Museum Development In China
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| Author | : Gail Dexter Lord |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 161 |
| Release | : 2019-06-15 |
| Genre | : Business & Economics |
| ISBN | : 1538109980 |
The growth of the number and scale of Chinese museums in the 21st century, from about 1,400 at the turn of the century to over 5,000 to date, reflects the government’s Museum Development Plan for 2011-2020 to open one museum per 250,000 inhabitants, with the goal of attracting one billion visitors at the end of the decade. It is not just the numbers but the speed of development of Chinese museums that takes our breath away—with nearly one new museum per day being opened or expanded in this huge country. What are the motivations for the rapid development of museums in China? How is the public responding? Who pays for these museums and how? What has been the impact of china’s urbanization? How do Chinese museums balance education, scientific research, social cohesion, cultural diplomacy and tourism both internal and external? These are issues that continue to be discussed and debated among western museum professionals in the context of our 200-year history of modern museology. How are these debates evolving in China, which has its own history of museology over that same period from colonialism to communism and from isolation to opening up to the world? This book explores these issues while introducing English-language readers to a sample of the new Chinese museums in case studies and photographs. To accomplish this goal, Lord Cultural Associates partnered with the Chinese Museums Association who engaged leading Chinese museologists, museum directors, academics and architects to provide chapters and case studies on the history of museums in China, on evolving national museum policies, museum exhibitions and cultural diplomacy, the role of private museums, and the impact of museums on society. The four sections of this book build our knowledge of the roles of China’s museums through social and political changes, the systems of governance, the complex relationships between private and public sectors and many levels of government. Section One places the current building boom in context. Section Two addresses how China’s rapid urbanization has fueled the museum building boom, framed it, formed it and in some cases financed it. Section Three analyzes how Chinese exhibitions are tools for cultural diplomacy and key elements of soft power The six case studies in Section Four provide perspectives on the diversity of innovative approaches in the sector. Museum Development in China --- a beautiful, full-color book --- is the product of an international collaboration to discover how much East and West can learn from each other about museum roles, our publics, how we preserve, what we conserve, and our future sustainability—even as we marvel at the accomplishments of China’s museum building boom.
| Author | : Tracey Lie Dan Lu |
| Publisher | : |
| Total Pages | : 235 |
| Release | : 2014 |
| Genre | : |
| ISBN | : |
"From the earliest museums established by Western missionaries in order to implement religious and political power, to the role they have played in the formation of the modern Chinese state, the origin and development of museums in mainland China differ significantly from those in the West. The occurrence of museums in mainland China in the late nineteenth century was primarily a result of internal and external conflicts, Westernization and colonialism, and as such they were never established solely for enjoyment and leisure. Using a historical and anthropological framework, this book provides a holistic and critical review on the establishment and development of museums in mainland China from 1840 to the present day, and shows how museums in China have been used by a wide range of social, political, and state actors for a number of economic, religious, political and ideological purposes. Indeed, Tracey L-D Lu examines the key role played by museums in reinforcing social segmentation, influencing the economy, protecting cultural heritage and the construction and enhancement of ethnic identities and nationalism, and how they have throughout their history helped the powerful to govern the less powerful or the powerless. More broadly, this book provides important comparative insights on museology and heritage management, and questions who the key stakeholders are, how museums reflect broader social and cultural changes, and the relationship between museum and heritage management. Drawing on extensive archival research and anthropological fieldwork, as well as the author's experience working as a museum curator in mainland China in the late 1980s"--.
| Author | : Chui-Fun Selina Ho |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art museums |
| ISBN | : 9789463723527 |
This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum intermediaries, and museum publics in the interlinked processes of regulation, cultural production and consumption, and the issues of identity and representation faced by the art museums in the Greater Pearl River Delta Region. It broadly traces the art museum from its origin as a tool of nationalism and adoption as a vehicle of modernization in both nationalist and early communist periods, until its role in the present, as it reflects the contested and alternative representations, diverse publics, and fissured identities of the post-economic reform period of China.
| Author | : Kirk A. Denton |
| Publisher | : University of Hawaii Press |
| Total Pages | : 362 |
| Release | : 2013-12-31 |
| Genre | : History |
| ISBN | : 0824840062 |
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.
| Author | : Wen Fong |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 571 |
| Release | : 1992 |
| Genre | : Calligraphy, Chinese |
| ISBN | : 0300057016 |
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
| Author | : Mei Xie |
| Publisher | : Springer Nature |
| Total Pages | : 258 |
| Release | : |
| Genre | : |
| ISBN | : 9819771420 |
| Author | : Tami Blumenfield |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 303 |
| Release | : 2013-05-14 |
| Genre | : Social Science |
| ISBN | : 1461468744 |
This volume explores China’s cultural heritage ideology and policies from three interrelated perspectives: the State and World Heritage tourism; cultural heritage tourism at undesignated sites, and the cultural politics of museums and collections. Something of a cultural heritage designation craze is happening in China. This is new within even the last five to ten years. Officials at many levels now see heritage preservation as a means for commoditizing their regions. They are devoting new resources and attention to national and international heritage designations. Thus, addressing cultural heritage politics in a nation dedicated to designation is an important project, particularly in the context of a rapidly growing economy. This volume is also important because it addresses a very wide range of cultural heritage, providing an excellent sample of case studies: historic vernacular urban environments, ethnic tourism, scenic tourism, pilgrimage as tourism, tourism and economic development, museums, border heritage, underwater remains, and the actual governance and management of the sites. This volume is an outstanding introduction to cultural heritage issues in China while contributing to Chinese studies for those with greater knowledge of the area.
| Author | : Marzia Varutti |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 206 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1843838885 |
An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation. Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.
| Author | : Jessica Harrison-Hall |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2018-01-09 |
| Genre | : History |
| ISBN | : 0500519706 |
The history of China— brilliantly told and brought vividly to life through more than 6,000 years of artifacts and treasures This illustrated introduction to the history of China offers a fresh understanding of China’s progress from the Neolithic age to the present. Told in six chapters arranged chronologically, through art, artifacts, people, and places, and richly illustrated with expertly selected objects and artworks, it firmly connects today’s China with its internationally engaged past. From the earliest archaeological relics and rituals, through the development of writing and state, to the advent of empire, the author charts China’s transformation from ancient civilization into the world’s most populous nation and influential economy, offering historical insights and cultural treasures along the way. This accessible book presents an eclectic mix of materials including Chinese theater, the decorative arts, costume, jewelry, and furniture-making, running through to the most recent diffusion of Chinese culture.
| Author | : Cangbai Wang |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2020-12-10 |
| Genre | : Art |
| ISBN | : 1000286932 |
Museum Representations of Chinese Diasporas is the first book to analyse the recent upsurge in museums on Chinese diasporas in China. Examining heritage-making beyond the nation state, the book provides a much-needed, critical examination of China’s engagement with its diasporic communities. Drawing on fieldwork in more than ten museums, as well as interviews with museum practitioners and archival study, Wang offers a timely analysis of the complex ways in which Chinese diasporas are represented in the museum space of China, the ancestral homeland. Arguing that diasporic heritage is highly ambivalent and introducing a diasporic perspective to the study of cultural heritage, this book opens up a new avenue of inquiry into the study and management of cultural heritage in China and beyond. Most importantly, perhaps, Wang sheds new light on the dynamic between China and Chinese diasporas through the lens of the museum. Museum Representations of Chinese Diasporas takes a transnational perspective that will draw attention to the under-researched connections between heritage, mobility and meaning in a global context. As such, this cross-disciplinary work will be of interest to scholars and students working in the museum and heritage studies fields, as well as those studying Asia, China, migration and diaspora, anthropology, history and culture.
