Modernism And Tagore
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Author | : Ashim Dutta |
Publisher | : Routledge |
Total Pages | : 131 |
Release | : 2021-12-05 |
Genre | : Literary Criticism |
ISBN | : 100047304X |
This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter’s English translations of his spiritual verses, Gitanjali, and took mutual interests in each other’s works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.
Author | : Ābu Saẏīda Āẏuiba |
Publisher | : Sahitya Akademi |
Total Pages | : 238 |
Release | : 1995 |
Genre | : Political Science |
ISBN | : 9788172018511 |
The Book Is A Major Critical Attempt That Tries To Evaluate TagoreýS Literary Genius In The Background Of Modernism Which According To The Author Chiefly Consists In A Single-Minded Preoccupation With The Body Of Poetry With The Consequent Belief In The Self-Sufficiency Of Language And In An Oppressive And Overwhelming Consciousness Of Evil In The World. The Author Tries, Following The Great PoetýS Own View Of Criticism, To Understand The Way In Which The World Expresses Itself In The Body Of TagoreýS Poetic Creation. He Examines How The Awareness Of Evil Grows In TagoreýS Work Until It Becomes Pervasive In His Final Phase. The Critic Shows How The Poet Moves From Romantic Effusion And Melancholy To The Self-Processed Tranquillity Of Divine Love And From There Towards Western Humanism On The One Hand And To A Realisation Of ýThe Gracious Aspect Of The Terribleý On The Other.
Author | : Rabindranath Tagore |
Publisher | : Penguin UK |
Total Pages | : 176 |
Release | : 2005-03-31 |
Genre | : Poetry |
ISBN | : 0141960078 |
The poems of Rabindranath Tagore (1861-1941) are among the most haunting and tender in Indian and in world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and the world, the eternal and transient, and with the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as 'Earth' and 'In the Eyes of a Peacock' present a picture of natural processes unaffected by human concerns, while others, as in 'Recovery - 14', convey the poet's bewilderment about his place in the world. And exuberant works such as 'New Rain' and 'Grandfather's Holiday' describe Tagore's sheer joy at the glories of nature or simply in watching a grandchild play.
Author | : Partha Mitter |
Publisher | : Reaktion Books |
Total Pages | : 282 |
Release | : 2007-11-15 |
Genre | : Art |
ISBN | : 1861896360 |
The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
Author | : Partha Mitter |
Publisher | : Reaktion Books |
Total Pages | : 282 |
Release | : 2007-11-15 |
Genre | : Art |
ISBN | : 9781861893185 |
The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.
Author | : Derek Walcott |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 94 |
Release | : 2014-09-09 |
Genre | : Poetry |
ISBN | : 1466880325 |
The Bounty was the first book of poems Derek Walcott published after winning the 1992 Nobel Prize in Literature. Opening with the title poem, a memorable elegy to the poet's mother, the book features a haunting series of poems that evoke Walcott's native ground, the island of St. Lucia. "For almost forty years his throbbing and relentless lines kept arriving in the English language like tidal waves," Walcott's great contemporary Joseph Brodsky once observed. "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language."
Author | : R. Siva Kumar |
Publisher | : |
Total Pages | : 391 |
Release | : 2013 |
Genre | : Painting, Indic |
ISBN | : 9788189323493 |
Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.
Author | : Amit Chaudhuri |
Publisher | : New York Review of Books |
Total Pages | : 273 |
Release | : 2021-03-30 |
Genre | : Music |
ISBN | : 168137479X |
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
Author | : Rabindranath Tagore |
Publisher | : |
Total Pages | : 218 |
Release | : 1922 |
Genre | : Hindu philosophy |
ISBN | : |
Author | : Ben Conisbee Baer |
Publisher | : Columbia University Press |
Total Pages | : 384 |
Release | : 2019-03-26 |
Genre | : Political Science |
ISBN | : 0231548966 |
Anticolonial struggles of the interwar epoch were haunted by the question of how to construct an educational practice for all future citizens of postcolonial states. In what ways, vanguard intellectuals asked, would citizens from diverse subaltern situations be equally enabled to participate in a nonimperial society and world? In circumstances of cultural and social crisis imposed by colonialism, these vanguards sought to refashion modern structures and technologies of public education by actively relating them to residual indigenous collective forms. In Indigenous Vanguards, Ben Conisbee Baer provides a theoretical and historical account of literary engagements with structures and representations of public teaching and learning by cultural vanguards in the colonial world from the 1920s to the 1940s. He shows how modernizing educative projects existed in complex tension with impulses to indigenize national liberation movements, and how this tension manifests as a central aspect of modernist literary practice. Offering new readings of figures such as Alain Locke, Léopold Senghor, Aimé Césaire, D. H. Lawrence, Rabindranath Tagore, Mahatma Gandhi, and Tarashankar Bandyopadhyay, Baer discloses the limits and openings of modernist representations as they attempt to reach below the fissures of class that produce them. Establishing unexpected connections between languages and regions, Indigenous Vanguards is the first study of modernism and colonialism that encompasses the decisive way public education transformed modernist aesthetics and vanguard politics.