Molière, the French Revolution, and the Theatrical Afterlife

Molière, the French Revolution, and the Theatrical Afterlife
Author: Mechele Leon
Publisher: University of Iowa Press
Total Pages: 198
Release: 2009-10
Genre: Drama
ISBN: 1587298910

From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.

The Sentimental Theater of the French Revolution

The Sentimental Theater of the French Revolution
Author: Cecilia Feilla
Publisher: Routledge
Total Pages: 274
Release: 2016-03-03
Genre: Performing Arts
ISBN: 1317016300

Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

Revolutionary Acts

Revolutionary Acts
Author: Susan Maslan
Publisher: JHU Press
Total Pages: 304
Release: 2005-08-26
Genre: Literary Criticism
ISBN: 9780801881251

Publisher Description

The French Revolution and the London Stage, 1789-1805

The French Revolution and the London Stage, 1789-1805
Author: George Taylor
Publisher: Cambridge University Press
Total Pages: 275
Release: 2000
Genre: Drama
ISBN: 0521630525

This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.

Tragedy Walks the Streets

Tragedy Walks the Streets
Author: Matthew S. Buckley
Publisher: JHU Press
Total Pages: 222
Release: 2006-09-19
Genre: Literary Criticism
ISBN: 9780801884344

Publisher description

Molière

Molière
Author: Virginia Scott
Publisher: Cambridge University Press
Total Pages: 350
Release: 2002-05-16
Genre: Biography & Autobiography
ISBN: 9780521012386

This biography of Molière was first published in 2000 and will appeal to general reader and specialists in French and Theatre Studies.

Voltaire and the Theatre of the Eighteenth Century

Voltaire and the Theatre of the Eighteenth Century
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
Total Pages: 207
Release: 1998-10-28
Genre: Literary Criticism
ISBN: 0313029903

Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.

Commemorating Mirabeau

Commemorating Mirabeau
Author: Jessica Goodman
Publisher: MHRA
Total Pages: 216
Release: 2017-08-01
Genre: Drama
ISBN: 1781882185

The death of Honoré Gabriel Riqueti, Comte de Mirabeau, on 2 April 1791, was a key moment in the early years of the French Revolution. The renowned orator, who had played a major role in drafting the Déclaration des droits de l’homme et du citoyen, succumbed to heart disease aged forty-two. His death prompted the establishment of the Panthéon, that secular temple intended to honour the great men of a new, free France. It was also the impetus for a whole range of artistic commemorative creations, including a number of plays, performed or published in the days following his death. This edition presents three such plays, all of which stage Mirabeau in conversation with other great men and women in the afterlife. It situates these texts in the memorial culture of the period, examining how they relate to other forms of commemoration, how they construct the figures of their protagonist and his companions, why their authors performed this commemorative act, and how the same genre could also subvert the celebratory tone. With an appendix containing a further two previously unpublished plays and a dossier on another lost text, this volume is an important study of the role and value of literary – and especially theatrical – commemoration in the early 1790s.