Moscow Prime Time
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Author | : Kristin Roth-Ey |
Publisher | : Cornell University Press |
Total Pages | : 187 |
Release | : 2011-05-15 |
Genre | : History |
ISBN | : 1501771434 |
When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time, a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2011 |
Genre | : |
ISBN | : 9780801448744 |
Author | : Katerina Clark |
Publisher | : Harvard University Press |
Total Pages | : 432 |
Release | : 2011-11-15 |
Genre | : History |
ISBN | : 0674062892 |
In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
Author | : Владимир Войнович |
Publisher | : HarperVia |
Total Pages | : 448 |
Release | : 1990 |
Genre | : Fiction |
ISBN | : |
The year is 1982, just two years before that made famous by Orwell. An exiled Soviet writer discovers that a German travel agency is booking flights through a time warp to a variety of tempting sites and dates in the future. Moscow? The year 2042? How can he resist? Afterword by the Author. Translated by Richard Lourie.
Author | : Audrey Murray |
Publisher | : HarperCollins |
Total Pages | : 466 |
Release | : 2018-07-24 |
Genre | : Travel |
ISBN | : 0062823302 |
The raucous and surprisingly poignant story of a young, Russia-obsessed American writer and comedian who embarked on a solo tour of the former Soviet Republics, never imagining that it would involve kidnappers, garbage bags of money, and encounters with the weird and wonderful from Mongolia to Tajikistan. Kazakhstan, Belarus, and Siberia are not the typical tourist destinations of a twenty-something, nor the places one usually goes to eat, pray, and/or love. But the mix of imperial Russian opulence and Soviet decay, and the allure of emotionally unavailable Russian men proved strangely irresistible to comedian Audrey Murray. At age twenty-eight, while her friends were settling into corporate jobs and serious relationships, Audrey was on a one-way flight to Kazakhstan, the first leg of a nine-month solo voyage through the former USSR. A blend of memoir and offbeat travel guide, this thoughtful, hilarious catalog of a young comedian’s adventures is also a diary of her emotional discoveries about home, love, patriotism, loneliness, and independence. Sometimes surprising, often disconcerting, and always entertaining, Open Mic Night in Moscow will inspire you to take the leap and embark on your own journey into the unknown. And, if you want to visit Chernobyl by way of an insane-asylum-themed bar in Kiev, Audrey can assure you that there’s no other guidebook out there. (She’s looked.)
Author | : Antonio J. Mendez |
Publisher | : PublicAffairs |
Total Pages | : 272 |
Release | : 2019-05-21 |
Genre | : True Crime |
ISBN | : 1541762177 |
From the spymaster and inspiration for the movie Argo, discover the "real-life spy thriller" of the brilliant but under-supported CIA operatives who developed breakthrough spy tactics that helped turn the tide of the Cold War (Malcolm Nance). Antonio Mendez and his future wife Jonna were CIA operatives working to spy on Moscow in the late 1970s, at one of the most dangerous moments in the Cold War. Soviets kept files on all foreigners, studied their patterns, and tapped their phones. Intelligence work was effectively impossible. The Soviet threat loomed larger than ever. The Moscow Rules tells the story of the intelligence breakthroughs that turned the odds in America's favor. As experts in disguise, Antonio and Jonna were instrumental in developing a series of tactics -- Hollywood-inspired identity swaps, ingenious evasion techniques, and an armory of James Bond-style gadgets -- that allowed CIA officers to outmaneuver the KGB. As Russia again rises in opposition to America, this remarkable story is a tribute to those who risked everything for their country, and to the ingenuity that allowed them to succeed.
Author | : Venedikt Erofeev |
Publisher | : Northwestern University Press |
Total Pages | : 172 |
Release | : 1994 |
Genre | : Fiction |
ISBN | : 9780810112001 |
In this classic of Russian humor and social commentary, a fired cable fitter goes on a binge and hopes a train to Petushki (where his "most beloved of trollops" awaits). On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.
Author | : Amor Towles |
Publisher | : Random House |
Total Pages | : 547 |
Release | : 2017-01-09 |
Genre | : Fiction |
ISBN | : 1448135508 |
The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD
Author | : Arkady N. Shevchenko |
Publisher | : |
Total Pages | : 612 |
Release | : 1986 |
Genre | : Political Science |
ISBN | : 9780586069103 |
Author | : Conor O'Clery |
Publisher | : PublicAffairs |
Total Pages | : 354 |
Release | : 2011-08-23 |
Genre | : History |
ISBN | : 1610390121 |
The implosion of the Soviet Union was the culmination of a gripping game played out between two men who intensely disliked each other and had different concepts for the future. Mikhail Gorbachev, a sophisticated and urbane reformer, sought to modernize and preserve the USSR; Boris Yeltsin, a coarse and a hard drinking "bulldozer," wished to destroy the union and create a capitalist Russia. The defeat of the August 1991 coup attempt, carried out by hardline communists, shook Gorbachev's authority and was a triumph for Yeltsin. But it took four months of intrigue and double-dealing before the Soviet Union collapsed and the day arrived when Yeltsin could hustle Gorbachev out of the Kremlin, and move in as ruler of Russia. Conor O'Clery has written a unique and truly suspenseful thriller of the day the Soviet Union died. The internal power plays, the shifting alliances, the betrayals, the mysterious three colonels carrying the briefcase with the nuclear codes, and the jockeying to exploit the future are worthy of John Le Carr' or Alan Furst. The Cold War's last act was a magnificent dark drama played out in the shadows of the Kremlin.