Modes of Composition and the Durability of Style in Literature

Modes of Composition and the Durability of Style in Literature
Author: David L. Hoover
Publisher: Routledge
Total Pages: 216
Release: 2020-11-29
Genre: Literary Criticism
ISBN: 1000262561

Modes of Composition and the Durability of Style employs the tools and methods of computational stylistics to show that style is extremely resistant to changes in how texts are produced. Addressing an array of canonical writers, including William Faulkner, Joseph Conrad, Thomas Hardy, and Henry James, along with popular contemporary writers like Stephen King and Ian McEwan, this volume presents a systematic study of changes in mode of composition and writing technologies. Computational analysis of texts produced in multiple circumstances of composition, such as dictation, handwriting, typewriting, word processing, and translation, reveals the extraordinary durability of authorial style. Modes of Composition and the Durability of Style in Literature will be essential for readers interested in exploring the rapidly expanding field of digital approaches to literature.

Patterns of Literary Style

Patterns of Literary Style
Author: Joseph Strelka
Publisher: University Park : Pennsylvania State University Press
Total Pages: 300
Release: 1971
Genre: Language Arts & Disciplines
ISBN:

A comparative cross-section of essays dealing with problems of personal and period style; style and time; style and the literary use of space; and style and semantics, linguistics, and rhetoric. The essays also discuss questions that derive from considerations of style and psychology, style and sociology, and the mathematical analysis of style by computer. Contributors: Roland Barthes, Manuel de Dieguez, Eugene Falk, Wilhelm Fucks, Pierre Guiraud, Toshihiko Izutsu, Fritz Martini, George E. McSpadden, Marie Hochmuth Nichols, Harry Thornton, Eugene F. Timpe, Karl D. Uitti, Stephen Ullman, Klaus Weissenberger.

Literary Composition

Literary Composition
Author: Sherwin Cody
Publisher:
Total Pages: 0
Release: 2008-10
Genre: Literary Collections
ISBN: 9781437087000

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Craft of Composition

The Craft of Composition
Author: Kris Keeney
Publisher: Pearson
Total Pages: 0
Release: 1999-11
Genre: English language
ISBN: 9780130806031

This rhetorically arranged book bridges the gap between an individual's everyday life and the writing process. Readers become more comfortable with writing and more confident with their ability to think critically. The book focuses on the idea that an individual knows much more about rhetorical modes then they are able to express. Narrative writing style, explanatory writing style, evaluative/interpretive writing style and argument/research writing style. For anyone who wants to improve their writing style using different rhetorical modes

Theories of Style

Theories of Style
Author: Lane Cooper
Publisher:
Total Pages: 492
Release: 2015-07-10
Genre: History
ISBN: 9781331105343

Excerpt from Theories of Style: With Especial Reference to Prose Composition; Essays, Excerpts, and Translations This volume, the editor imagines, may prove serviceable to teachers of English in more than one way. From its origin - and apart from the style of the editor's translations - it may be regarded first of all as a body of literary models to be used in illustration of some good handbook on English prose composition, by classes in what is technically known as Exposition, i.e. written explanation. The editor's conception of such a volume of models arose partly from his belief - which needs no discussion here - that of the three generally recognized Forms of Prose Writing, namely, Description, Narration, and Exposition, only Exposition can be advantageously taught as a practical art by the average instructor in English to the average class; partly from his objection to certain books of "standard" selections, which professed rhetoricians have seen fit to compile for similar purposes of illustration in the classroom. In his opinion these compilations suffer from one fairly obvious defect. As a rule, they seem to lack a fundamental principle which every teacher of thinking and writing is supposed to demand of every book, and to inculcate in the mind of every pupil. They seem lacking in unity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Elements of Style

The Elements of Style
Author: William Strunk
Publisher: Createspace Independent Publishing Platform
Total Pages: 68
Release: 2013-09-23
Genre:
ISBN: 9781492788577

This book aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. In accordance with this plan it lays down three rules for the use of the comma, instead of a score or more, and one for the use of the semicolon, in the belief that these four rules provide for all the internal punctuation that is required by nineteen sentences out of twenty. Similarly, it gives in Chapter III only those principles of the paragraph and the sentence which are of the widest application. The book thus covers only a small portion of the field of English style. The experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he may prefer to that offered by any textbook. It is a pleasure to publish this new, high quality, and affordable edition of this timeless and useful book. This edition has the original 1918-1919 version of the book.

Literature for Composition

Literature for Composition
Author: University Sylvan Barnet
Publisher: Longman Publishing Group
Total Pages: 0
Release: 2004-12
Genre:
ISBN: 9780321296511

Literature for Composition offers the finest writing and argument coverage, helpful discussions of the literary elements, compelling case studies, and a diverse array of selections. This book is based on the assumption that students in composition or literature courses should encounter first-rate writing not simply competent prose, but the powerful reports of experience that have been recorded by highly skilled writers past and present. The study of such writing offers pleasure and insight into life. It also leads to increased skill in communicating. Literature for Composition opens with five chapters devoted to reading, writing, and argument. An entire chapter on critical thinking equips students with a foundation upon which to study the chapters on the literary forms that follow. Two complete chapters cover argument, interpretation, and evaluation. An anthology organized around seven engaging themes allows instructors to structure their classes with great flexibility. Special chapters on visuals and film along with nine case studies offer additional resources.