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| Author | : P. Adams Sitney |
| Publisher | : Columbia University Press |
| Total Pages | : 284 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : 9780231071833 |
Tracing the history of modernism in cinema, this study provides readings of a range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Ingmar Bergman and Robert Bresson. It argues that the act of vision and visual experience are problematized in literary modernism.
| Author | : John Steven Childs |
| Publisher | : Susquehanna University Press |
| Total Pages | : 206 |
| Release | : 1986 |
| Genre | : Literary form |
| ISBN | : 9780941664158 |
Demonstrating the use of practical semiotics, this book illuminates the mystifying work, The Cantos, by Ezra Pound. This first definitive anatomy of Modernism carefully establishes a set of structural elements as a basis for approaching the text.
| Author | : P. Adams Sitney |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 1990 |
| Genre | : Performing Arts |
| ISBN | : 9780231071826 |
| Author | : Susan McCabe |
| Publisher | : Cambridge University Press |
| Total Pages | : 302 |
| Release | : 2005-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 9780521846219 |
Publisher Description
| Author | : Laura Winkiel |
| Publisher | : Routledge |
| Total Pages | : 169 |
| Release | : 2017-03-16 |
| Genre | : Literary Criticism |
| ISBN | : 1317537890 |
Modernism: The Basics provides an accessible overview of the study of modernism in its global dimensions. Examining the key concepts, history and varied forms of the field, it guides the reader through the major approaches, outlining key debates, to answer such questions as: What is modernism? How did modernism begin? Has modernism developed differently in different media? How is it related to postmodernism and postcolonialism? How have politics, urbanization and new technologies affected modernism? With engaging examples from art, literature and historical documents, each chapter provides suggestions for further reading, histories of relevant movements and clear definitions of key terminology, making this an essential guide for anyone approaching the study of modernism for the first time.
| Author | : Ástráður Eysteinsson |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 584 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9789027234544 |
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
| Author | : Cristina Baldacci |
| Publisher | : Mimesis |
| Total Pages | : 196 |
| Release | : 2018-09-18T00:00:00+02:00 |
| Genre | : Performing Arts |
| ISBN | : 8869771822 |
Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.
| Author | : Chris Forster |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 272 |
| Release | : 2021-11-18 |
| Genre | : Literary Criticism |
| ISBN | : 1350033170 |
From cinema and radio broadcasting to the growth of new communication technologies, Modernism and Its Media is the first critical guide to key issues and debates on the changing media contexts of modernist writing. Topics covered include: · Key thinkers, including Walter Benjamin, Theodor Adorno, and Marshall McLuhan · Modernist film – from Eisenstein to the French New Wave cinema · Modernism and mass culture · The history of modernist media and communication technologies · Modernism's legacies for contemporary new media art With case studies covering such topics as the film writings of Joyce, Woolf and Eliot, popular art and kitsch, the Frankfurt School and the rise of the gramophone, this is an essential guide for students and scholars researching the relationship between modernism and mass media.
| Author | : Martino Stierli |
| Publisher | : Yale University Press |
| Total Pages | : 321 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 0300221312 |
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Paul Citroen, George Grosz, Hannah Höch, El Lissitzky, and Le Corbusier.
| Author | : Scott W. Klein |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2021 |
| Genre | : Performing Arts |
| ISBN | : 0199379459 |
"In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors-Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buänuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles-these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography. Contributors: Richard Begam, Maurizia Bascagli, Enda Duffy, Laura Frost, Andrzej Gasiorek, Scott W. Klein, Douglas Mao, Laura Marcus, Jesse Matz, Tyrus Miller, Michael Valdez Moses, Michael North, Elizabeth Otto, Carrie J. Preston, Lisa Siraganian, Michael Wood"--
