Motion Picture Herald Vol 171
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The Great Gatsby meets Alain Badiou
Author | : Ursula Vooght |
Publisher | : AOSIS |
Total Pages | : 282 |
Release | : 2023-12-21 |
Genre | : Biography & Autobiography |
ISBN | : 1779952864 |
The subject of this book is a consideration of the usefulness of the concept of fidelity put forward by the philosopher Alain Badiou in the discussion of film adaptation. Fidelity or faithfulness is primarily a consideration that emerges in relation to so-called canonical texts in adaptation: Fitzgerald's The Great Gatsby occupies a position of global recognisability and, within the United States, cultural mythology that has triggered strong reactions to the four Hollywood adaptations. The various adaptations allow for the differing approaches to the adaptation of this novel to be meaningfully explored. The film adaptations’ paratextual elements will be discussed in order to show how these acted as limiting lenses. The strategies of the films for handling elements of Fitzgerald’s prose and themes will be compared across the adaptations. This will culminate in an assertion of the worth of a larger application of a Badiouian fidelity within the field.
Howard Hawks
Author | : Ian Brookes |
Publisher | : Bloomsbury Publishing |
Total Pages | : 296 |
Release | : 2016-04-15 |
Genre | : Performing Arts |
ISBN | : 1844579050 |
Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributions consider Hawks' work in relation to issues of gender, genre and relationships between the sexes, discuss key films including Rio Bravo, The Big Sleep and Red River, and address Hawks' visual style and the importance of musicality in his film-making.
The Coming of Sound
Author | : Douglas Gomery |
Publisher | : Routledge |
Total Pages | : 216 |
Release | : 2005-07-08 |
Genre | : Performing Arts |
ISBN | : 1135923949 |
The coming of sound to film was an event whose importance can hardly be overestimated; sound transformed not only the Hollywood film industry but all of world cinema as well. As economic and film historian Douglas Gomery explains, the business of film became not only bigger but much more complex. As sound spread its power, the talkies became an agent of economic and social change through the globe, extending America's reach in ways that had never before been imaginable. This is an essential work for anyone interested in early film, film history and economics, and the history of the American media.
The Sound of Musicals
Author | : Steven Cohan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 222 |
Release | : 2017-10-07 |
Genre | : Performing Arts |
ISBN | : 1844575799 |
Despite having had its obituary written many times, the movie musical remains a flourishing twenty-first century form, and as this volume demonstrates, one that exists far beyond the confines of Broadway and Hollywood. The Sound of Musicals examines the films, stars, issues and traditions of the genre from the 1930s to the present day. Featuring sixteen original essays by leading international scholars, this illuminating collection addresses the complex history and global variety of the movie musical, and considers the delight and passionate engagement that musicals continue to inspire in audiences around the world. The contributors address key issues for understanding the movie musical: questions of genre and generic traditions; questions of history, bringing fresh perspectives to a consideration of Classical Hollywood musicals; and the musical beyond Hollywood, looking at alternatives to the Hollywood model from the 'New Hollywood' and American independent cinema to Bollywood and other national musical traditions. Individual chapters consider key musical stars such as Frank Sinatra, Julie Andrews and Barbra Streisand; film-makers including Robert Altman and Christophe Honoré, and classic musicals such as South Pacific (1958) and Hairspray (1988). In his introduction to the volume, Steven Cohan addresses the significance and enduring appeal of this multi-faceted genre, and considers its recent renaissance with movies such as the High School Musical franchise, and the success of the television series Glee.
Alex North, Film Composer
Author | : Sanya Shoilevska Henderson |
Publisher | : McFarland |
Total Pages | : 278 |
Release | : 2009-07-31 |
Genre | : Performing Arts |
ISBN | : 0786443332 |
Alex North (1910-1991) was one of America's most renowned film composers. His musical scores enhanced more than 60 major motion pictures--A Streetcar Named Desire, Cleopatra and Who's Afraid of Virginia Woolf among them. He had 15 Oscar nominations, and received the Lifetime Achievement Oscar. This book begins with his early life in Pennsylvania, and moves through his studies at Juilliard and in Russia and Mexico, his early experiences in modern dance, documentaries, and theater, and his major work in film. The book also offers analyses of North's musical scores for Streetcar, Spartacus, The Misfits, Under the Volcano, and Prizzi's Honor. Appendices include a bibliography, a filmography, a listing of other North compositions, a discography, and a listing of awards.
The Crowded Prairie
Author | : Michael Coyne |
Publisher | : I.B. Tauris |
Total Pages | : 270 |
Release | : 1997-12-31 |
Genre | : Fiction |
ISBN | : |
Focuses on a group of popular, critically acclaimed westerns, examining their interaction with US society, culture and ideology from the end of the Depression to the Bicentennial in 1976. While exploring their depictions of such issues as intervention in World War II, miscegenation, generational discord, ethnic ascendance, McCarthyism, civil rights, Vietnam, and Watergate, the author shows how the genre veered from sagas of national achievement to bleak visions of life in the US. Annotation copyrighted by Book News, Inc., Portland, OR
Embattled Shadows
Author | : Peter Morris |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 372 |
Release | : 1978 |
Genre | : Performing Arts |
ISBN | : 9780773503236 |
Embattled Shadows is the first and only history of Canadian film making in the years before the establishment of the National Film Board of Canada in 1939. It begins with an entertaining account of the travelling showmen who brought the movies to large and small communities across the country, and discusses the films produced in Canada before World War I. In the atmosphere of heightened nationalism during and after the war there was a determined attempt to establish a film industry. Peter Morris chronicles its occasional successes while, at the same time, examining the reasons behind its ultimate failure -- using the colourful career of the independent producer Ernest Shipman ("Ten Percent Ernie") as a particular reference. He goes on to describe the establishment and eventual collapse of both the federal and Ontario governments' Motion Picture Bureaus. By the Thirties, with the connivance of the Canadian government, Canadian feature film production had deteriorated to the point of turning out "quota" films from the Hollywood mould.
Annual Report of the Commissioner of Patents
Author | : United States. Patent Office |
Publisher | : |
Total Pages | : 1086 |
Release | : 1912 |
Genre | : Agriculture |
ISBN | : |
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.