Museum Briefs
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Author | : Tim Ambrose |
Publisher | : Psychology Press |
Total Pages | : 340 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9780415057707 |
Drawing from a wide range of experience, the authors propose the simple ideas which should underpin all professional museum training courses. Organised on a modular basis Museum Basics provides a basic guide to `best practice' in every aspect of museum work, from museum organisation, through collections management and conservation, to marketing and security. It is designed for training courses, to be supplemented by case studies, project work and group discussion.
Author | : Bruno de Cessole |
Publisher | : Stewart, Tabori, & Chang |
Total Pages | : 350 |
Release | : 1998 |
Genre | : Architecture |
ISBN | : |
From Mona Lisa's smile to Napoleon's plundered treasures and I. M. Pei's controversial glass pyramid, this book presents the world's greatest museum, not as the sum of its masterpieces, but as a living, changing institution that throws a high beam on the artistic, political, and social history of the Western World. 650 full-color photos.
Author | : Timothy Ambrose |
Publisher | : Routledge |
Total Pages | : 429 |
Release | : 2006-04-18 |
Genre | : Social Science |
ISBN | : 1134213042 |
Fully updated and extended to include the many changes that have occurred in the last decade and including glossary, sources of information and bibliography, this books draws on a wide range of practical experience to provide an invaluable guide to all aspects of museum work and staff experience for museums worldwide.
Author | : WALTER GRASSKAMP |
Publisher | : Getty Publications |
Total Pages | : 244 |
Release | : 2016-12-10 |
Genre | : Art |
ISBN | : 1606065017 |
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author | : |
Publisher | : |
Total Pages | : 520 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1148 |
Release | : 2005 |
Genre | : Technology |
ISBN | : |
Author | : Joan H. Baldwin |
Publisher | : Taylor & Francis |
Total Pages | : 232 |
Release | : 2017-06-26 |
Genre | : Business & Economics |
ISBN | : 1351732188 |
"Women in the Museum explores the professional lives of the sector's female workforce."--Provided by publisher.
Author | : Barry Lord |
Publisher | : Rowman & Littlefield |
Total Pages | : 457 |
Release | : 2014-04-07 |
Genre | : Business & Economics |
ISBN | : 0759122717 |
All museum activities converge in the public forum of the exhibition – regardless of whether the exhibit is held in the physical museum or is on the Web. Since the first edition of this book in 2002, there has been a world-wide explosion of new galleries and exhibition halls, and new ideas about how exhibitions should look and communicate. The definition of what an exhibition is has changed as exhibitions can now be virtual; non-traditional migratory and pop-up spaces play host to temporary displays; social media has created amazing opportunities for participatory engagement and shifted authority away from experts to the public; and as time-constrained audiences demand more dynamic, interactive, and mobile applications, museum leadership, managers, staff, and designers are rising to these challenges in innovative ways. Drawing on years of experience and top-flight expertise, Barry Lord and Maria Piacente detail the exhibition process in a straightforward way that can be easily adapted by institutions of any size. They explore the exhibition development process in greater detail, providing the technical and practical methodologies museum professionals need today. They’ve added new features and expanded chapters on project management, financial planning and interactive multimedia while retaining the essential content related to interpretive planning, curatorship, and roles and responsibilities. This second edition of the standby Manual of Museum Exhibitions is arranged in four parts: Why – Covering the purpose of exhibits, where exhibit ideas come from, and how to measure success Where – Covering facilities and spaces, going into details including security, and interactive spaces What – A look at both permanent collection displays, and non-collection displays, as well as virtual, participatory, temporary, travelling displays, and retail sales How – Who is involved, planning, curatorship, and content development, design, multimedia, fabrication and installation, financial planning, and project management Over 130 figures and photographs illustrate every step of the exhibit process. No museum can be without this critical, detailed guide to an essential function.
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Publisher | : Government Printing Office |
Total Pages | : 128 |
Release | : |
Genre | : |
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Author | : Royal Irish academy mus |
Publisher | : |
Total Pages | : 26 |
Release | : 1876 |
Genre | : |
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