Muerte De La Fotografia Referencial
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Author | : Gonzalo Fernández Parrilla |
Publisher | : Univ de Castilla La Mancha |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Fiction |
ISBN | : 9788484272106 |
En las últimas décadas del siglo XX la autobiografía se consolidaba como una de las modalidades narrativas más característica de las literaturas finiseculares y, junto con la novela, se constituía en una de las manifestaciones literarias por excelencia de las sociedades modernas. Pero aunque la autobiografía --y todas las escrituras del yo, en general-- pueda ser considerada uno de los géneros emergentes a finales del siglo XX, la escritura autobiográfica es tan antigua como la propia literatura. Sin embargo, la elaboración y desarrollo de los presupuestos críticos y teóricos que han tenido lugar en la segunda mitad del siglo XX y que han contribuido al proceso de conceptualización y delimitación de las manifestaciones de la literatura de memorias son relativamente recientes. Teniendo presente el auge general de esta modalidad narrativa y de los estudios dedicados a ella en otras literaturas del mundo, esta obra recoge algunas reflexiones en torno al estado actual de la escritura autobiográfica en el mundo árabe.
Author | : Tyler Shields |
Publisher | : Harper Collins |
Total Pages | : 158 |
Release | : 2013-11-12 |
Genre | : Photography |
ISBN | : 0062238779 |
With more than 130 raw and revolutionary photographs, The Dirty Side of Glamour showcases Tyler Shields’s unrestrained creative spirit and offers a visual commentary on fame, excess, youth, the trappings of celebrity, and the power of letting go.
Author | : Cuauhtémoc Medina |
Publisher | : UNAM |
Total Pages | : 660 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9789703218837 |
The conference theme was dedicated to the study of the function of art in politics. The present edition compiles the 30 research works divided in 3 sub-topics: Poderes, Cuerpos y Espacios (Powers, Bodies and Spaces); Batallas por el Imaginario (Battles for the Imaginary) and Resistencia y Representación (Resistance and Representation).
Author | : Enrique Lihn |
Publisher | : New Directions Publishing |
Total Pages | : 176 |
Release | : 1978 |
Genre | : Poetry |
ISBN | : 9780811206761 |
Author | : Oscar Iván Maldonado |
Publisher | : University of Texas Press |
Total Pages | : 184 |
Release | : 2010-01-01 |
Genre | : Photography |
ISBN | : 0292778325 |
How does an artist respond to the horrors of war and the genocide of his or her people? Can art play a role in the fight for justice? These are key questions for understanding the work of Guatemalan photographer Daniel Hernández-Salazar. Since the 1980s, Hernández-Salazar has created both documentary and aesthetic works that confront the state-sponsored terrorism and mass killings of Guatemala's long civil war (1962-1996). His photographic polyptych (4-panel image) "Clarification" became the icon for the Recovery of Historical Memory project of the Archbishopric of Guatemala, as well as a rallying symbol for Guatemalans. Broadening his crusade for justice in the twenty-first century, Hernández-Salazar is now also using the shouting angel of his polyptych (entitled "So That All Shall Know") to challenge the forgetting and/or erasure of painful history in many parts of the world, including Mexico, Japan, the United States, Canada, and Argentina. So That All Shall Know is a powerful, comprehensive overview of the work of Daniel Hernández-Salazar on recent Guatemalan history. Portfolios of images present his early photojournalistic work documenting the Guatemalan genocide; his Eros + Thanatos series that responds aesthetically to the destruction of war; and his Street Angel project, which uses his image "So That All Shall Know" to protest against injustice and historical forgetting around the world. Accompanying the images are bilingual English-Spanish essays by four scholars who discuss the development of Hernández-Salazar's art in the context of contemporary photography, the social and political conditions that inspire his work, and the broader questions that arise when artists engage in social struggle. Introduced by Nobel Peace Laureate Rigoberta Menchú Tum, So That All Shall Know is a moving testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.
Author | : Colección Jumex (Mexico) |
Publisher | : La Coleccion Jumex |
Total Pages | : 422 |
Release | : 2004 |
Genre | : Motion picture film collections |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 232 |
Release | : 2002 |
Genre | : Photography |
ISBN | : |
Author | : Inter-American Commission on Human Rights |
Publisher | : BRILL |
Total Pages | : 987 |
Release | : 2022-11-07 |
Genre | : Law |
ISBN | : 9004530606 |
Author | : Josefina Guilisasti |
Publisher | : |
Total Pages | : 62 |
Release | : 2005 |
Genre | : Furniture in art |
ISBN | : |
Author | : Robert Capa |
Publisher | : Penguin Group |
Total Pages | : 136 |
Release | : 1974 |
Genre | : Biography & Autobiography |
ISBN | : |
"Robert Capa: Photographs is the first true retrospective book of one of the century's greatest photographers. Drawing upon hundreds of previously unseen images, this collection reveals Capa as one of the great poets of the camera. In these photographs, we see through the eyes of a driven humanist who was also a documentarian of the highest caliber. While previous volumes on Capa have focused on his role as a war photographer, "Robert Capa: Photographs shows us the remarkable range of his work, which encompasses the sufferings as well as the tenderness, humor and wonder of his subjects. Robert Capa demonstrated not only a passionate commitment to improving the human condition, but also an unfailing eye for graphic impact. Although his photographs remain the definitive visual records of such momentous events as the siege of Madrid, the bombing of Hankou, and the Allied landings on D-day, many of his images have a timeless and universal quality that transcends the specifics of history. A Spanish soldier recoils at the impact of a bullet, the final instant of his life. In a scene of perfect joy, a group of Chinese children laugh at the sky as snow begins to fall. Four farm workers, hauling all the belongings they can manage, trudge grimly away from an apocalyptic backdrop of smoke and ruins: their war-devastated homes. Capa's images reveal his profound compassion and perceptiveness about our tenuous human state. As Cornell Capa (Robert's younger brother and the Founding Director Emeritus of the International Center of Photography) writes in his eloquent remembrance: "He managed to travel all over the world, and to communicate his experience and feelings through a universallanguage: photography." "Robert Capa: Photographs also includes a foreword by Capa's close friend Henri Cartier-Bresson, as well as an informative historical essay by Capa biographer Richard Whelan. At last, here is the book that reveals Robert Capa in a new light. The extraordinary collection of images in "Robert Capa: Photographs brings us--through the events of history--to the very heart of humanity.