Movies Showing Nowhere
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Author | : Yorik Goldewijk |
Publisher | : Pushkin Children's Books |
Total Pages | : 257 |
Release | : 2024-10-01 |
Genre | : Juvenile Fiction |
ISBN | : 1782694110 |
A prizewinning middle grade fantasy adventure about memories, loss and time travel. ‘Strikingly original…A sensational book…The final, emotional twist is like a kick in the solar plexus…but in a good way’—The Guardian On the day Cato came into the world, her mother left it. Cato's dad has been a mere shadow of a person ever since, and Cato has given up reaching out to him. When she finds a mysterious card from an abandoned movie theatre and discovers it has reopened, Cato decides to go take a look. There appears to be something strange about the cinema. The movies showing there are no ordinary movies and somehow the cinema seems to be in connection with the past... Looking for adventure and the truth about her mother, Cato is swept into a dangerous journey through time and memories, straight to a place deep within her heart. A place she had always managed to keep locked away. And then she faces a choice that will change her life, and that of her father, forever.
Author | : Michael Mewshaw |
Publisher | : Simon and Schuster |
Total Pages | : 260 |
Release | : 2000-10-06 |
Genre | : Travel |
ISBN | : 0743213076 |
From Simon & Schuster, Playing Away is Michael Mewshaw's experience on Roman holidays as well as other Mediterranean encounters. Playing Away includes a wide variety of chapters, including ones on traveling by train, enjoying summertime and alfresco living, the unique aspects of the different Mediterranean cities, and much more about exploring this magic region.
Author | : New York Times Theater Reviews |
Publisher | : Taylor & Francis |
Total Pages | : 724 |
Release | : 2001-12 |
Genre | : Performing Arts |
ISBN | : 9780415936965 |
From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.
Author | : Ethan Mordden |
Publisher | : Oxford University Press |
Total Pages | : 286 |
Release | : 2016-11-01 |
Genre | : Music |
ISBN | : 0199395411 |
When films like The Jazz Singer started to integrate synchronized music, in the late 1920s many ambitious songwriting pioneers of the Great White Way - George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others - were enticed westward by Hollywood studios' promises of national exposure and top dollar success. But what happened when writers native to the business of Broadway ran into the very different business of Hollywood? Their movies had their producer despots, their stacking of writing teams on a single project, their use of five or six songs per story where Broadway fit in a dozen, and it seemed as if everyone in Hollywood was uncomfortable with characters bursting into song on the street, in your living room, or in "a cottage small by a waterfall." Did the movies give theater writers a chance to expand their art, or did mass marketing ruin the musical's quintessential charm? Is it possible to trace the history of the musical through both stage and screen manifestations, or did Broadway and Hollywood give rise to two wholly irreconcilable art forms? And, finally, did any New York writer or writing team create a film musical as enthralling and timeless as their work for the stage? In When Broadway Went to Hollywood, writer and celebrated steward of musical theatre Ethan Mordden directs his unmistakable wit and whimsy to these challenging questions and more, charting the volatile and galvanizing influence of Broadway on Hollywood (and vice versa) throughout the twentieth century. Along the way, he takes us behind the scenes of the great Hollywood musicals you've seen and loved (The Wizard of Oz, Gigi, The Sound of Music, Chicago, West Side Story, The Music Man, Grease) as well as some of the outrageous flops you probably haven't. The first book to tell the story of how Broadway affected the Hollywood musical, When Broadway Goes to Hollywood is sure to thrill theatre buffs and movie lovers alike.
Author | : Leah Thomas |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 419 |
Release | : 2018-02-13 |
Genre | : Juvenile Fiction |
ISBN | : 1681191806 |
Following up her acclaimed debut, Because You'll Never Meet Me, Leah Thomas continues the stories of Ollie and Moritz in another heart-warming story of unique friendship
Author | : Oliver Stone |
Publisher | : Hal Leonard Corporation |
Total Pages | : 676 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : 9781557831279 |
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
Author | : Edgar Rice Burroughs |
Publisher | : Jovian Press |
Total Pages | : 51 |
Release | : 2017-12-04 |
Genre | : Fiction |
ISBN | : 1537806254 |
"John Carter and the Giant of Mars," is a juvenile story penned by Burrough's son John "Jack" Coleman Burroughs, and claimed to have been revised by Burroughs. It was written for a Whitman Big Little Book, illustrated by Jack Burroughs that was published in 1940 and then republished in Amazing Stories the next year.
Author | : |
Publisher | : |
Total Pages | : 100 |
Release | : 1993-02-01 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : Alexander Horwath |
Publisher | : Amsterdam University Press |
Total Pages | : 395 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9053566317 |
This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.
Author | : Paul S. Hirsch |
Publisher | : University of Chicago Press |
Total Pages | : 346 |
Release | : 2024-06-05 |
Genre | : Comics & Graphic Novels |
ISBN | : 0226829464 |
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.