Murder Ballads Old And New
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| Author | : Paul Slade |
| Publisher | : Soundcheck Books |
| Total Pages | : 151 |
| Release | : 2015-11-01 |
| Genre | : Music |
| ISBN | : 099294807X |
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
| Author | : David John Brennan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : |
| ISBN | : |
In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure--the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their success, such Frankensteinian pursuits proved rife with consequence for the men. Doubts and questions plagued them: What does it mean to be a poet if your work is not your own? Who is best fit to lay claim to a parcel of poetic property that was collaboratively crafted and bequeathed to a fictitious Poet? How does one kill a Poet born of one's own hand? Blending critical examination with jocular playlets-in-verse featuring the authors of the two books in baffled conversation, Murder Ballads reopens a 200-year-old cold case that never received a proper investigation: Who was the first true Author of Lyrical Ballads, and how exactly did he die?
| Author | : Jake Adam York |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 2005 |
| Genre | : Poetry |
| ISBN | : |
Poetry. "Rather than introspection, sensationalism, or mere entertainment, remembering becomes an act of engagement, one that propels the poet toward a fierce intellectual and moral reckoning. And we in turn are held rapt by the lyric enactments of this poet who takes dangerous materials into his hands; who stubbornly pulls at the poisonous sumac obscuring a furnace's ruins; who probes old wound, transfiguring them into new patterns. MURDER BALLADS is wondrous and essential reading, a compelling debut" Jane Satterfield."
| Author | : Steven L Jones |
| Publisher | : Feral House |
| Total Pages | : 182 |
| Release | : 2023-09-12 |
| Genre | : Music |
| ISBN | : 1627311351 |
Murder Ballads Old & New: A Dark and Bloody Record is an exploration of an age-old topic— our human need to document the horrors of the world around us. The murder ballad, here expanded to include songs about traumatic loss in modern variants and multiple styles, including punk, post-punk, alt-country, and folk. The book is a graveyard stroll past tombs both well-kept and half-hidden. Murder Ballads Old & New excavates facts about killers, victims, and the folkloric storytellers who disseminated their tales in song. Author Steven L. Jones focuses the tragic ballad as “an act of remembering and a soul-reckoning with the ineffable.” Songs examined range from obscure tunes from the founding days of the United States to familiar canonical songs learned in schoolrooms and honkytonks. Jones tackles each song in a manner that’s equal parts musicological, psychosocial, and genealogical as he uncovers stories that reveal larger contexts and maps the lineages of songs and themes, forebears, and ancestors. Murder Ballads Old & New includes a wide range of songs and performers from the relatively unknown (Boiled in Lead, Freakons, Nelstone’s Hawaiians) to the ironically famous (Johnny Cash, Lou Reed, Sonic Youth). Highlights include tales of Muddy Waters guitar sideman Pat Hare, whose incendiary blues boast “I’m Gonna Murder My Baby” proved grimly prophetic. And honky-tonk pioneer Eddie Noack, whose morbid stab at late-career rebirth, “Psycho,” couldn’t match the bottomless tragedy of his own life. As well as Depression-era holdup man Pretty Boy Floyd, Schubert’s mythical Erlkönig, and the Manson Family. Murder Ballads Old & New is a compelling delve into the perennial American fascination with True Crime. Includes archival and historical black & white images.
| Author | : Janet Beard |
| Publisher | : Simon and Schuster |
| Total Pages | : 288 |
| Release | : 2023-07-25 |
| Genre | : Fiction |
| ISBN | : 1982151579 |
"A provocative new novel by the nationally bestelling author of THE ATOMIC CITY GIRLS, about nine generations of one family in Eastern Tennessee whose women, in eerie echoes of the notorious Appalachian murder ballads made famous by singers, over more than a century, have been traumatized by acts of violence"--
| Author | : John Hornor Jacobs |
| Publisher | : JournalStone |
| Total Pages | : 243 |
| Release | : 2020-12-15 |
| Genre | : Fiction |
| ISBN | : 1950305406 |
A terrifying collection of horror and crime noir from the author of Southern Gods and A Lush and Seething Hell. Featuring ten tales, two never before in print, Murder Ballads and Other Horrific Tales is an exciting glimpse into the dark territories of the human heart. These are coming-of-age stories. Stories of love and loss, grief and revenge. Survival and redemption. From old gods to malevolent artificial intelligences, vampires to zombies to ghosts, Jacobs exposes our fears and worst imaginings. CONTAINS THE SEQUEL TO SOUTHERN GODS "Jacobs demonstrates masterful control of his eclectic themes and frequently propels them into unexpected and pleasingly original territory... Offers plenty to keep genre fans hooked." --Publishers Weekly
| Author | : Erik Kriek |
| Publisher | : Fantagraphics Books |
| Total Pages | : 138 |
| Release | : 2017-06-21 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1683960114 |
The murder ballad holds a rock-solid position in US roots music and the Great American Songbook for decades. Telling the stories of sometimes true and often not-so-true-crimes and other horrific events, they are raw stories full of unrequited love, betrayal, life, and death. The song form stems from the Anglo-Saxon ballad tradition, where stories were orally passed on to a mostly illiterate population. Dutch cartoonist Erik Kriek was inspired by five old and new murder ballads — including songs by modern masters such as Nick Cave, Steve Earle, and Gillian Welch — and used them as a launching point for five special and ruthless graphic narratives that dig deep into the darkness of Americana, in which guns and religion maintain an uneasy balance.
| Author | : John Hornor Jacobs |
| Publisher | : HarperCollins |
| Total Pages | : 327 |
| Release | : 2019-10-08 |
| Genre | : Fiction |
| ISBN | : 0062880845 |
A World Fantasy Award Nominee! The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul. A brilliant mix of the psychological and supernatural, blending the acute insight of Roberto Bolaño and the eerie imagination of H. P. Lovecraft, The Sea Dreams It Is the Sky examines life in a South American dictatorship. Centered on the journal of a poet-in-exile and his failed attempts at translating a maddening text, it is told by a young woman trying to come to grips with a country that nearly devoured itself. In My Heart Struck Sorrow, a librarian discovers a recording from the Deep South—which may be the musical stylings of the Devil himself. Breathtaking and haunting, A Lush and Seething Hell is a terrifying and exhilarating journey into the darkness, an odyssey into the deepest reaches of ourselves that compels us to confront secrets best left hidden.
| Author | : Dave Soria |
| Publisher | : Z2 Comics |
| Total Pages | : 120 |
| Release | : 2018-11-20 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781940878379 |
Murder Ballads is a truly unique package, AGraphic Novel with an an accompanying soundtrack by Dan Auerbach and RobertFinley. It deftly weaves the music into an narrative that is a meditation onmusic, race, obsession, and how far someone will go to see their vision becomereal, Murder Ballads follows the fall and reinvention of Nate Theodore, thedead-broke and deadbeat owner of a failed record label who is on a cross-countrydrive in the dead of winter with his wife Mary, fleeing the wreckage of theirbusiness and heading towards the destruction of their marriage. But Nate isgiven an unexpected chance to redeem himself when, during an unscheduled detour,he "discovers" Donny and Marvell Fontweathers,two African-American brothers who play a singular version of doom-laden countryblues. Convinced that the brothers arethe key to his salvation, Nate's desperate to make an album with the brothersbefore someone else finds out about them-but he needs money. Money he doesn'thave and can't get through any conventional means. So he persuades Donny andMarvell to join him in a crazy scheme: they'll undertake a minor crime spree toraise the funds needed to produce their record. Naturally, complications arisefor this wannabe modern-day Alan Lomax and his soon-to-be stars, and just likein the murder ballads the Fontweathers Brothers play, the body count starts togrow.. Music contributed by Dan Auerbach andRobert Finley."
| Author | : Helen Morales |
| Publisher | : University of Chicago Press |
| Total Pages | : 173 |
| Release | : 2014-06-06 |
| Genre | : Travel |
| ISBN | : 022612326X |
A star par excellence, Dolly Parton is one of country music’s most likable personalities. Even a hard-rocking punk or orchestral aesthete can’t help cracking a smile or singing along with songs like “Jolene” and “9 to 5.” More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans. In Pilgrimage to Dollywood, Morales sets out to discover Parton’s Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley’s Graceland, then take her to Loretta Lynn’s ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashville; to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the “Dolly Homecoming Parade,” featuring the star herself as grand marshall. Morales’s adventure allows her to compare the imaginary Tennessee of Parton’s lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It’s also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee. This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.
