948 |
Genre | : California, Southern |
ISBN | : |
Author | : Bruno David Ussher |
Publisher | : |
Total Pages | : |
Release | : 1933 |
Genre | : California, Southern |
ISBN | : |
Author | : Elizabeth Pepin |
Publisher | : Chronicle Books |
Total Pages | : 200 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780811845489 |
Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.
Author | : Gerald W. Haslam |
Publisher | : Univ of California Press |
Total Pages | : 393 |
Release | : 1999-04-29 |
Genre | : Music |
ISBN | : 052092262X |
California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on. Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers. Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.
Author | : John Shepherd |
Publisher | : A&C Black |
Total Pages | : 586 |
Release | : 2012-03-08 |
Genre | : Music |
ISBN | : 1441160787 |
See:
Author | : Mark F. DeWitt |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 292 |
Release | : 2008-01-01 |
Genre | : History |
ISBN | : 1604733373 |
Queen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in Cajun Country. In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.