How a Revolutionary Art Became Official Culture

How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
Total Pages: 249
Release: 2012-04-17
Genre: Art
ISBN: 0822350378

This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.

Revolutionary Summer

Revolutionary Summer
Author: Joseph J. Ellis
Publisher: Knopf
Total Pages: 249
Release: 2013-06-04
Genre: History
ISBN: 0307701220

The Pulitzer Prize and National Book Award-winning author of First Family presents a revelatory account of America's declaration of independence and the political and military responses on both sides throughout the summer of 1776 that influenced key decisions and outcomes.

¡Printing the Revolution!

¡Printing the Revolution!
Author: Claudia E. Zapata
Publisher: Princeton University Press
Total Pages: 326
Release: 2020-12
Genre: Art
ISBN: 0691210802

Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.

Museum of the Revolution

Museum of the Revolution
Author: Guy Tillim
Publisher:
Total Pages: 118
Release: 2019-02
Genre: Accra (Ghana)
ISBN: 9781912339273

"These photographs were made on long walks through the streets of African capitals, including Johannesburg, Durban, Maputo, Beira, Harare, Nairobi, Kigali, Kampala, Addis Ababa, Luanda, Libreville, Accra, Dakar and Dar es Salaam, and the series takes its title from the Museum of the Revolution in Maputo, Mozambique, which is situated on the Avenida 24 Julho. The 24th of July 1875 marked the end of an Anglo-Portuguese conflict for possession of the territory that was decided in favour of Portugal. One hundred years later the name of the avenue remained the same because Mozambique's independence from Portugal was proclaimed in June 1975 and now the 24th of July is Nationalisation Day. These streets, named and renamed, function as silent witnesses to the ebb and flow of political, economic and social shifts of power and become a museum of the many revolutions that have taken place in African countries over the past 65 years. In Tillim's photographs, the streets of these African capitals reflect a new reality, distinct from the economic stagnation wrought by socialist policies that usually accompanied African nationalism, the reality of rebuilding and enterprise, and new sets of aspirations imbued with capitalistic values." -- Publisher's website.

Curating Revolution

Curating Revolution
Author: Denise Y. Ho
Publisher: Cambridge University Press
Total Pages: 325
Release: 2018
Genre: Art
ISBN: 1108417957

Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.

Cost of Revolution

Cost of Revolution
Author: Matthew Skic
Publisher: Northern Liberties Press
Total Pages:
Release: 2019-11
Genre:
ISBN: 9781933153377

Revolution of the Eye

Revolution of the Eye
Author: Maurice Berger
Publisher: Yale University Press
Total Pages: 173
Release: 2014-01-01
Genre: Art
ISBN: 030020793X

An engaging exploration of the relationship between avant-garde art and American network television from the 1940s through the 1970s The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue comprehensively examines the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. It also addresses the larger cultural and social context of television. Artists, fascinated with the new medium and its technological possibilities, contributed to network programs and design campaigns, appeared on television to promote modern art, and explored, critiqued, or absorbed the new medium in their work. More than 150 illustrations reveal both sides of the dialogue between high art and television through a selection of graphic designs, ephemera, and stills from important television programs--from The Twilight Zone to Batman to Rowan & Martin's Laugh-In, and more--as well as works by artists including Salvador Dalí, Lee Friedlander, Agnes Martin, Man Ray, Andy Warhol, and many others. Revolution of the Eye uncovers the cultural history of a medium whose powerful influence on our lives remains pervasive.

Museum Representations of Maoist China

Museum Representations of Maoist China
Author: Dr Amy Jane Barnes
Publisher: Ashgate Publishing, Ltd.
Total Pages: 265
Release: 2014-08-28
Genre: Art
ISBN: 1472416570

The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ‘Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.