Modernism and Coherence

Modernism and Coherence
Author: Fabio Akcelrud Durão
Publisher: Peter Lang
Total Pages: 164
Release: 2008
Genre: Literary Criticism
ISBN: 9783631569498

Modernism and Coherence is an attempt to develop a negative aesthetics conceived as determinate resistance of artworks against the meaning assigned to them by criticism. From the accumulation of arguments on great texts of modernism, the book describes gestures of refusal that generate figures of negativity: Adorno's Aesthetic Theory becomes a whirlpool revolving around a center refusing predication; Wallace Stevens' poetry exhibits a phonetic escape valve against the pressure of reality; Robert Frost writes a poem that is ahead of you in both senses of the expression; and James Joyce's Ulysses reads its readers in waves of self-folding. This book is an effort to salvage literature as something in itself in a world that increasingly can only see what is for the other.

Modernism

Modernism
Author: Lawrence Rainey
Publisher: John Wiley & Sons
Total Pages: 1217
Release: 2005-07-15
Genre: Literary Criticism
ISBN: 0631204482

Modernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published. Amply represents the giants of modernism - James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett. Includes a generous selection of Continental texts, enabling readers to trace modernism’s dialogue with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School. Supported by helpful annotations, and an extensive bibliography. Allows readers to encounter anew the extraordinary revolution in language that transformed the aesthetics of the modern world .

Conceived in Modernism

Conceived in Modernism
Author: Aimee Armande Wilson
Publisher: Bloomsbury Publishing USA
Total Pages: 177
Release: 2017-06-29
Genre: Literary Criticism
ISBN: 150133395X

"Offers a new perspective on the politics of contraception by showing that Anglo-American birth control rhetoric has roots in modernism"--

Exploring the Invisible

Exploring the Invisible
Author: Lynn Gamwell
Publisher: Princeton University Press
Total Pages: 528
Release: 2020-03-17
Genre: Art
ISBN: 0691191050

How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is also filled with forces that are truly unobservable, known only indirectly by their effects—radio waves, X-rays, and sound-waves. Gamwell shows how artists developed the pivotal style of modernism—abstract, non-objective art—to symbolize these unseen worlds. Starting in Germany with Romanticism and ending with international contemporary art, she traces the development of the visual arts as an expression of the scientific worldview in which humankind is part of a natural web of dynamic forces without predetermined purpose or meaning. Gamwell reveals how artists give nature meaning by portraying it as mysterious, dangerous, or beautiful. With a foreword by Neil deGrasse Tyson and a wealth of stunning images, this expanded edition of Exploring the Invisible draws on the latest scholarship to provide a global perspective on the scientists and artists who explore life on Earth, human consciousness, and the space-time universe.

Gender in Modernism

Gender in Modernism
Author: Bonnie Kime Scott
Publisher: University of Illinois Press
Total Pages: 896
Release: 2007
Genre: American literature
ISBN: 0252074181

Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.

The Language of Things: Understanding the World of Desirable Objects

The Language of Things: Understanding the World of Desirable Objects
Author: Deyan Sudjic
Publisher: W. W. Norton & Company
Total Pages: 209
Release: 2009-06-01
Genre: Architecture
ISBN: 0393240924

A brilliant exposé of the interaction between art, design, and commerce. In The Language of Things, the director of London's Design Museum charts our relationship with all things designed. With scintillating wit and an eye for the pleasures and dangers of rampant consumerism, Deyan Sudjic takes us from luxury car commercials to glossy advertisements for seasonal variations of the Prada purse to the hype surrounding the latest version of the iPhone, exploring how we are manipulated and seduced by our possessions. Who would've thought that it's the subtle visual similarity between the Volkswagen Golf GTI and the barrel of an automatic pistol that makes people want to get behind the wheel? And why is it that digital cameras in cell phones "click" even though they don't have a shutter? Sudjic's illuminating argument will resound with anyone who has ever been affected by how things look—lured, in other words, by the powerful siren call of design.

Measuring the Sadness

Measuring the Sadness
Author: Birgit Neuhold
Publisher: Peter Lang
Total Pages: 228
Release: 2009
Genre: Language Arts & Disciplines
ISBN: 9783631596852

Originally presented as the author's thesis (doctoral)--Fernuniversiteat Hagen, 2008.

Free Indirect Style in Modernism

Free Indirect Style in Modernism
Author: Eric Rundquist
Publisher: John Benjamins Publishing Company
Total Pages: 217
Release: 2017-11-30
Genre: Literary Criticism
ISBN: 9027264538

Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around one of its most important effects: consciousness representation. Modernist narratives exhibit intensified formal experimentation and a heightened concern with characters’ conscious experience, and this provides an ideal context for exploring FIS and its implications for character consciousness. This book focuses on three novels that are central to the Modernist canon: Virginia Woolf’s To the Lighthouse, D.H. Lawrence’s The Rainbow and James Joyce’s Ulysses. It applies the revised theory of FIS in close semantic analyses of the language in these narratives and combines stylistics with literary criticism, linking interpretations with linguistic features in distinct manifestations of the style.