Modernist Diaspora
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| Author | : Richard D. Sonn |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 393 |
| Release | : 2022-02-10 |
| Genre | : Art |
| ISBN | : 1350185337 |
In the years before, during, and after the First World War, hundreds of young Jews flocked to Paris, artistic capital of the world and center of modernist experimentation. Some arrived with prior training from art academies in Kraków, Vilna, and Vitebsk; others came armed only with hope and a few memorized phrases in French. They had little Jewish tradition in painting and sculpture to draw on, yet despite these obstacles, these young Jews produced the greatest efflorescence of art in the long history of the Jewish people. The paintings of Marc Chagall, Amedeo Modigliani, Chaim Soutine, Sonia Delaunay-Terk, and Emmanuel Mané-Katz, the sculptures of Jacques Lipchitz, Ossip Zadkine, Chana Orloff, and works by many other artists now grace the world's museums. As the École de Paris was the most cosmopolitan artistic movement the world had seen, the left-bank neighborhood of Montparnasse became a meeting place for diverse cultures. How did the tolerant, bohemian atmosphere of Montparnasse encourage an international style of art in an era of bellicose nationalism, not to mention racism and antisemitism? How did immigrants not only absorb but profoundly influence a culture? This book examines how the clash of cultures produced genius.
| Author | : Jeremy Braddock |
| Publisher | : Johns Hopkins University Press+ORM |
| Total Pages | : 558 |
| Release | : 2013-09-20 |
| Genre | : Literary Criticism |
| ISBN | : 1421410044 |
“How African-American artists and intellectuals sought greater liberty in Paris while also questioning the extent of the freedoms they so publicly praised.” —American Literary History Paris has always fascinated and welcomed writers. Throughout the twentieth and into the twenty-first century, writers of American, Caribbean, and African descent were no exception. Paris, Capital of the Black Atlantic considers the travels made to Paris—whether literally or imaginatively—by black writers. These collected essays explore the transatlantic circulation of ideas, texts, and objects to which such travels to Paris contributed. Editors Jeremy Braddock and Jonathan P. Eburne expand upon an acclaimed special issue of the journal Modern Fiction Studies with four new essays and a revised introduction. Beginning with W. E. B. Du Bois’s trip to Paris in 1900and ending with the contemporary state of diasporic letters in the French capital, this collection embraces theoretical close readings, materialist intellectual studies of networks, comparative essays, and writings at the intersection of literary and visual studies. Paris, Capital of the Black Atlantic is unique both in its focus on literary fiction as a formal and sociological category and in the range of examples it brings to bear on the question of Paris as an imaginary capital of diasporic consciousness. “Demonstrate[s] how Black writers shaped history and contributed to conflicting notions of modernity hosted in Paris . . . The wide range of writers and scholars from American and Francophone studies makes this collection very original and an exciting adventure in concepts, movements, and ideologies that could be acceptable to non-specialists as well.” —American Studies
| Author | : Daniel Makina |
| Publisher | : Taylor & Francis |
| Total Pages | : 399 |
| Release | : 2023-09-01 |
| Genre | : Political Science |
| ISBN | : 1000927644 |
This handbook provides an authoritative multidisciplinary overview of contemporary African international migration. It endeavours to present a single source of reference on issues such as migration history, trends, migrant profiles, narratives, migration-development nexus, migration governance, diasporas, impact of the COVID-19 pandemic, among others. The handbook assembles a multidisciplinary contributor team of distinguished and upcoming Africanist scholars, practitioners, researchers, and policy experts both inside and outside Africa to contribute their perspectives on contemporary African migration. It attempts to address some of the following pertinent questions: What drives contemporary migration in Africa? How are its patterns and trends evolving? What is the architecture of migration governance in Africa? How do migration, diaspora engagement and development play out in Africa? What are the future trajectories of African migration? The handbook is a valuable resource for practitioners, politicians, researchers, university students, and academics interested in studying and understanding contemporary African migration.
| Author | : Sunil S. Amrith |
| Publisher | : Cambridge University Press |
| Total Pages | : 241 |
| Release | : 2011-03-07 |
| Genre | : History |
| ISBN | : 1139497030 |
Migration is at the heart of Asian history. For centuries migrants have tracked the routes and seas of their ancestors - merchants, pilgrims, soldiers and sailors - along the Silk Road and across the Indian Ocean and the China Sea. Over the last 150 years, however, migration within Asia and beyond has been greater than at any other time in history. Sunil S. Amrith's engaging and deeply informative book crosses a vast terrain, from the Middle East to India and China, tracing the history of modern migration. Animated by the voices of Asian migrants, it tells the stories of those forced to flee from war and revolution, and those who left their homes and their families in search of a better life. These stories of Asian diasporas can be joyful or poignant, but they all speak of an engagement with new landscapes and new peoples.
| Author | : Andrea J. Queeley |
| Publisher | : University Press of Florida |
| Total Pages | : 281 |
| Release | : 2017-05-16 |
| Genre | : Social Science |
| ISBN | : 0813063086 |
"Contributes new perspectives on historical black identity formation and contemporary activism in Cuba."--Choice "Provides invaluable insight into the histories and lives of Cubans who trace their origins to the Anglo-Caribbean."--Robert Whitney, author of State and Revolution in Cuba: Mass Mobilization and Political Change, 1920-1940 "Adds a missing piece to the existing literature about the renewal of black activism in Cuba, all the while showing the links and fractures between pre- and post-1959 society."--Devyn Spence Benson, Davidson College In the early twentieth century, laborers from the British West Indies immigrated to Cuba, attracted by employment opportunities. The Anglo-Caribbean communities flourished, but after 1959, many of their cultural institutions were dismantled: the revolution dictated that in the name of unity there would be no hyphenated Cubans. This book turns an ethnographic lens on their descendants who--during the Special Period in the 1990s--moved to "rescue their roots" by revitalizing their ethnic associations and reestablishing ties outside the island. Based on Andrea J. Queeley's fieldwork in Santiago and Guantánamo, Rescuing Our Roots looks at local and regional identity formations as well as racial politics in revolutionary Cuba. Queeley argues that, as the island experienced a resurgence in racism due in part to the emergence of the dual economy and the reliance on tourism, Anglo-Caribbean Cubans revitalized their communities and sought transnational connections not just in the hope of material support but also to challenge the association between blackness, inferiority, and immorality. Their desire for social mobility, political engagement, and a better economic situation operated alongside the fight for black respectability. Unlike most studies of black Cubans, which focus on Afro-Cuban religion or popular culture, Queeley's penetrating investigation offers a view of strategies and modes of black belonging that transcend ideological, temporal, and spatial boundaries. A volume in the series Contemporary Cuba, edited by John M. Kirk
| Author | : Allison Schachter |
| Publisher | : OUP USA |
| Total Pages | : 209 |
| Release | : 2011-11-04 |
| Genre | : Literary Criticism |
| ISBN | : 0199812632 |
Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.
| Author | : Brigid Maureen Cohen |
| Publisher | : Cambridge University Press |
| Total Pages | : 341 |
| Release | : 2012-09-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 1107003008 |
Cohen traces a history of modernism in migration through the composer Stefan Wolpe, from the Bauhaus to Black Mountain College.
| Author | : Sylvester Okwunodu Ogbechie |
| Publisher | : University Rochester Press |
| Total Pages | : 338 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9781580462358 |
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.
| Author | : Ruvani Ranasinha |
| Publisher | : Springer |
| Total Pages | : 286 |
| Release | : 2016-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1137403055 |
This book is the first comparative analysis of a new generation of diasporic Anglophone South Asian women novelists including Kiran Desai, Tahmima Anam, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan, Bangladesh and Sri Lanka – as well as India - this study destabilises the central place given to fiction focused on India. It broadens the customary focus on diasporic writers’ metropolitan contexts, illuminates how these transnational, female-authored literary texts challenge national assumptions and considers the ways in which this new configuration of transnational, feminist writers produces a postcolonial feminist discourse, which differs from Anglo-American feminism.
| Author | : Milton J. Esman |
| Publisher | : Polity |
| Total Pages | : 217 |
| Release | : 2009-07-07 |
| Genre | : Social Science |
| ISBN | : 074564497X |
Throughout human history people have moved across national borders. With the advent of globalization, they are now moving in record numbers in search of greater security or better livelihoods. Diasporas have become an ever important and visible presence in the modern world. Their existence has sometimes resulted in violence and ethnic conflict, and on other occasions they have been peacefully assimilated into the culture and citizenship of their chosen country. This comprehensive new book seeks to explain why Diaspora communities are increasing as never before. In an accessible and engaging introduction to the field, Milton Esman looks closely at the difference in the reception of Diaspora communities throughout the world, and the responses of those communities to their new nations. By focusing on ten examples of contemporary Diasporas from Asia, the Middle East, Europe and the Americas, the book describes and illustrates the problems confronting immigrant communities as they attempt to protect their inherited culture, while coping with the demands and the opportunities they encounter in their adopted country. The book pays particular attention to the types of conflicts that arise from the development of Diaspora communities, and the consequences that these conflicts can have on the international community. This book will be essential reading for students and scholars taking courses in international relations, political sociology, ethnic politics and conflict studies.
