Modern Indian Literature As Cosmopolis
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| Author | : Didier Coste |
| Publisher | : Taylor & Francis |
| Total Pages | : 324 |
| Release | : 2024-10-09 |
| Genre | : Literary Criticism |
| ISBN | : 1040130410 |
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
| Author | : Jennifer Dubrow |
| Publisher | : University of Hawaii Press |
| Total Pages | : 194 |
| Release | : 2018-10-31 |
| Genre | : History |
| ISBN | : 0824872703 |
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
| Author | : Vladimir Biti |
| Publisher | : Taylor & Francis |
| Total Pages | : 256 |
| Release | : 2024-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1040152538 |
The book presents Winfried Georg Sebald and Ian McEwan as paradigmatic post-imperial writers who enmeshed in the hierarchies of power inherited from their imperial times, strive to disentangle themselves from that burdensome legacy. To achieve this, they undertake a subtle detachment from the analogously implicated subject positions of their protagonists. In Sebald’s works, these positions are closer to the historical victims of the Third Reich who used to suppress their past experiences, whereas in McEwan’s works, they incline toward the systemic ‘beneficiaries’ of the British Empire who used to overlook their present privileges. However, in distinction to their protagonists’ denied involvements, both authors recognize their implication in their protagonists’ pasts and presents. Such a detachment from familiar protagonists requires the consent of unknown and scattered readers with whom they forge a long-distance solidarity, connective association or complicitous alliance. Thus, to exempt themselves from one complicity, they enter another one.
| Author | : Andrew Nyongesa |
| Publisher | : Taylor & Francis |
| Total Pages | : 174 |
| Release | : 2024-10-07 |
| Genre | : Literary Criticism |
| ISBN | : 1040154069 |
This book is response to the recent surge of formidable voices that consistently demean and attempt to reverse the gains of pan-Africanism. Besides questioning its relevance, these voices supplant essential tenets of pan-Africanism – Blackness, the narrative of Return, sanctity of the ancestral homeland, exposition of evils of colonialism and African Literature – with new postulations. These new suppositions deny race, accentuate onward migration and diminish the ancestral homeland to any ordinary city to globetrot. These voices liken any reminiscence of colonial evils to Afro-pessimism, pronounce African Literature dead on arrival and proceed to ‘substitute’ pan-Africanism through studies, which neglect pioneer and contemporary literary works, cultural productions, folklore, conversations on social media (blogs, Facebook, WhatsApp) and questionnaires to gauge their influence among Black peoples themselves. This study adopts a design that interrogates literary works, data from questionnaires and social media to determine the relevance and influence of pan-Africanism and the new paradigm.
| Author | : P. P. Raveendran |
| Publisher | : Oxford University Press |
| Total Pages | : 369 |
| Release | : 2023-03-03 |
| Genre | : |
| ISBN | : 0192871552 |
This book on Indian literature offers a critique of the aesthetics and politics of modernity as embodied in Indian bhasha literature of the past two centuries. It discusses the complex ways in which the bhasha imagination, even as it reshaped the history of colonial modernity, simultaneously allowed itself to be shaped by it in turn.
| Author | : Suman Gupta |
| Publisher | : John Wiley & Sons |
| Total Pages | : 226 |
| Release | : 2013-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 0745658199 |
This book presents a state-of-the-art overview of the relationship between globalization studies and literature and literary studies, and the bearing that they have on each other. It engages with the manner in which globalization is thematized in literary works, examines the relationship between globalization theory and literary theory, and discusses the impact of globalization processes on the production and reception of literary texts. Suman Gupta argues that, while literature has registered globalization processes in relevant ways, there has been a missed articulation between globalization studies and literary studies. Examples are given of some of the ways in which this slippage is now being addressed and may be taken forward, taking up such themes as the manner in which anti-globalization protests and world cities have figured in literary works; the ways in which theories of postmodernism and postcolonialism, familiar in literary studies, have diverged from and converged with globalization studies; and how industries to do with the circulation of literature are becoming globalized. This book is intended for university-level students and teachers, researchers, and other informed readers with an interest in the above issues, and serves as both a survey of the field and an intervention within it.
| Author | : Jagjeet Lally |
| Publisher | : Taylor & Francis |
| Total Pages | : 560 |
| Release | : 2023-12-20 |
| Genre | : History |
| ISBN | : 1003816819 |
India and the Early Modern World provides an authoritative and wide-ranging survey of the Indian subcontinent over the fifteenth to eighteenth centuries, set within a global context. This book explores questions critical to our understanding of early modern India. How, for instance, were Indians’ religious beliefs, their ways of life, and the horizons of their learning changing over this period? What was happening in the countryside and towns, to culture and the arts, and to the state and its power? Were such experiences comparable or linked to those in other parts of the world? Can we speak of a global early modernity, therefore, within which India played an important role? Organised thematically, each chapter engages with such key issues, debates, and concepts, covering wide ground as it connects, compares, and contrasts developments witnessed across early modern South Asia to those around the globe. Drawing on the fruits of research in numerous fields over the past fifty years and rich in detail, India and the Early Modern World is a pathbreaking volume written engagingly and accessibly with scholars, students, and non-specialists in mind.
| Author | : Sheldon Pollock |
| Publisher | : Univ of California Press |
| Total Pages | : 705 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 0520260031 |
"The scholarship exhibited here is not only superior; it is in many ways staggering. The author's control of an astonishing range of primary and secondary texts from many languages, eras, and disciplines is awe-inspiring. This is a learned, original, and important work."—Robert Goldman, Sanskrit and India Studies, University of California, Berkeley
| Author | : Mahmood Kooria |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2021-09-23 |
| Genre | : Social Science |
| ISBN | : 1000435350 |
This book explores the ways in which Muslim communities across the Indian Ocean world produced and shaped Islamic law and its texts, ideas and practices in their local, regional, imperial, national and transregional contexts. With a focus on the production and transmission of Islamic law in the Indian Ocean, the chapters in this book draw from and add to recent discourses on the legal histories and anthropologies of the Indian Ocean rim as well as to the conversations on global Islamic circulations. By doing so, this book argues for the importance of Islamic legal thoughts and practices of the so-called "peripheries" to the core and kernel of Islamic traditions and the urgency of addressing their long-existing role in the making of the historical and human experience of the religion. Islamic law was and is not merely brought to, but also produced in the Indian Ocean world through constant and critical engagements. The book takes a long-term and transregional perspective for a better understanding of the ways in which the oceanic Muslims have historically developed their religious, juridical and intellectual traditions and continue to shape their lives within the frameworks of their religion. Transregional and transdisciplinary in its approach, this book will be of interest to scholars of Islamic Studies, Indian Ocean Studies, Legal History and Legal Anthropology, Area Studies of South and Southeast Asia and East Africa.
| Author | : K. Suneetha Rani |
| Publisher | : Taylor & Francis |
| Total Pages | : 266 |
| Release | : 2021-11-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 100047044X |
This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements and discursive practices in major South Asian languages. It offers crucial insights into the making of Telugu literature and its critical tradition across over a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, re-interpretations of primary concepts, categories and interactions in Telugu. It presents 32 key texts in literary and cultural studies representing thoughts, debates, signposts and interfaces on important trends in critical discourse in the Telugu region from the middle of the 19th to the end of the 20th century, with nearly all translated by experts for the first time into English. The volume covers a wide array of themes, ranging from a text by Kandukuri Veeresalingam on women’s education to Challapalli Swaroopa Rani on new readings of the oral literature of the marginalised communities. These radical essays explore the interconnectedness of the socio-cultural and historical developments in the colonial and post-independence period in the Telugu region. They discuss themes such as integrative aesthetic visions; poetic and literary forms; modernism; imagination; power structures and social struggles; ideological values; cultural renovations; and collaborations and subversions. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Telugu literature in South Asia. It will be essential for scholars and researchers of Telugu language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies and South Asian studies. It will also interest the Telugu-speaking diaspora and those working on the intellectual history of Telugu and conservation of languages and culture.
