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| Author | : Catherine Pearson |
| Publisher | : Taylor & Francis |
| Total Pages | : 307 |
| Release | : 2017-06-26 |
| Genre | : History |
| ISBN | : 1351702556 |
Peacetime: return to traditional collections concerns -- The past is intrinsic to museums -- The complexities of peacetime -- Appendix: primary sources -- References -- Index
| Author | : Stephan Jaeger |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 368 |
| Release | : 2020-02-24 |
| Genre | : History |
| ISBN | : 3110664410 |
The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
| Author | : Zuzanna Bogumił |
| Publisher | : Berghahn Books |
| Total Pages | : 190 |
| Release | : 2015-06-01 |
| Genre | : Art |
| ISBN | : 1782382186 |
Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.
| Author | : Jörg Echternkamp |
| Publisher | : Berghahn Books |
| Total Pages | : 283 |
| Release | : 2019-01-02 |
| Genre | : Art |
| ISBN | : 1789201276 |
Twenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of the key sites for such representation has been the vast array of museums and memorials that reflect contemporary ideas of war, the roles of soldiers and civilians, and the self-perception of those who remember. This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.
| Author | : Anne Saunders |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 188 |
| Release | : 2016-12-13 |
| Genre | : |
| ISBN | : 9781540566041 |
THE BOOK SHOWN ON THIS PAGE IS THE UPDATED AND EXPANDED SECOND EDITION, published in December 2016. This new version adds tours of WWII sites in Sicily/southern Italy, and updates the descriptions of WWII sites in central and northern Italy. It also adds locations along the Adriatic coast, where the Eighth Army fought many battles. Altogether the new edition describes almost 200 sites. The guidebook closes with excerpts from the journal of a prisoner of war who spent months in Italian POW camps. Please note that book reviews prior to December 2016 refer to the FIRST edition, published in 2010 and no longer in print (although some first-edition copies are still for sale on the Amazon website).
| Author | : John Bodnar |
| Publisher | : JHU Press |
| Total Pages | : 321 |
| Release | : 2010-10-01 |
| Genre | : History |
| ISBN | : 1421400022 |
The “Good War” in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested. Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory—tragic and brutal versus heroic and virtuous—and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion.
| Author | : Kate Hill |
| Publisher | : Routledge |
| Total Pages | : 233 |
| Release | : 2020-11-26 |
| Genre | : Art |
| ISBN | : 1000260399 |
Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.
| Author | : Ian Carter |
| Publisher | : Imperial War Museums |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : World War, 1939-1945 |
| ISBN | : 9781912423033 |
Allied victory in the Second World War owed much to air power. The success of military and naval operations invariably hinged on control of the skies, and the rise to dominance of the Allied air forces meant that the Nazi war machine was effectively doomed. Following the success of 'The Second World War in Colour', this book presents a further selection of original colour photographs from the IWM collection, focusing on Allied aircraft and airmen. Alongside these striking images, 'War in the Air' examines how crucial aviation was to winning the war, from the defence of Britain's skies and maritime trade, to battlefield support in North Africa and Europe and the strategic bombing offensive over Germany. Shot from the ground and from the air, these powerful images bring a vital aspect of the Second World War to life.
| Author | : Francesca Monti |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2016-04-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 131709283X |
In a society where split-second decisions about the value of things are grounded on how they look, museum visitors are often drawn to visually striking or iconic objects. This book investigates the question of the treatment of items on display in museums which are less conspicuous but potentially just as important as the striking objects, arguing that it is important to show that all objects illustrate potentially interesting cultural contexts and content. The authors explore the disciplines of architecture, design, cognitive science and museology and offer a methodology by which the quality of museum exhibitions can be judged from a visitor-centred perspective. They provide new insights into the visitor-object encounter and the relationship between visitors, objects and museums. In addition the book offers a set of useful practical tools for museum professionals - for audience research, evaluating museum displays, and for designing new galleries and striking exhibitions. Richly illustrated with photos and diagrams, and based on studies of famous galleries in world-renowned museums, the book will be essential reading for all those concerned with creating effective exhibitions in museum.
| Author | : Andrea Bayer |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 291 |
| Release | : 2020-03-23 |
| Genre | : Art |
| ISBN | : 1588397092 |
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
