Murray Talks Music
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Author | : Albert Murray |
Publisher | : U of Minnesota Press |
Total Pages | : 341 |
Release | : 2017-10-17 |
Genre | : Music |
ISBN | : 1452956154 |
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
Author | : Albert Murray |
Publisher | : U of Minnesota Press |
Total Pages | : 416 |
Release | : 2016-05-16 |
Genre | : Music |
ISBN | : 1452951551 |
The year 2016 will mark the centennial of the birth of Albert Murray (1916–2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable interpreter of jazz and blues. Not only did his prizewinning study Stomping the Blues (1976) influence musicians far and wide, it was also a foundational text for Jazz at Lincoln Center, which he cofounded with Wynton Marsalis and others in 1987. Murray Talks Music brings together, for the first time, many of Murray’s finest interviews and essays on music—most never before published—as well as rare liner notes and prefaces. For those new to Murray, this book will be a perfect introduction, and those familiar with his work—even scholars—will be surprised, dazzled, and delighted. Highlights include Dizzy Gillespie’s richly substantive 1985 conversation; an in-depth 1994 dialogue on jazz and culture between Murray and Wynton Marsalis; and a long 1989 discussion on Duke Ellington between Murray, Stanley Crouch, and Loren Schoenberg. Also interviewed by Murray are producer and impresario John Hammond and singer and bandleader Billy Eckstine. All of thse conversations were previously lost to history. A celebrated educator and raconteur, Murray engages with a variety of scholars and journalists while making insightful connections among music, literature, and other art forms—all with ample humor and from unforeseen angles. Leading Murray scholar Paul Devlin contextualizes the essays and interviews in an extensive introduction, which doubles as a major commentary on Murray’s life and work. The volume also presents sixteen never-before-seen photographs of jazz greats taken by Murray. No jazz collection will be complete without Murray Talks Music, which includes a foreword by Gary Giddins and an afterword by Greg Thomas.
Author | : Albert Murray |
Publisher | : Vintage |
Total Pages | : 0 |
Release | : 1998 |
Genre | : African American musicians |
ISBN | : 9780375703362 |
His schoolteacher, the barber, older girls, and a train-hopping musician teach Scooter just about all he needs to know in Gasoline Point, Alabama, during the 1920s.
Author | : Anne Murray |
Publisher | : Knopf Canada |
Total Pages | : 386 |
Release | : 2009-10-27 |
Genre | : Biography & Autobiography |
ISBN | : 0307373096 |
In this revealing autobiography, Canada’s first lady of song, for the first time, tells the whole story of her astonishing 40-year career in show biz. It is a candid retrospective of the extraordinary success achieved, and the prices that had to be paid. “After ‘Snowbird’ hit, I was swept up like Dorothy in The Wizard of Oz, and catapulted into a strange new universe … If I thought for a moment that I was really in control of events, I was deluded.” Anne Murray An unflinching self-portrait of Canada’s first great female recording artist, All of Me documents the life of Anne Murray, from her humble origins in the tragedy-plagued coal-mining town of Springhill, Nova Scotia, to her arrival on the world stage. Anne recounts her story: the battles with her record companies over singles and albums; the struggle with drug- and alcohol-ridden band members; the terrible guilt and loneliness of being away from her two young children; her divorce from the man who helped launch her career, Bill Langstroth; and the deaths of two of her closest confidantes. The result is a must-read autobiography by Canada’s beloved songbird.
Author | : Pauli Murray |
Publisher | : HarperCollins Publishers |
Total Pages | : 480 |
Release | : 1987 |
Genre | : Biography & Autobiography |
ISBN | : |
Autobiography of an American woman, a pioneer civil rights activist and feminist. Granddaughter of a slave and great-granddaughter of a slave owner, growing up in the "colored" section of Durham, North Carolina in the early 20th century, she rebelled against the segregation that was an accepted fact of life in the South.
Author | : Count Basie |
Publisher | : U of Minnesota Press |
Total Pages | : 664 |
Release | : 2016-12-14 |
Genre | : Music |
ISBN | : 1452953201 |
Count Basie was one of America’s pre-eminent and influential jazz pianists, bandleaders, and composers, known for such classics as “Jumpin’ at the Woodside,” “Goin’ to Chicago Blues,” “Sent for You Yesterday and Here You Come Today,” and “One O’Clock Jump.” In Good Morning Blues, Basie recounts his life story to Albert Murray, from his childhood years playing ragtime with his own pickup band at dances and pig roasts, to his years in New York City in search of opportunity, to rollicking anecdotes of Basie’s encounters with Fats Waller, Frank Sinatra, Fred Astaire, Sammy Davis Jr., Quincy Jones, Billie Holliday, and Tony Bennett. In this classic of jazz autobiography that was ten years in the making, Albert Murray brings the voice of Count Basie to the printed page in what is both testimony and tribute to an incredibly rich life.
Author | : Albert Murray |
Publisher | : Library of America |
Total Pages | : 287 |
Release | : 2020-02-04 |
Genre | : Social Science |
ISBN | : 1598536532 |
Rediscover the “most important book on black-white relationships” in America in a special 50th anniversary edition introduced by Henry Louis Gates, Jr. (Walker Percy) “The United States is in actuality not a nation of black people and white people. It is a nation of multicolored people . . . Any fool can see that the white people are not really white, and that black people are not black. They are all interrelated one way or another.” These words, written by Albert Murray at the height of the Black Power movement, cut against the grain of their moment, and announced the arrival of a major new force in American letters. In his 1970 classic The Omni-Americans, Murray took aim at protest writers and social scientists who accentuated the “pathology” of race in American life. Against narratives of marginalization and victimhood, Murray argued that black art and culture, particularly jazz and blues, stand at the very headwaters of the American mainstream, and that much of what is best in American art embodies the “blues-hero tradition”—a heritage of grace, wit, and inspired improvisation in the face of adversity. Reviewing The Omni-Americans in 1970, Walker Percy called it “the most important book on black-white relationships . . . indeed on American culture . . . published in this generation.” As Henry Louis Gates, Jr. makes clear in his introduction, Murray’s singular poetic voice, impassioned argumentation, and pluralistic vision have only become more urgently needed today.
Author | : Allison Moorer |
Publisher | : Hachette Books |
Total Pages | : 177 |
Release | : 2021-10-12 |
Genre | : Biography & Autobiography |
ISBN | : 0306923068 |
When Allison’s son, John Henry, stopped using his growing vocabulary just before his second birthday, she knew in her bones that something was shifting. In the years since his autism diagnosis, Allison and John Henry have embarked on an intense journey filled with the adventure, joy, heartbreak, confusion, and powerful love lessons that are the hallmarks of a quest for understanding. In I Dream He Talks to Me, Allison details the meltdowns and the moments of grace, and how the mundane expectations of a parent turn into extraordinary achievements. The saying goes, “If you know one person with autism, you know one person with autism”; no two stories are alike, and yet there are universal truths that apply to all parent-child relationships. With gorgeous prose, Allison shares her and John Henry’s experience while also creating a riveting narrative that will speak to anyone who parents—and who has questioned their own ability to do so. An exploration of resilience and compassion—both for ourselves and for others—I Dream He Talks to Me is also a moving meditation on our place in the world and how we get there; what words mean, what they don’t; and, ultimately, how we truly express ourselves and truly know those whom we love.
Author | : R. Murray Schafer |
Publisher | : The Porcupine's Quill |
Total Pages | : 284 |
Release | : 2012 |
Genre | : Biography & Autobiography |
ISBN | : 088984352X |
My Life on Earth and Elsewhere, a memoir by the internationally-acclaimed Canadian composer, music educator and writer R. Murray Schafer, traces the author's life and growth as an artist from his earliest memories to the present. Scenes from his youth as an aspiring painter, a music student at the University of Toronto and a sailor on a Great Lakes freighter give way to memories of his several years of work and wandering in Europe, where he gained a deeper understanding of his vocation, and found, especially in Greece, the inspiration for much of the astonishing music he would create after his return to Canada.
Author | : Albert Murray |
Publisher | : Vintage |
Total Pages | : 114 |
Release | : 2012-09-19 |
Genre | : Music |
ISBN | : 0307828654 |
In this visionary book, Murray takes an audacious new look at black music and, in the process, succeeds in changing the way one reads literature. Murray's subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences; both place a high value on improvisation; and both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity. Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues pays homage to a new black aesthetic.