Moscow The Fourth Rome
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| Author | : Katerina Clark |
| Publisher | : Harvard University Press |
| Total Pages | : 432 |
| Release | : 2011-11-15 |
| Genre | : History |
| ISBN | : 0674062892 |
In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
| Author | : Katerina Clark |
| Publisher | : Harvard University Press |
| Total Pages | : 402 |
| Release | : 1995 |
| Genre | : Family & Relationships |
| ISBN | : 9780674663367 |
One of the most creative periods of Russian culture and the most energized period of the Revolution coincided in 1913-1931. Clark focuses on the complex negotiations among the environment of a revolution, the utopian striving of politicians and intellectuals, the local culture system, and the arena of contemporary European and American culture.
| Author | : Katerina Clark |
| Publisher | : Harvard University Press |
| Total Pages | : 465 |
| Release | : 2021-11-02 |
| Genre | : Literary Criticism |
| ISBN | : 0674261100 |
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.
| Author | : Geoffrey Hosking |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2012-03-29 |
| Genre | : History |
| ISBN | : 0199580987 |
A leading international authority discusses all aspects of Russian history, from the struggle by the state to control society to the transformation of the nation into a multi-ethnic empire, Russia's relations with the West and the post-Soviet era. Original.
| Author | : Mikhail Bulgakov |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 306 |
| Release | : 2016-03-18 |
| Genre | : Fiction |
| ISBN | : 0802190510 |
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
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| ISBN | : 9780976953449 |
The University of Durham presents the excepts from "Moscow the Third Rome," written by the Russian monk Filofei. The monk urges the Moscow grand prince to protect the last Orthodox kingdom on earth. Filofei asserts that Moscow is the third Rome following the falls of Rome and Constantinople.
| Author | : Nicholas Kotar |
| Publisher | : Waystone Press |
| Total Pages | : 407 |
| Release | : 2017-06-30 |
| Genre | : Fiction |
| ISBN | : 0998847917 |
An evil omen clouds the sky. A song of power returns. Can one man's quest save the world? Voran, a young warrior of Vasyllia, lives in a dying world. As blight ravages the countryside and darkness covers the sun, he can't avoid hearing the rumors of an ancient spirit that devours souls. He feels powerless to fight the oncoming devastation until a mythical creature entrusts him with a long-forgotten song. Legend has it that such a song can heal the masses, overthrow kingdoms, and raise humans to divine beings… Armed with the power of the song, Voran must hunt down the dark spirit before it achieves its goal of immortality. His quest takes him through doorways to other worlds and puts him on a collision course with seductive nymphs and riddling giants. With each step of the journey, the strength of the villainous spirit grows, as does Voran’s fear that the only way to save his world… is to let it be destroyed. The Song of the Sirin is an epic fantasy retelling of the Russian fairy tale Prince Ivan and the Grey Wolf. If you like complex characters, creative twists on mythology, and cinematic world-building, then you’ll love Nicholas Kotar’s sweeping tale. Buy The Song of the Sirin to begin the journey today!
| Author | : Lucy Grig |
| Publisher | : Oxford University Press |
| Total Pages | : 482 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 019024108X |
An integrated collection of essays by leading scholars, Two Romes explores the changing roles and perceptions of Rome and Constantinople in Late Antiquity. This important examination of the "two Romes" in comparative perspective illuminates our understanding not just of both cities but of the whole late Roman world.
| Author | : Katerina Clark |
| Publisher | : |
| Total Pages | : 301 |
| Release | : 1985 |
| Genre | : History |
| ISBN | : 9780226107677 |
Deploying analytical tools drawn from anthropology, history, and literary theory, Katerina Clark's pathbreaking study explores the evolution of the socialist realist novel as a myth-like genre. Blending intellectual and literary history, Clark traces the development of the novel's master plot from its origin in the mid-19th century to its end at the close of the 20th. Copyright © Libri GmbH. All rights reserved.
| Author | : Peter J. S. Duncan |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2002-11 |
| Genre | : History |
| ISBN | : 1134744773 |
This unique work will be of great interest to those engaged in politics and Russian studies, as well as professionals dealing with Russia.
