More Bywords Classic Reprint
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Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 438 |
Release | : 2009 |
Genre | : Education |
ISBN | : 9780674032576 |
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.
Author | : Judith Lockyer |
Publisher | : SIU Press |
Total Pages | : 216 |
Release | : 1991 |
Genre | : Fiction |
ISBN | : 9780809317028 |
William Faulkner created compelling worlds with his words, but he repeatedly used his characters to warn against words. Relying on Mikhail Bakhtin’s theory of language as both the creation of its user and a social construct, Judith Lockyer outlines Faulkner’s discovery of the power and danger in language. Five of Faulkner’s characters—Horace Benbow, Quentin Compson, Darl Bundren, Isaac McCaslin, and Gavin Stevens—were endowed with a desire for the absolute, inviolable word. Faulkner both shares that desire and argues against it, making the dialogue about language the subtext of all his novels. Here, this continuing dialogue is traced chronologically from Flags in the Dust (Faulkner’s third novel) to A Fable (a late novel here shown in a revealing new light). Lockyer also connects Faulkner’s ideas about language and narration to his social and thematic concerns, particularly to America’s legacy of racial strife. This is a coherent, convincing reading of Faulkner, from the time he finds his true voice and subject in the South through the late novels.
Author | : |
Publisher | : |
Total Pages | : 392 |
Release | : 1916 |
Genre | : Families |
ISBN | : |
Author | : William Parsons ATKINSON |
Publisher | : |
Total Pages | : 36 |
Release | : 1873 |
Genre | : |
ISBN | : |
Author | : Hermann John Weigand |
Publisher | : |
Total Pages | : 80 |
Release | : 1925 |
Genre | : |
ISBN | : |
Author | : D. R. Morier |
Publisher | : Forgotten Books |
Total Pages | : 496 |
Release | : 1836 |
Genre | : Fiction |
ISBN | : |
Excerpt from Zohrab: The Hostage Aga Mohamed deprived one of his brothers of his eyesight, and murdered a second. The history of him whom I have called Hussein Kfili, has a slight reference to the fate of both these unfortunate men. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Holbein Society (Manchester, England) |
Publisher | : |
Total Pages | : 156 |
Release | : 1873 |
Genre | : Illustrated books |
ISBN | : |
Author | : A. J. Arberry |
Publisher | : Taylor & Francis |
Total Pages | : 1632 |
Release | : 2022-07-30 |
Genre | : Religion |
ISBN | : 1000807711 |
In the belief that all the great religions have similarities that confirm and differences that enrich peoples’ spiritual outlook on the world, the editors inaugurated a series which they hoped would bring out the essential tenets of religion in what they perceived to be an age of doubt. The series was originally published in the 1950s and consisted of three kinds of books: translations of imaginative, devotional and philosophic works, with an introduction or commentary; reproductions of masterpieces of religious art; and background books showing the environment in which this literature and art arose and developed. The books overlap each other: Both Eastern and Western religious art often illustrates a religious text and many of the books seek the common ground in their cultural view of religion or philosophy.
Author | : |
Publisher | : |
Total Pages | : 674 |
Release | : 1921 |
Genre | : Classical philology |
ISBN | : |
Author | : Fred Schwed, Jr. |
Publisher | : Wiley |
Total Pages | : 0 |
Release | : 2006-01-10 |
Genre | : Business & Economics |
ISBN | : 9780471770893 |
"Once I picked it up I did not put it down until I finished. . . . What Schwed has done is capture fully-in deceptively clean language-the lunacy at the heart of the investment business." -- From the Foreword by Michael Lewis, Bestselling author of Liar's Poker ". . . one of the funniest books ever written about Wall Street." -- Jane Bryant Quinn, The Washington Post "How great to have a reissue of a hilarious classic that proves the more things change the more they stay the same. Only the names have been changed to protect the innocent." -- Michael Bloomberg "It's amazing how well Schwed's book is holding up after fifty-five years. About the only thing that's changed on Wall Street is that computers have replaced pencils and graph paper. Otherwise, the basics are the same. The investor's need to believe somebody is matched by the financial advisor's need to make a nice living. If one of them has to be disappointed, it's bound to be the former." -- John Rothchild, Author, A Fool and His Money, Financial Columnist, Time magazine Humorous and entertaining, this book exposes the folly and hypocrisy of Wall Street. The title refers to a story about a visitor to New York who admired the yachts of the bankers and brokers. Naively, he asked where all the customers' yachts were? Of course, none of the customers could afford yachts, even though they dutifully followed the advice of their bankers and brokers. Full of wise contrarian advice and offering a true look at the world of investing, in which brokers get rich while their customers go broke, this book continues to open the eyes of investors to the reality of Wall Street.