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| Author | : Richard Begam |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 345 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0199980969 |
Africa -- Asia -- The Caribbean -- Ireland -- Australia/New Zealand -- Canada
| Author | : Vikramaditya Prakash |
| Publisher | : Routledge |
| Total Pages | : 433 |
| Release | : 2021-11-22 |
| Genre | : Architecture |
| ISBN | : 1000471632 |
This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks. By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely "global" history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism's normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged. With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.
| Author | : Richard Begam |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : Literature and globalization |
| ISBN | : 9780190910846 |
Africa -- Asia -- The Caribbean -- Ireland -- Australia/New Zealand -- Canada
| Author | : Silvia Nagy-Zekmi |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 192 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780739131763 |
This book presents new scholarship on the subject of imperial expansion through colonization and globalization from a variety of postcolonial perspectives. The chapters in this volume, grouped in three sections, scrutinize imperial expansion within the context of national identities and imageries-deconstructing the modernist and utopian idea of a nation as a site of homogeneity, and reviewing the importance of the concept in the different phases of colonization. Hence the first section, entitled Neo-Imperial Traces or Premonitions in Modernism. The postclassical phase of colonialism is examined through the representation of the colonized and the once-colonized. Applying postcolonial theories and often moving beyond them, scholars scrutinize such textual and filmic representations as exemplified in Asia. These make up section 2, Interference of the Imperial Tradition in Asia, which allows for the rearticulations of cultural heritage in the region within the different and ever-renewed schemes of imperial expansion Section 3, Reformulations of the Imperial Project, seeks to explore the questions surrounding inclusion in, and exclusion from, the realm of power as the founding principle of empire, suggesting that they are discursive and deliberate. Postcolonial societies inherit the trauma of colonialism that subjected people to a cultural displacement that is exacerbated by renewed efforts of imperial Influence through globalization. Book jacket.
| Author | : Scott W. Klein |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2021-10-01 |
| Genre | : Performing Arts |
| ISBN | : 0190912138 |
In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors - Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles - these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art of filmmaking; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography.
| Author | : Jesse Wolfe |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 277 |
| Release | : 2022-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1350328847 |
Exploring how the Bloomsbury Group's cutting-edge thinkers-Virginia Woolf, Sigmund Freud, and E. M. Forster-understood the intimacy of friends, lovers, spouses, and families as historically unfolding phenomena, this book offers a compelling account of modernism's legacies in contemporary fiction and demonstrates the myriad ways in which intimacy was a guiding and persistent idea explored by writers across the 20th-century and up to the present day. Often modernists have been celebrated for their insights into social and civilizational sickness but this book unearths a strain of modernist thought that is more complex and inspiring than this. It discusses how Bloomsbury's thinkers wrestled with the question “Does intimate life improve?” as sexual egalitarianism expands, as taboos against same-sex love, interracial love, and singlehood wane, and as parents and children relate less formally and often more warmly toward one another. And it discusses how many of today's major novelists, such as Salman Rushdie, Zadie Smith, Ian McEwan and Rachel Cusk, look to Bloomsbury's thematic and formal examples when they reformulate this question for our time.
| Author | : David Attwell |
| Publisher | : Routledge |
| Total Pages | : 236 |
| Release | : 2019-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 0429513755 |
Poetics and Politics of Shame in Postcolonial Literature provides a new and wide-ranging appraisal of shame in colonial and postcolonial literature in English. Bringing together young and established voices in postcolonial studies, these essays tackle shame and racism, shame and agency, shame and ethical recognition, the problem of shamelessness, the shame of willed forgetfulness. Linked by a common thread of reflections on shame and literary writing, the essays consider specifically whether the aesthetic and ethical capacities of literature enable a measure of stability or recuperation in the presence of shame’s destructive potential. The obscenity of the in-human, both in the colonial setting and in aftermaths that show little sign of abating, entails the acute significance of shame as a subject for continuing and urgent critical attention.
| Author | : Allana Lindgren |
| Publisher | : Routledge |
| Total Pages | : 650 |
| Release | : 2015-06-05 |
| Genre | : Literary Criticism |
| ISBN | : 1317696166 |
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
| Author | : Graham K. Riach |
| Publisher | : Liverpool University Press |
| Total Pages | : 141 |
| Release | : 2023-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1835533930 |
The Short Story after Apartheid offers the first major study of the anglophone short story in South Africa since apartheid’s end. By focusing on the short story this book complicates models of South African literature dominated by the novel and contributes to a much-needed generic and formalist turn in postcolonial studies. Literary texts are sites of productive struggle between formal and extra-formal concerns, and these brief, fragmentary, elliptical, formally innovative stories offer perspectives that reframe or revise important concerns of post-apartheid literature: the aesthetics of engaged writing, the politics of the past, class and race, the legacies of violence, and the struggle over the land. Through an analysis of key texts from the period by Nadine Gordimer, Ivan Vladislavić, Zoë Wicomb, Phaswane Mpe, and Henrietta Rose-Innes, this book assesses the place of the short story in post-apartheid writing and develops a fuller model of how artworks allow and disallow forms of social thought.
| Author | : Brigid Rooney |
| Publisher | : Anthem Press |
| Total Pages | : 354 |
| Release | : 2018-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 1783088168 |
‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of fiction in dialogue with its evocative and imaginative rendering of suburban place and time. ‘Suburban Space, the Novel and Australian Modernity’ rethinks existing cultural debates about suburbia – in Australia and elsewhere – by putting novelistic representations of ‘suburbs’ (suburban interiors, homes, streets, forms and lives over time) in dialogue with the often negative idea of ‘suburbia’ in fiction as an amnesic and conformist cultural wasteland. ‘Suburban space, the novel and Australian modernity’ shows, in other words, how Australian novels dramatize the collision between the sensory terrain of the remembered suburb and the cultural critique of suburbia. It is through such contradictions that novels create resonant mental maps of place and time. Australian novels are a prism through which suburbs – as sites of everyday colonization, defined by successive waves of urban development – are able to be glimpsed sidelong.
