Bulletin

Bulletin
Author: Archaeological Institute of America
Publisher:
Total Pages: 992
Release: 1909
Genre: Archaeology
ISBN:

Beginning with v. 5, 1914, contains the annual reports of the Institute and the schools, the minutes of the Council, the directory, and announcements of an official nature; the non-technical matter formerly appearing in the quarterly Bulletin has been included in Art and archaeology since 1914. Cf. Bulletin, v. 5, Editorial note.

Bulletin - Archaeological Institute of America

Bulletin - Archaeological Institute of America
Author: Archaeological Institute of America
Publisher:
Total Pages: 366
Release: 1912
Genre: Archaeology
ISBN:

Beginning with v. 5, 1914, contains the annual reports of the Institute and the schools, the minutes of the Council, the directory, and announcements of an official nature; the non technical matter formerly appearing in the quarterly Bulletin has been included in Art and archaeology since 1914. Cf. Bulletin, v. 5, Editorial note.

Hans Holbein the Younger

Hans Holbein the Younger
Author: Erika Michael
Publisher: Routledge
Total Pages: 778
Release: 1997-06-01
Genre: Music
ISBN: 1136781137

In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.The first part of the book, "Some Notes on Reception," contains overviews of texts about

Ornament and European Modernism

Ornament and European Modernism
Author: Loretta Vandi
Publisher: Routledge
Total Pages: 399
Release: 2017-09-22
Genre: Art
ISBN: 1351668587

These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.

A Critical and Historical Corpus of Florentine Painting

A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher: Giunti Editore
Total Pages: 646
Release: 2001
Genre: Art
ISBN:

This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.

Colonialism and Modern Architecture in Germany

Colonialism and Modern Architecture in Germany
Author: Itohan Osayimwese
Publisher: University of Pittsburgh Press
Total Pages: 350
Release: 2017-07-19
Genre: Architecture
ISBN: 0822982919

Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany's built environment in profound ways. The economic challenges of Germany's colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.