More Important Than The Music
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Author | : Bruce D. Epperson |
Publisher | : University of Chicago Press |
Total Pages | : 301 |
Release | : 2013-10-01 |
Genre | : Music |
ISBN | : 022606767X |
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
Author | : Bruce D. Epperson |
Publisher | : University of Chicago Press |
Total Pages | : 0 |
Release | : 2013-10-01 |
Genre | : Music |
ISBN | : 9780226067537 |
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
Author | : Jason Timothy |
Publisher | : Independently Published |
Total Pages | : 238 |
Release | : 2020-07-18 |
Genre | : |
ISBN | : 9781983207334 |
Music Production can be an elusive art form for many, and the challenges that face someone who is new to this can easily create overwhelm and lead to complete paralysis. The goal of this book, is to cover music production from many different angles in a way that will change your thinking on the subject and build your confidence.Music making is a very mental and psychological game, and more often than not, all the technical stuff can hold you back from achieving your goals if you don't have the right creative habits in place first.With all the information available with a simple Google search, I wanted to really get to the heart of things that aren't being discussed nearly enough. I want to clear out all the garbage you may have been told and replace it with the essentials you can put to immediate use. Many people new to music may dive into forums and mindlessly watch video tutorials attempting to gather more and more information until they think they have enough to get going (hint: you never feel like you know enough).That would be like reading a whole encyclopedia and then being asked to recall only the important things that will get you from point A to point B. Even worse, much of the information you get will contradict the last thing you read. It's like finding a needle in a haystack only to be told it's the wrong needle. There is a much better approach. It's an approach that doesn't require you to know a lot to get started. You only need to know enough to get to the next step in your process.There is truly nothing stopping you from becoming a music producer. The ones who are successful now are the ones who started from nothing and chipped away at it until they found a way to express their unique voice. There are no gatekeepers making decisions on who is worthy and who isn't. The determining factor is you, your habits and your confidence in yourself.This book can be read from start to finish, or as a "choose your own adventure", going directly to what you think can help you most right now. Don't get caught up thinking you have to devour everything before getting started. That isn't necessary, and isn't the point of the book.The core concepts in the book will come up time & time again which should help you retain them & be able to recall them when the need arrives. By exploring these concepts from several angles you should gain a broad view of their many uses.My hope is that this book is used as a toolbox. You simply find the right tool that moves you forward and get back to work. So few people, who have more than enough information in their heads, ever start. Of those who do start, even fewer finish what they started and are satisfied with the results. I want you to be in that small group of finishers.Let's get started.
Author | : Fred Plotkin |
Publisher | : Hyperion |
Total Pages | : 520 |
Release | : 1994-12 |
Genre | : Music |
ISBN | : |
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Author | : Alex Ross |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 706 |
Release | : 2007-10-16 |
Genre | : Music |
ISBN | : 1429932880 |
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author | : R. Larry Todd |
Publisher | : Cambridge University Press |
Total Pages | : 280 |
Release | : 1983-04-21 |
Genre | : Music |
ISBN | : 9780521246552 |
This book is a study and critical edition of Mendelssohn's composition exercise book from his early period of study with Carl Friedrich Zelter (1819-1821). The workbook illustrates in considerable detail the young musician's struggle to master the rules of part writing and principles of counterpoint. Much of Zelter's systematic teaching method is grounded in the eighteenth-century theoretical tradition of Berlin; not surprisingly, the exercises bear the stamp of the music of J. S. Bach, which heavily influenced such Berlin musicians as C. P. E. Bach, C. F. C. Fasch, Marpurg, Kirnberger, Zelter and Mendelssohn. There is little doubt that the historicist attitude of the mature Mendelssohn - as seen in his efforts to revive the works of Bach and Handel and in his propensity toward strict contrapuntal techniques in his own music - was conditioned by these studies with Zelter. The publication of the workbook sheds new light on the early development of one ofthe most important nineteenth-century composers who, though affected by the new wave of romanticism that swept over Europe, never lost his respect for the past. No less important, the manuscript includes several previously unpublished pieces which rank among Mendelssohn's earliest compositions.
Author | : Jeffrey Brabec |
Publisher | : Schirmer Trade Books |
Total Pages | : 537 |
Release | : 2011-07-18 |
Genre | : Music |
ISBN | : 0857126466 |
The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
Author | : Trevor Herbert |
Publisher | : Oxford University Press, USA |
Total Pages | : 368 |
Release | : 2013-08-15 |
Genre | : History |
ISBN | : 0199898316 |
The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.
Author | : Anna Harwell Celenza |
Publisher | : Cambridge University Press |
Total Pages | : 333 |
Release | : 2019-08-22 |
Genre | : Music |
ISBN | : 1108423531 |
Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
Author | : Michael Downes |
Publisher | : Routledge |
Total Pages | : 188 |
Release | : 2017-02-24 |
Genre | : Music |
ISBN | : 1351630806 |
Jonathan Harvey (1939-2012) was one of Britain's leading composers: his music is frequently performed throughout Europe, the United States (where he lived and worked) and Japan. He is particularly renowned for his electro-acoustic music, an aspect on which most previous writing on his work has focused. The present volume is the first detailed study of music from Harvey's considerable body of work for conventional forces. It focuses on two pieces that span one of the most fertile periods in Harvey's output: Song Offerings (1985; awarded the prestigious Britten Award), and White as Jasmine (1999). The book explores the links between the two works - both set texts by Hindu writers, employ a solo soprano, and adumbrate a spiritual journey - as well as showing how Harvey's musical language has evolved in the period between them. It examines Harvey's techniques of writing for the voice, for small ensemble (Song Offerings), and for large orchestra, subtly and characteristically enhanced with electronic sound (White as Jasmine). It shows how Harvey's music is informed by his profound understanding of Eastern religion, as well as offering a clear and accessible account of his distinctive musical language. Both works use musical processes to dramatic and clearly audible effect, as the book demonstrates with close reference to the accompanying downloadable resources. The book draws on interviews with the composer, and benefits from the author's exclusive access to sketches of the two works. It contextualises the works, showing how they are the product of a diverse series of musical influences and an engagement with ideas from both Eastern and Western religions. It also explores how Harvey continued to develop the musical and spiritual preoccupations revealed in these pieces in his later work, up to and including his third opera, Wagner Dream (2007).