Mosaic Of Juxtaposition
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| Author | : Micheal Sean Bolton |
| Publisher | : Rodopi |
| Total Pages | : 196 |
| Release | : 2014-05-20 |
| Genre | : History |
| ISBN | : 9401210918 |
William S. Burroughs’ experimental narratives, from the 1959 publication of Naked Lunch through the late trilogy of the 1980s, have provided readers with intriguing challenges and, for some, disheartening frustrations. Yet, these novels continue to generate new interest and inspire new insights among an increasing and evolving readership. This book addresses the unique characteristics of Burroughs’ narrative style in order to discover strategies for engaging and navigating these demanding novels. Bolton advises, “Burroughs’ subversive themes and randomizing techniques do not amount to unmitigated attacks on conventions, as many critics suggest, but constitute part of a careful strategy for effecting transformations in his readers”. Utilizing various poststructuralist theories, as well as recent theories in electronic literature and posthumanism, Mosaic of Juxtaposition examines the various strategies that Burroughs employs to challenge assumptions about textual interpretation and to redefine the relationship between reader and text.
| Author | : Katherine M. D. Dunbabin |
| Publisher | : Cambridge University Press |
| Total Pages | : 412 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : 9780521002301 |
This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.
| Author | : |
| Publisher | : |
| Total Pages | : 282 |
| Release | : 1994 |
| Genre | : Biotic communities |
| ISBN | : |
| Author | : Peter C. W. Ho |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 413 |
| Release | : 2019-10-04 |
| Genre | : Religion |
| ISBN | : 1532654421 |
Good poetry is like a good painting: the more you linger over it, the more it reveals. It is a deep well that never runs dry. And that is why the Psalter, like a good painting, keeps giving. In the last four decades, Psalms scholarship has found remarkable fruitfulness in reading the Psalter as a book—that is, in reading the Psalms as a unified composition with a metanarrative across its 150 poems. Pivotal questions associated with this approach really boil down to two questions—how and why? How are individual psalms sequenced, if at all, and what is the design logic behind that macrostructure? This volume seeks to answer those questions. In essence, the Psalter unfurls the story of the Davidic covenant. While interest in the editing of the Psalter remains high in recent Psalms scholarship, this interest has not led to clear consensus. The specific and timely contribution of this volume is twofold. First, it consolidates the results of studies on groups of psalms. Second, it integrates poetic and thematic approaches that are typically separated in Psalms scholarship. Readers will find results of this study surprising and their implications sobering.
| Author | : Costantino Maeder |
| Publisher | : Leuven University Press |
| Total Pages | : 357 |
| Release | : 2015-12-07 |
| Genre | : Music |
| ISBN | : 9462700443 |
Transdisciplinary and intermedial analysis of the experience of music Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. ContributorsPaulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Małgorzata Pawłowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczysław Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)
| Author | : John S. Bak |
| Publisher | : Rodopi |
| Total Pages | : 394 |
| Release | : 2014-09-01 |
| Genre | : History |
| ISBN | : 9401211272 |
Tennessee Williams and Europe: Intercultural Encounters, Transatlantic Exchanges documents the bi-directional exchange of ideas and images between Williams and post-war Europe that have altered the artistic landscapes of both continents. Fifteen Williams scholars from around the world examine this artistic symbiosis and explore avenues of research mostly uncharted in Williams scholarship to date, including our understanding of the early Williams and the uses he made of various European sources in his theatre; the late Williams and the promise European theatre afforded him with his experimental plays; and the posthumous Williams and his influence on late twentieth- and early twenty-first-century European theatre and cinema. To some extent both a product of and a muse for Europe over the last half century, Williams is well positioned to become America’s most famous playwright on the international stage. This book hopes to mark the beginnings of Williams’ rich critical tradition within that global context.
| Author | : John N. Thompson |
| Publisher | : University of Chicago Press |
| Total Pages | : 456 |
| Release | : 2005-06-15 |
| Genre | : Science |
| ISBN | : 0226797627 |
Coevolution—reciprocal evolutionary change in interacting species driven by natural selection—is one of the most important ecological and genetic processes organizing the earth's biodiversity: most plants and animals require coevolved interactions with other species to survive and reproduce. The Geographic Mosaic of Coevolution analyzes how the biology of species provides the raw material for long-term coevolution, evaluates how local coadaptation forms the basic module of coevolutionary change, and explores how the coevolutionary process reshapes locally coevolving interactions across the earth's constantly changing landscapes. Picking up where his influential The Coevolutionary Process left off, John N. Thompsonsynthesizes the state of a rapidly developing science that integrates approaches from evolutionary ecology, population genetics, phylogeography, systematics, evolutionary biochemistry and physiology, and molecular biology. Using models, data, and hypotheses to develop a complete conceptual framework, Thompson also draws on examples from a wide range of taxa and environments, illustrating the expanding breadth and depth of research in coevolutionary biology.
| Author | : Yun-hua Chen |
| Publisher | : Neofelis Verlag |
| Total Pages | : 261 |
| Release | : 2016-12-19 |
| Genre | : Art |
| ISBN | : 395808107X |
Mosaic Space and Mosaic Auteurs constructs a model of mosaic, which extends our focus beyond narrative strategy, to approach the trend of diverse multi-strand films across genres, nations and filmmaking contexts since the late 1980s. Different from investigation of this recurring global phenomenon from perspectives of spectator engagement, narratology, cognitive understanding and socio-political messages, proposed by film scholars, the model of mosaic helps establish the intertwining relationship between narrative, aesthetics, transnational production, and distribution modes – and in the framework of contextualised geopolitical spaces. As the transnational auteurs in question draw talents, resources, and subject matters from a wide range of geopolitical spaces along their border-crossing journeys, their films juxtapose diverse spatial configurations. In fact, "mosaic" is a spatial metaphor which puts emphasis on the visual image of spaces and links space, narrative, and authorship into a multidimensional model of spatial compilation. It is a mosaic which gathers, groups, juxtaposes, and re-arranges spaces, offering a reading of mosaic beyond an exclusive focus on narrative – its nuances are examined in detail in different mosaics of Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien, and Michael Haneke.
| Author | : Pamela Odih |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 295 |
| Release | : 2014-10-17 |
| Genre | : Photography |
| ISBN | : 1443870064 |
On 15th October 2011, hundreds of anti-capitalist protestors assembled into a spectacular carnivalesque procession towards Paternoster Square; the heartland of London’s banking district. Beginning with Althusser’s concept of ‘interpellation’, this book examines Occupy LSX St Paul’s Cathedral in relation to media spectacle. Initially focusing on arrival narratives, it asks the question: were the 15th October 2011 anti-capitalist protestors ‘hailed’ into becoming the subjects of Occupy LSX St Paul’s Cathedral? Based on extensive ethnographic interviews and photographic data, this book demonstrates the complex ways in which Occupy LSX St Paul’s Cathedral ‘interpolated’ (Ashcroft 2001) and subverted media spectacle. Kairos exemplifies the longue durée of the art and ethics of Occupy. The bifarious dimensions of kairos emphasise an ethics of care and devotion alongside the indeterminate possibilities of the aleatory encounter. Formulated within Marxist aleatory materialism, this book explores the momentous reality of Occupy LSX St Paul’s Cathedral. Instantiated within an extraordinary conjuncture of conflict between capital and labour, Occupy LSX St Paul’s Cathedral manifested formidable expressions of resistance to the disembodied ‘space of flows’; ‘timeless times’; and the ‘real virtualities’ of transnational capitalist accumulation. Empirical case studies are used to engage with the extraordinary strategies that Occupy LSX St Paul’s Cathedral politically cultivated to address: (i) the future of print news media, The Occupied Times of London; (ii) disjunctures and disruptions within the locality of the ‘space of place’ amidst the harsh reality of neoliberal austerity measures; (iii) the harnessing of multi-modal information communication technologies as part of an imperative to unite the ‘space of place’ with an international environmental citizenship; (iv) critically mobilising market analogues and promotional media integral to the neoliberal market reform of public sector healthcare provision and, in so doing, occupying a radical riposte to the entrepreneurial self and marketized morals of neoliberalism’s homo economicus consumer citizen. In these and many other examples, this book argues that Occupy LSX St Paul’s Cathedral exemplifies the possibilities of kairos as a condition and consequence of the politics, visual media and culture of new social movements.
| Author | : Judith Seligson |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 814 |
| Release | : 2021-03-08 |
| Genre | : Social Science |
| ISBN | : 1527567230 |
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
