Movies and Mass Culture

Movies and Mass Culture
Author: John Belton
Publisher: Rutgers University Press
Total Pages: 300
Release: 1996
Genre: Performing Arts
ISBN: 9780813522289

On how American identity is shaped by motion pictures

Everything Bad is Good for You

Everything Bad is Good for You
Author: Steven Johnson
Publisher: Penguin
Total Pages: 274
Release: 2006-05-02
Genre: Social Science
ISBN: 1101158018

From the New York Times bestselling author of How We Got To Now and Farsighted Forget everything you’ve ever read about the age of dumbed-down, instant-gratification culture. In this provocative, unfailingly intelligent, thoroughly researched, and surprisingly convincing big idea book, Steven Johnson draws from fields as diverse as neuroscience, economics, and media theory to argue that the pop culture we soak in every day—from Lord of the Rings to Grand Theft Auto to The Simpsons—has been growing more sophisticated with each passing year, and, far from rotting our brains, is actually posing new cognitive challenges that are actually making our minds measurably sharper. After reading Everything Bad is Good for You, you will never regard the glow of the video game or television screen the same way again. With a new afterword by the author.

Mass Culture in Soviet Russia

Mass Culture in Soviet Russia
Author: James Von Geldern
Publisher: Indiana University Press
Total Pages: 548
Release: 1995-12-22
Genre: Drama
ISBN: 9780253209696

This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.

Mass Culture

Mass Culture
Author: Bernard Rosenberg
Publisher:
Total Pages: 592
Release: 1957
Genre: Communication
ISBN:

Approaches to Popular Film

Approaches to Popular Film
Author: Joanne Hollows
Publisher: Manchester University Press
Total Pages: 218
Release: 1995-05-15
Genre: Performing Arts
ISBN: 9780719043932

Introductory textbook for A-level and undergraduate courses.

Reframing 9/11

Reframing 9/11
Author: Jeff Birkenstein
Publisher: A&C Black
Total Pages: 258
Release: 2010-05-13
Genre: Social Science
ISBN: 1441119051

A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.

Down and Dirty Pictures

Down and Dirty Pictures
Author: Peter Biskind
Publisher: Simon and Schuster
Total Pages: 572
Release: 2013-01-08
Genre: Performing Arts
ISBN: 1439127107

In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world.

Moving Color

Moving Color
Author: Joshua Yumibe
Publisher: Rutgers University Press
Total Pages: 215
Release: 2012-07-17
Genre: Performing Arts
ISBN: 0813552982

Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.

Film at the Intersection of High and Mass Culture

Film at the Intersection of High and Mass Culture
Author: Paul Coates
Publisher: CUP Archive
Total Pages: 234
Release: 1994-03-25
Genre: Performing Arts
ISBN: 9780521444729

Tracing the boundaries of such genres as film noir, science fiction and melodrama, it demonstrates how these genres were radically expanded by such filmmakers as Neil Jordan, Chris Marker and Georges Franju. This work also reflects on kitsch, the star system, racial and gender stereotypes, and the nature of audience participation.