Movies as Social Criticism

Movies as Social Criticism
Author: Ian Charles Jarvie
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 238
Release: 1978
Genre: Performing Arts
ISBN: 9780810811065

...a fine introduction to the study of film criticism and the impact on films and society...-CHOICE

Reel Arguments

Reel Arguments
Author: Andrew Light
Publisher: Routledge
Total Pages: 211
Release: 2019-08-30
Genre: Motion pictures
ISBN: 9780367317638

Reel Arguments collects an integrated series of essays addressing the role of film as social criticism. By looking at films and the creators of such films as Alice in the Cities, Enemy of the State, The Conversation, Falling Down, City of Hope, and Matewan, Light persuasively argues that film can be both highly philosophical and influential on publ

Film Criticism in the Digital Age

Film Criticism in the Digital Age
Author: Mattias Frey
Publisher: Rutgers University Press
Total Pages: 285
Release: 2015-04-20
Genre: Performing Arts
ISBN: 0813570743

Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Cinematic Sociology

Cinematic Sociology
Author: Jean-Anne Sutherland
Publisher: SAGE
Total Pages: 497
Release: 2013
Genre: Performing Arts
ISBN: 1412992842

Cinematic Sociology is a one-of-a-kind resource that helps students to view films sociologically while also providing much-needed pedagogy for teaching sociology through film. In this engaging text, the authors take readers beyond watching movies and help them "see" films sociologically while also developing critical thinking and analytical skills that will be useful in college coursework and beyond. The book's essays from expert scholars in sociology and cultural studies explore the ways social life is presented--distorted, magnified, or politicized--in popular film. Contributor to the SAGE Teaching Innovations and Professional Development Award

Film Study

Film Study
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 988
Release: 1990
Genre: Art
ISBN: 9780838631867

The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

Horror Film and Otherness

Horror Film and Otherness
Author: Adam Lowenstein
Publisher: Columbia University Press
Total Pages: 172
Release: 2022-07-19
Genre: Performing Arts
ISBN: 0231556152

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Thought Economics

Thought Economics
Author: Vikas Shah
Publisher: Michael O'Mara Books
Total Pages: 276
Release: 2021-02-04
Genre: Business & Economics
ISBN: 1789292670

Including conversations with world leaders, Nobel prizewinners, business leaders, artists and Olympians, Vikas Shah quizzes the minds that matter on the big questions that concern us all.

The Politics and Poetics of Cinematic Realism

The Politics and Poetics of Cinematic Realism
Author: Hermann Kappelhoff
Publisher: Columbia University Press
Total Pages: 276
Release: 2015-08-11
Genre: Performing Arts
ISBN: 0231539312

Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.

Social Order and Authority in Disney and Pixar Films

Social Order and Authority in Disney and Pixar Films
Author: Kellie Deys
Publisher: Rowman & Littlefield
Total Pages: 235
Release: 2021-11-04
Genre: Performing Arts
ISBN: 1793622116

Social Order and Authority in Disney and Pixar Films contributes to an essential, ongoing conversation about how power dynamics are questioned, reinforced, and disrupted in the stories Disney tells. Whether these films challenge or perpetuate traditional structures (or do both), their considerable influence warrants careful examination. This collection addresses the vast reach of the Disneyverse, contextualizing its films within larger conversations about power relations. The depictions of surveillance, racial segregation, othering, and ableism represent real issues that impact people and their lived experiences. Unfortunately, storytellers often oversimplify or mischaracterize complex matters on screen. To counter this, contributors investigate these unspoken and sometimes unintended meanings. By applying the lenses of various theoretical approaches, including ecofeminism, critiques of exceptionalism, and gender, queer, and disability studies, authors uncover underlying ideologies. These discussions help readers understand how Disney’s output both reflects and impacts contemporary cultural conditions.