Modern Typography
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| Author | : Robin Kinross |
| Publisher | : Hyphen Press |
| Total Pages | : 286 |
| Release | : 2004 |
| Genre | : Design |
| ISBN | : |
Modern Typography, 2nd Edition is a completely updated and revised edition of Robin Kinross's classic survey of European and North American typography since 1700, first published in 1992. In addition to numerous new illustrations and revised text, Modern Typography has been re-scaled to a new, convenient pocket format. Kinross's overview breaks ground by focusing on the history of typography as an intricate web of social, technical, and material processes, rather than a parade of typeface styles. Eye magazine calls Modern Typography the book that tells "how modern typography got to be the way it is." Together, Kinross's clear, concise writing combined with his extensive knowledge of the history of typography create a gold standard for how design history ought to be written.
| Author | : Herbert Spencer |
| Publisher | : MIT Press |
| Total Pages | : 172 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780262693035 |
A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.
| Author | : Herbert Spencer |
| Publisher | : MIT Press (MA) |
| Total Pages | : 160 |
| Release | : 1983-01 |
| Genre | : Design |
| ISBN | : 9780262690812 |
Since it was first published in 1969, it has served as the standard guide to the impact of twentieth century avant-garde movements on graphic design and typography.
| Author | : Jan Tschichold |
| Publisher | : Univ of California Press |
| Total Pages | : 236 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780520250123 |
"Probably the most important work on typography and graphic design in the twentieth century."--Carl Zahn, The Museum of Fine Arts, Boston
| Author | : Johanna Drucker |
| Publisher | : University of Chicago Press |
| Total Pages | : 306 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 0226165027 |
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
| Author | : Anonyme |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017-08-19 |
| Genre | : Graphic arts |
| ISBN | : 9781616896485 |
6 different typography designs are issued on twelve notecards. This collection features typography coverying popular classics and unique hand-drawn type experiments from the 1920s to the 1960s. Each card is accopmanied by the story of its origin.
| Author | : Cees W. de Jong |
| Publisher | : Inmerc |
| Total Pages | : 416 |
| Release | : 2005 |
| Genre | : Graphic design (Typography) |
| ISBN | : 9789066112506 |
| Author | : Suzanne West |
| Publisher | : Watson-Guptill Publications |
| Total Pages | : 220 |
| Release | : 1990 |
| Genre | : Architecture |
| ISBN | : |
This is a style guide for making decisions about layout and typography. Drawing on a variety of sources, old and new, it presents an overview and analysis of two fundamentally different typographic approaches - the traditional style that evolved over centuries from the Renaissance book, and the modern style that reflects the German-Swiss philosophy of this century. Each style is a reflection of a particular philosophy; each has its own structure and its own set of procedures, priorities and rules. Each section of the book is a model of the style it presents and includes numerous examples, old and new. The book comes with two supplemental materials - a 48-page workbook provides exercises, samples, and specifications for reproducing page samples, grids, and layouts; an 800K disk contains layout templates for traditional and modern formats.
| Author | : Matej Latin |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 2019-08-18 |
| Genre | : |
| ISBN | : 9780464213680 |
Better Web Typography for a Better Web is a book based on a top-rated online course explaining typography to people who build web sites-web designers and web developers. The author, Matej Latin, takes complex concepts such as vertical rhythm, modular scale and page composition, and explains them in an easy-to-understand way. The content of the book is accompanied by live code examples and the readers go through a process of designing and building an example website as they go through the book. This is a new typography book for a new medium, the rules haven't changed much, everything else has.
| Author | : Roxane Jubert |
| Publisher | : Flammarion-Pere Castor |
| Total Pages | : 440 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
This chronological study traces the evolution of graphic form, from Antiquity through the Middle Ages and up through the age of technology. Each period is explained in detail, from Classical craftsmanship to the changes brought on by the Industrial Revolution and the modern-day potential of the digital world. As computers now play an integral role in academic and professional environments, virtually everyone makes font choices on a regular basis, rendering typography more relevant than ever before. This thorough, scholarly, and visually-appealing volume combines the history of the letter form--from the invention of printing to the relationship between graphics and totalitarian regimes--with intricate analysis of graphic design and typography, all supported by 850 images with extensive notes and a bibliography. This is an indispensable handbook for understanding our daily visual environment, and essential reading for all graphic arts professionals.
