Monument Builders
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Author | : Edwin Heathcote |
Publisher | : |
Total Pages | : 226 |
Release | : 1999-03-02 |
Genre | : Architecture |
ISBN | : |
This is a study of buildings created to honour the dead. It explores the links between socio-religious and existential perceptions of death and how this has been interpreted in architecture over the 20th century.
Author | : United States. Congress. House. Committee on Veterans' Affairs. Subcommittee on Cemeteries and Burial Benefits |
Publisher | : |
Total Pages | : 44 |
Release | : 1978 |
Genre | : National cemeteries |
ISBN | : |
Author | : Robert Wernick |
Publisher | : |
Total Pages | : 166 |
Release | : 1973 |
Genre | : |
ISBN | : |
Author | : Monument Builders of America, inc |
Publisher | : |
Total Pages | : |
Release | : 1949 |
Genre | : Monuments |
ISBN | : |
Author | : Meghan C. L. Howey |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Great Lakes Region (North America) |
ISBN | : 9780806142883 |
In Mound Builders and Monument Makers of the Northern Great Lakes, 1200-1600, Meghan C. L. Howey uses archaeology to make this connection. She shows how indigenous communities of the northern Great Lakes used earthen structures as gathering places for ritual and social interaction, which maintained connected egalitarian societies in the process.
Author | : Antony Kalashnikov |
Publisher | : Cornell University Press |
Total Pages | : 138 |
Release | : 2023-04-15 |
Genre | : History |
ISBN | : 1501768646 |
Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.
Author | : United States. Congress. House. Committee on Armed Services |
Publisher | : |
Total Pages | : 1062 |
Release | : |
Genre | : Legislative hearings |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 964 |
Release | : |
Genre | : Legislative hearings |
ISBN | : |
Author | : United States. Congress. House. Committee on Armed Services |
Publisher | : |
Total Pages | : 2052 |
Release | : 1953 |
Genre | : |
ISBN | : |
Author | : United States. Congress. House. Committee on Armed Services. Subcommittee No. 3 |
Publisher | : |
Total Pages | : 62 |
Release | : 1954 |
Genre | : Sepulchral monuments |
ISBN | : |
Committee Serial No. 109. Title reads H.R. 1304 by mistake for H.R. 1302.