Motion Pictures Abroad France
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Motion Pictures Abroad, Australia
Author | : Earl H. Young |
Publisher | : |
Total Pages | : 3 |
Release | : 1960 |
Genre | : Motion picture industry |
ISBN | : |
European Motion-picture Industry
Author | : United States. Bureau of Foreign and Domestic Commerce |
Publisher | : |
Total Pages | : 44 |
Release | : 1933 |
Genre | : Motion picture industry |
ISBN | : |
French Cinema
Author | : Rémi Fournier Lanzoni |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 633 |
Release | : 2015-10-22 |
Genre | : Performing Arts |
ISBN | : 1501303090 |
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
Technical Report
Author | : United States. Commission on Obscenity and Pornography |
Publisher | : |
Total Pages | : 268 |
Release | : 1971 |
Genre | : Erotica |
ISBN | : |
Propaganda in Motion Pictures
Author | : United States. Congress. Senate. Committee on Interstate Commerce |
Publisher | : |
Total Pages | : 464 |
Release | : 1941 |
Genre | : Motion pictures |
ISBN | : |
Hollywood Abroad
Author | : Melvyn Stokes |
Publisher | : Bloomsbury Publishing |
Total Pages | : 190 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838716181 |
Hollywood Abroad is the first book to examine the reception of Hollywood movies by non-American audiences. Although numerous books on film history have analyzed the ways in which American films came to dominate world markets, there has so far been very little published work on how audiences outside the United States have responded to Hollywood-produced films. Hollywood Abroad explores the reception of U.S. films in Britain, France, Belgium, Turkey, Australia, India, Japan, and Central Africa. The book covers topics from the first major penetration of American films into France, Britain, and Australia to the impact of such films as The Best Years of Our Lives to the response of Belgian young people in the age of the multiplex. It demonstrates that the story of the reception of American films overseas is less one of domination than of a complex adoption of Hollywood into various cultures.